Today in pulp:I recast Blakes 7 with 1970s British sit-com actors to see if it still works!
Surprisingly it does...
#Blakes7 was the BBC's dystopian space opera, running from 1978 to 1981. Cynical, bleak and violent it captured the mood of the late '70s.
But what if David Croft and Jeremy Lloyd had written it? Who would they have cast in Blakes 7: The Sitcom?
Well for Roj Blake my money's on Richard O'Sullivan. Decent, craggy, a natural leading man and a versatile actor. He also played Dick Turpin on ITV so he knows how to portray an outlaw.
And for space smuggler Jenna Stannis I'm going with Richard's co-star from Robin's Nest, Tessa Wyatt. She has the sensible glamour for the part and the right chemistry with O'Sullivan to make the big scenes work.
For ruthless, cynical Kerr Avon there really is only one choice: Hywel Bennett. That cruel charm, those piercing eyes, the world-weary chops. He's just perfect for the part.
Ace thief Vila Restal is a tough one, but I've plumped for Dick Emery here: natural comic timing, a quick wit and good with the cowardly hero roles. His performance in the film Ooh You Are Awful seals the deal on this one.
Alien telepath Cally has a snooty, aloof charm so I think Webdy Craig fits the bill here. Her theatre work gives her the dramatic range, whilst her sit-com experience means she can play the foil to other characters with perfection - that was always Cally's role.
Supreme Commander Servalan? It had to be Yootha Joyce! Cruel, glamorous and waspishly funny when she needs to be, she was born to rule space.
Space Commander Travis needs a big presence as the big villain, so step forward Windsor Davies. He'd put the fear of God into the mutoids as well as Blake in any interrogation scene.
On to the secondary characters now, and for Olag Gan I'm choosing that stalwart character actor Derek Deadman. From the Sweeney to Never The Twain he could play the B-role bruiser to perfection. He also played a Sontaran in The Invasion Of Time, so he knows his sci-fi.
Ship's computer Zen needs a dull but stentorian voice, and who better to provide it than Frank Thornton. Never mind Captain Peacock, Frank was thr voice of some of the best Public Information Films of the '70s - he has the vocals for this.
And finally sarky, irascible, brilliant computer brain Orac. This is Leonard Rossiter to a tee. You can probably hear his querulous tones in your head as you read this. Perfect casting.
Would Blakes 7 work as a '70s sit-com? We'll never know. But it's always worth remembering the sheer range and brilliance of the talent that was available to TV producers on the 1970s. We will never see their like again.
More stories another time...
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In the 1970s a fascinating engineering battle took place between America and Japan for control of the future. The prize was the world we live in now. And one of the key battles took place on your wrist.
This is the story of the digital watch...
'Digital' is a magical marketing word. Like 'laser' or 'turbo' it suggests progress, mastery and the future. People like those ideas. They like them enough to spend a lot of money on products that have them, especially if they can be a first adopter.
And so it was with the wristwatch. Electronic quartz watches were already a thing by the 1960s: an analogue movement driven by a quartz crystal resonator, powered by a small button battery.
But one American company was setting out on a new timekeeping odyssey...
Today in pulp... let's look back at a Shōjo manga artist whose work celebrated friendships between women: Jun'ichi Nakahara.
Jun'ichi Nakahara was born in Higashikagawa in 1913 and worked as an illustrator, a fashion designer and a doll maker. His work is highly regarded in Japan and he was a significant influence on modern manga art.
In the '20s and '30s Nakahara often drew for Shōjo no Tomo ("Girl's Friend") magazine. The style at the time was for demure, dreamlike imagery, but Nakahara added to this large expressive eyes, often reflecting the light.
Today in pulp I try to decipher 1980s Japanese street style, with the help of Olive: The Magazine for Romantic Girls!
This may involve frills...
Street style is an ever-changing mix of styles, brands, attitudes and poses with various influences. And you normally have to be in the right place at the right time to capture it.
Which is where magazines come in! Photograping, documenting and deconstructing fashion never goes out of style, and in the late 1970s Japanese youth had one key guide to help them: Popeye!
In February 1974 something profound and inexplicable happened to author Philip K Dick that changed his life forever. Was it an illness, a psychotic reaction, or something truly mystical?
Today in pulp I look back at the exegesis of Philip K Dick...
Philip K Dick was both prolific and influential. In his youth he came to the conclusion that, in a certain sense, the world is not entirely real and there is no way to confirm whether it is truly there.
By the end of the 1960s Philip K Dick had published over 40 novels and stories, as well as winning the 1963 Hugo Award for The Man In The High Castle. But he still struggled financially.
What with you being so busy and everythign you may not have visited your local library in a while.
So come with me on a virtual library tour, courtesy of stock photography, to see what we do for a living...
The enquiries desk is normally your first stop in a library, and this is where you will meet The Angry Librarian!
Why is she angry? Because people keep asking her stupid questions!
"Are you open?"
"Do you have a toilet?"
"That chair's wobbly!"
"Why isn't it available in audiobook?"
"Someone else is on the computer and that's not fair!"
Today in pulp I look at the original white stripes: the world of dazzle camoflague!
Traditional pattern camoflague had been used by the British Royal Navy to break up a ship's outline for some time. But in 1917 artist Norman Wilkinson presented the Admiralty with a different idea - camoflague that confused enemy rangefinders.
Dazzle - known in the US as Razzle Dazzle - would use high contrast colours in irregular patterns to make it difficult for enemy gunners to calculate a ship's range and bearing. This would (hopefully) lead to them taking up a poor firing position when they attacked.