Today in pulp... some short-lived '80s hi-tech action heroes. These people aren't Knight Rider or Airwolf: they're the other guys!
Let's start with Automan.
Launched in 1983 Automan was Glen A. Larson's attempt to cash in on both the computer games craze and Disney's stylish movie Tron.
Neither of which were in good shape by 1983...
Automan starred Desi Arnaz, Jr. as a police computer whizz who created a holographic detective (played by Chuck Wagner) who sadly could only fight crime at night, due to the huge amounts of electricity needed to make him appear.
Helped by 'hilarious' sidekick Cursor, Automan could hack into any computer system. Given it was 1983 the encryption protection he had to overcome was probably pretty minimal.
Automan had a fabulous glowing costume like Tron, made of highly reflective material by 3M and buffed up in post-production using chromakey.
He also had a Lamborghini Countach that could turn at 90 degree angles, plus a helicopter and also a guitar, all created by Cursor's holographic wizardry.
Alas not even a guest appearance by Laura Brannigan could save Automan from being cancelled after only 12 episodes.
Still, it cared better than Glen A. Larson's other action series...
Manimal, launched in 1983, starred Simon MacCorkindale as Dr Jonathan Chase, an explorer and zoologist with an amazing secret power!
Chase, for reasons not really explained, could change himself into any animal through the power of his mind. Usually he turned into a hawk or a panther, but technically nothing was off-limits.
Although Dr Chase used his shape-shifting powers to fight crime nothing could defeat the terrible ratings the series endured. It was paused after four episodes and cancelled after eight. A Will Ferrell movie reboot is apparently in the works.
Misfits of Science managed to last a little longer. Launched with a TV movie in 1985 it was a goofy X-Men kind of programme that never really found its footing.
Dean Paul Martin (son of Dean Martin) played Dr. Billy Hayes, head of the Humanidyne Institute who was "looking for a few good heroes ready to have a blast!"
His team of super-powered misfits included rock star Johnny B, who gained the power of electricity after he electrocuted himself on stage, and Elvin "El" Lincoln who could shrink himself to 11 inches tall by pressing the back of his neck.
The show is best remembered for featuring a young Courteney Cox as troubled telekinetic teen Gloria Dinallo. She was like Stephen King's Carrie, except with more jokes.
Misfits of Science squeezed out an impressive 16 episodes before the series was canned due to poor ratings in 1986. Not even Monica Geller could save it.
At this point we must spare a thought for Blue Thunder, the 1984 TV spin-off from the under-rated Roy Scheider movie of the same name.
On paper it looked like a winner...
James Farentino played police pilot Frank Chaney who, with his heavily moustachioed team, fought bad guys with their cool helicopter gunship Blue Thunder!
Blue Thunder was actually a French Aérospatiale Gazelle with some fancy fittings, and whilst it was pretty fast it did however have one glaring fault...
... it wasn't Airwolf! CBS's rival 'copter show had better plots and a better theme tune. Blue Thunder knew it was beaten and the show was cancelled after eleven episodes.
Street Hawk was kinda like Airwolf but on a motorbike. Launched in 1985 it had a cool theme tune by Tangerine Dream and starred Rex Smith as police officer and amateur dirt-bike racer Jesse Mach.
Street Hawk was shrouded in mystery. To the press he was a dangerous vigilante, but in reality Mach was working for a secret government outfit trying to rid the streets of crime.
The Street Hawk bike was based on the Honda XR500, which alas couldn't really do 300mph using 'hyperthrust'. The series similarly underperformed: it was cancelled after only 13 episodes.
Shows that last the shortest time linger longest in our memories. Maybe it's the sense of what could have been if only the cursed networks had given them a secind series! Whatever it is, short-lived '80s action TV shows - Twitter salutes YOU!
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It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.
This is the story of Agatha Christie's 11 lost days...
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage.
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard.
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.
Let me try and set it out.
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.
Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.
Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel...
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice.
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic?