Today in pulp:I recast Blakes 7 with 1970s British sit-com actors to see if it still works!
Surprisingly it does...
#Blakes7 was the BBC's dystopian space opera, running from 1978 to 1981. Cynical, bleak and violent it captured the mood of the late '70s.
But what if David Croft and Jeremy Lloyd had written it? Who would they have cast in Blakes 7: The Sitcom?
Well for Roj Blake my money's on Richard O'Sullivan. Decent, craggy, a natural leading man and a versatile actor. He also played Dick Turpin on ITV so he knows how to portray an outlaw.
And for space smuggler Jenna Stannis I'm going with Richard's co-star from Robin's Nest, Tessa Wyatt. She has the sensible glamour for the part and the right chemistry with O'Sullivan to make the big scenes work.
For ruthless, cynical Kerr Avon there really is only one choice: Hywel Bennett. That cruel charm, those piercing eyes, the world-weary chops. He's just perfect for the part.
Ace thief Vila Restal is a tough one, but I've plumped for Dick Emery here: natural comic timing, a quick wit and good with the cowardly hero roles. His performance in the film Ooh You Are Awful seals the deal on this one.
Alien telepath Cally has a snooty, aloof charm so I think Webdy Craig fits the bill here. Her theatre work gives her the dramatic range, whilst her sit-com experience means she can play the foil to other characters with perfection - that was always Cally's role.
Supreme Commander Servalan? It had to be Yootha Joyce! Cruel, glamorous and waspishly funny when she needs to be, she was born to rule space.
Space Commander Travis needs a big presence as the big villain, so step forward Windsor Davies. He'd put the fear of God into the mutoids as well as Blake in any interrogation scene.
On to the secondary characters now, and for Olag Gan I'm choosing that stalwart character actor Derek Deadman. From the Sweeney to Never The Twain he could play the B-role bruiser to perfection. He also played a Sontaran in The Invasion Of Time, so he knows his sci-fi.
Ship's computer Zen needs a dull but stentorian voice, and who better to provide it than Frank Thornton. Never mind Captain Peacock, Frank was thr voice of some of the best Public Information Films of the '70s - he has the vocals for this.
And finally sarky, irascible, brilliant computer brain Orac. This is Leonard Rossiter to a tee. You can probably hear his querulous tones in your head as you read this. Perfect casting.
Would Blakes 7 work as a '70s sit-com? We'll never know. But it's always worth remembering the sheer range and brilliance of the talent that was available to TV producers on the 1970s. We will never see their like again.
More stories another time...
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He was the terror of London; a demonic figure with glowing eyes and fiery breath who could leap ten feet high. The penny dreadfuls of the time wrote up his exploits in lurid terms. But who was he really?
Today I look at one of the earliest pulp legends: Spring-Heeled Jack!
London has always attracted ghosts, and in the 19th Century they increasingly left their haunted houses and graveyards and began to wader the capital's streets.
But one apparition caught the Victorian public attention more than most...
In October 1837 a 'leaping character' with a look of the Devil began to prey on Londoners. Often he would leap high into the air and land in front of a carriage, causing it to crash. It would then flee with a high-pitched laugh.
Today in pulp I look back at New Zealand's home-grow microcomputer, the 1981 Poly-1!
Press any key to continue...
The Poly-1 was developed in 1980 by two electronics engineering teachers at Wellington Polytechnic, Neil Scott and Paul Bryant, who wanted to create a computer for use in New Zealand schools. Education Minister Merv Wellington liked the idea and gave it the green light.
Backed by government finances, and in partnership with Progeni Computers, Polycorp was formed in 1980 to began work on the prototype for the official Kiwi school computer.
It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.
This is the story of Agatha Christie's 11 lost days...
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage.
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard.
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.
Let me try and set it out.
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.