I like Sylvie, and Sophia Di Martino's portrayal of her. That she's managed within a few hours to so endearingly establish a connection with a character we've known and loved for over a decade is extraordinary.
Given the character's stated backstory, the way Sylvie is written makes no sense. Worse, she's is a missed opportunity for exploring something more culturally ambitious than themes in 'WandaVision' and 'FATWS', perhaps combined. #Loki 2/
Since she was snatched away from her childhood, Sylvie has been othered, abject, isolated. She's been hiding out in apocalypses her entire, *harrowing* life - which is anything from decades to millenia of devastation and trauma, without respite or recuperation. #Loki 3/