Going to BBQ this afternoon, so I'm pulling together fresh potato salad this morning. So much better than pre-made and really easy.
- Boil a batch of potatoes for 20 min.
Waxy/harder potatoes like red ones work better than russets or others you'd use for baked/mashed potatoes.
- Include an egg or two with the potatoes and boil them at the same time, but take the eggs out after the first 10 min.
- Cut the potatoes into chunks to cool, adding a bit of salt, pepper and other spices to season them. If you have malt vinegar, a dash or three here is great.
This is where you can customise the heck out of it to your taste-
How big the chunks are.
Whether you include the potato skins or not.
How much mayo you use.
All variable.
For me egg, cucumber, and dill is a must. You can add red onion, pickles, even cubed up cheddar cheese.
Salt, pepper, mustard with peppercorns, garlic powder, relish, sometimes a touch of cayenne. Again, all of it will vary with your taste.
Mix with mayonnaise, shape to fit your container and top with a light sprinkling of paprika (using a fine strainer to spread it out evenly).
Give the potato salad at least 3-4 hours in the fridge for the taste to really come together. Making it the day before works great.
It's so easy, super customizable and tastes great. No more watery/bland stuff from the grocery store.
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An artist reached out to me about sending their comic portfolio. I don't have time for in-depth critique, but was willing to see what they were capable of.
The work was okay, but there were also a lot of common mistakes, so let me signal boost some general advice-
About 1/3 of the portfolio was unfinished work - roughs for illustrations or incomplete pages.
If the best work you have to show right now, the work that represents your skills, is not complete, you are not ready to present that portfolio - full stop.
I know you're eager, I know you want this, but the first impression that gives the client is that you do not finish things and may not finish projects you're assigned.
It also makes it clear that you don't have enough pro quality work right now to present 10-12 finished pieces!
Another perspective drawing lesson:
How to quickly check scale and proportion without a grid!
After critiquing a student's rough room construction I asked if they were okay with me using it as a demonstration since the error they made is a common one.
Once you establish scale with a standing figure, you can quickly compare relative size to everything nearby.
How tall should the object/feature be compared to the height of the figure's ankles, knees, waist, torso, shoulders, chin, or top of the head?
Quick to build and check.
I go through this perspective drawing technique in more detail with more extensive examples here:
There's a tendency for students using perspective to start a drawing with vanishing points, randomly putting things in and hoping it works.
In my latest lecture, I stressed the importance of starting with a well-staged focal point first, then finding the perspective to match it.
Once you understand how to draw things that look solid and consistent you need to learn where to put those things in your scene to organize visual information for the viewer.
The initial thumbnail sketch took between 5-10 minutes.
The tighter build up another 20-25 minutes.
The detailed ready for clean up version probably another 30 minutes.
*Guy on the subway sees my Dungeons & Dragons jacket*
G: Heeeey~! D&D!
D&D is the best!
Me: Yeah!
G: I had the craziest D&D thing happen to me...
(I assume we're going to talk about hus current campaign or playing when he was younger.)
G: I got in a bar brawl for real.
Me: Like, in real life?
G: Yeah, yeah, YEAH! A for real bar fight and, as it was happening, all I could think was "Aw shit, this is just like D&D!!"
Me: Okaay~
G: So I've got two dudes ready to kick my ass and I'm strategizing like it's all a game. Y'know, improve my armor class or disarm 'em or just anything!