In 2013, Ilavarasan, a 19 year old Tamil Dalit man and a computer science student fell in love with and married 21 year old Divya from a "Dominant Caste", OBC community of politically powerful Vanniyar community of North Tamil Nadu and all hell broke loose.
In a dramatic sequence of events that unfolded resulted in cementing of fissures between Tamil Nadu's Dalit and OBC communities.
Vanniyars are neither Brahmins, nor forward castes, but this is one Tamil Dravidian community that has never quite embraced Periyarian Dravidianism.
Being most non Dravidian like & Brahminically aspirational and yet a Dravidian community nonetheless, Vanniyars found answer to their "different political" aspirations in the form of the founding of Vanniyar centric Pattali Makkal Katchi (PMK) by politically ambitious S.Ramadoss.
Love affair and marriage between a "lowly" Dalit and "Dominant Caste" Vanniyars was politicized into an issue of "Vanniyar honor" by PMK that put pressure on newly wedded couple as issue became highly publicized. Divya's father committed suicide out of "shame" (Vanniyar pressure)
Ilavarasan means Prince in Tamil and there was Tamil movie also made with same title in 1990s. After her father's suicide Divya was made to come back to her mother and she never went back to Ilavarasan. Court case of "kidnapping" ensued and more public spectacle of the issue.
All of this eventually culminated into a tragedy, when dead body of ilavarasan was found on railway track under suspicious conditions. The death was officially declared a "suicide", but Dalit organizations have had their doubt.
All in all, a family destroyed over caste politics.
While PMK and Ramadoss were clear villains of this unnecessary tragedy, the measured silence of both DMK & AIADMK was also not unnoticed.The necessity of political alliance with PMK preceded the empathy that should have been shown towards Tamilian Dalits by Dravidian ideologues.
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More than 100 people, mostly women & children from Dalit Jatav caste die in stampede at gathering of Vishwa Hari "Bhole Baba" aka "Narayan Sarkar", a self styled Hindu "Guru" also from Jatav caste with massive following among Jatav Dalits.
"Bhole Baba" (real name: Suraj Pal), a former lower rank IB official, who took early retirement from government service to preach message of "Hari" (Hindu God Vishnu & his avatar Krishna) to mostly gullible Hindi speaking Dalits & lower OBC castes in Western Uttar Pradesh.
"Dalit Brahminism"
Taking advantage of the fact that vast majority of Dalits, particularly from Hindi speaking Jatav Scheduled Caste community of Western UP, Haryana and Eastern Rajasthan are heavily drawn towards mainstream Brahminical Hinduism, Suraj Pal Dalitized Brahminism.
Artsy movie by North Indian Upper Caste Indian Muslim movie director Imtiaz Ali on elitist Netflix movie platform has suddenly brought 80's Indian Punjab's Chamar/Ravidassia Punjabi Dalit legendary singer DANNI RAM (from same caste as KANSHI RAM) into focus.
Does the movie do justice to DANNI RAM ?
Movie is Imtiaz Ali's sanitized Upper Caste Muslim take on life of Punjabi Dalit singer/lyricist DANNI RAM aka Amar Singh Chamkila, which largely absolves & white washes Indian Punjab's powerful Upper Caste & OBC caste Sikh communities.
Did CASTE kill DANNI RAM in religious society of Punjabi Sikhs of Indian Punjab that claims to follow a faith (Sikhi/Sikhism) that is supposed to be caste neutral?
Answer to this question is YES, but it is not exactly same as many non-Punjabi anti caste activists think it to be.
UPPER CASTE & DOMINANT OBC caste Pakistani Punjabi Muslims from caste groups like SYEDS, PATHANS, AWANS, JATS, GUJJARS, ARAINS etc. think that they are fair complexion TURKS type of "Superior Muslims", while "Indian Hindus" are dark, timid & ugly people.
This Pakistani Punjabi OBC Muslim filth called Imam ul Haq from ARAIN (agriculturalist/gardner) caste sexualized minor TAMIL girls singing DIL DIL PAKISTAN as symbol of superior "Punjabi Muslim" masculinity.
Dhamma Chakra Pravartan Day
(Day, when Babasaheb Ambedkar converted to Buddhism)
BUDDHISM IN CONTEMPORARY INDIA
Buddhism is among fastest growing religion in India and its estimated that India's Buddhist population has already crossed 1 crore mark (estmate 1.15 - 1.25 crore).
What is most interesting thing about BUDDHISM in contemporary India is its much wider spread and presence of followers of both:
1. Ambedkrite Buddhism
2. Traditional Buddhism
(a) Mahayana Buddhism, including Tibetan/Vajrayana Buddhism
(b) Threvada Buddhism
AMBEDKARITE BUDDHISM
Ambedkrite Buddhism often called Neo Buddhism is largest Indian Buddhist community, with estimated 9 to 10 million followers.
MAHARASHTRA is home to 90% of Ambedkrite Buddhists. They constitute 6% of total population of Maharashtra.
If Jat/Jutt Sikhs and KHALISTAN are an "inseparable", then why are young Jat/Jutt Sikhs of Indian Punjab state wining Gold Medals and sporting accolades for India ?
Can Canada based Khalistani Jutt/Jat Sikhs on payrolls of Pakistan's ISI answer please.
Calling off bluff of Canada based Khalistani separatists, who constitute miniscule minority of Jutt Sikhs, who have created "Khalistan nuisance" for entire Sikh community, younger generation of Jutt Sikhs of Punjab are wining accolades for India at international sporting events.
Jutt/Jat Sikhs, often stereotyped as ardent supporters of Sikh supremacist theological autocratic independent country of "Khalistan" are actually not that enthusiastic supporters of Khalistan as they are made out to be. These young Jutt Sikh sportsmen are testimony of that.
The much talked about wedding scene from "Made in Heaven: Season 2" Webseries is non-Brahminical & non-Vedic AMBEDKARITE BUDDHIST WEDDING.
The short movie is part of the 5 part episode of the Webseries and is directed by an acclaimed Marathi Dalit director Neeraj Ghaywan.
This is first time that WORLD is witnessing cinematic portrayal of an Indian Buddhist Wedding or to be precise-AMBEDKARITE BUDDHIST WEDDING.
The beautifully & aesthetically picturized wedding scene with background tune of "Buddham Sharnam Gachammi" is immensely powerful visual.
Radhika Apte's character wades through pool of water, full of lotus flowers (symbol of Buddhism) to reach wedding stage. Scene is director Ghaywan's cinematic tribute to Babasaheb Ambedkar's Mahad water satyagraha, wherein Babasaheb fought for rights of Dalits to use public tank.