Kinnikuman ch.354: “Akuma Shogun’s Maxim!!” Sunshine is mad at Ashura/Ninja/Buffaloman for leaving him behind in the Demon World while having all the fun. He wants to go to the Tower of Babel! wpb.cdn.cloudpublisher.jp/view2.php?p=b4…#Kinnikuman#ch354
After all, Akuma Shogun made him and Ashura Man the two leaders of the Devil Chojin. Buffaloman wants to go too: during the battle against the Perfect Origins, Akuma Shogun told him to gain power greater than the gods, which is precisely what this current trial is about.
Warsman throws his hat in the ring as well: Robin Mask left him in charge of the Justice Chojin, yet he hasn’t got to do any fighting lately.
From the Perfect Chojin, Neptune Man volunteers. Nemesis wants to go too, but Neptune says the immortal Nemesis is technically not part of this current generation of Chojin, so he should be barred like the Perfect Origins. Nemesis begrudgingly backs down.
Phoenix wants to go, since he set this whole thing up and wants to see it through to the end, but his body gives out. He’s fought too much already. Kinnikuman says he should pick a substitute, so Phoenix picks…Kinnikuman! Who could have possibly foreseen such a thing?!?!
Kinnikuman has an uneasy feeling about this…Anyway, altogether that gives: Geronimo, Ashura Man, Sunshine, Buffaloman, Warsman, Neptune Man, and Kinnikuman.
That seems to leave one more, though the closing hype text wonders if it’s one or two. Will Kinnikuman chicken out, or are other shake-ups be in store? Either way, surely one of the remaining fighters will be the oh so mysterious sand man. Anyway, next chapter is in two weeks
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Toyotaro’s postscript for DBS vol.24 details the creation process of the ch.104 one-shot: originally this was a text prologue he got from Toriyama, which he revised and put into manga form. And now the Super Hero arc is really, truly done: “Look forward to future developments!”
Toriyama also designed the Red Pharmaceutical Company air truck for the Super Hero arc epilogue:
Toyotaro’s vol.24 author’s comment explains how Toriyama’s corrections were typically about how manga ought to be, rather than simply how DB should be. He was a manga artist above all. “I will never forget the approach to manga which sensei taught me, and continue to do my best!”
Dragon Ball Daima, ep.20: it’s the end, but the moment has been prepared for. The fight with Gomah is samey but looks amazing and is over soon enough for Kuu to ascend the Iron Throne, plus other fun wrap-up stuff. Thanks for everything Toriyama, and farewell. #DAIMA #ep20
Since Daima airs at 11:40 PM in Japan, the final episode on February 28th ended right as the date ticked over into March 1st, marking the one year anniversary of Toriyama’s death. So far there’s no word on if this was intentional on the part of the production team, though.
The title ゼンカイ/Zenkai comes from 全開, meaning “full power”, hence the translation “Maximun” (see also the DBZ ending theme ZENKAI Power). I’ll give it another week, but if there’s no further clues on the red letters, I’ll assume it was just about using all 20 dakuten letters
Executive producer Akio Iyoku discusses Daima’s origin: 6 years ago during DBS: Super Hero’s production, they decided to do a new TV series. At first Toriyama’s involvement was going to be minimal, but he really got into it, creating most of it in the end. mantan-web.jp/article/202502…
Iyoku says Daima was intended as a show that parents could watch with their children, so it was made to appeal both to kids and adults in their 30s who were kids back when DBGT first aired. So yes, making Goku and co kids was specifically done to appeal to the GT generation.
While making Goku a kid was seen as making the series accessible to a wider audience, it was Toriyama’s idea to turn the entire main cast into kids too. Toriyama was also concerned many people wouldn’t know DB’s story, hence the general overview at the start of each Daima episode
It’s already November 20th in Japan, which means Dragon Ball has officially reached its 40th anniversary. In case you weren’t paying attention and/or born at the time, here are some highlights from the first 40 years of DB history… #DragonBall40th
1984: gag manga superstar Akira Toriyama concludes megahit Dr. Slump, and in November debuts its follow-up in Weekly Jump. This Journey to the West-inspired kung-fu adventure kicks off as inventor girl Bulma recruits monkey boy Goku to track down the titular dragon balls.
1985: after last year’s tail-end teaser, things begin in earnest. The initial “quest for the dragon balls” arc wraps up in May, and Toriyama shifts gears to a tournament arc (always a fan favorite in his Dr. Slump days) with the lecherous Roshi and Goku’s new cueball-esque BFF.
According to Bunshun Online, Dragon Room head honcho Akio Iyoku has stepped down from Shueisha and established his own company, Capsule Corporation Tokyo. Supposedly he wants Shueisha to keep DB’s manga publishing rights but for CC Tokyo to handle DB games/anime/etc.
As you might imagine, Shueisha is reluctant to part with DB to any extent, and negotiations are still ongoing. According to this article, anyway. Shueisha has apparently confirmed that Iyoku is stepping down, but not confirmed any of the particulars so far.
Bunshun Online reached out to Toriyama and asked if he would be working with Iyoku in future, but Toriyama said he couldn’t comment publicly, only through Shueisha. He also said the company name “Capsule Corporation Tokyo” was Iyoku’s idea, not his own.
Dragon Quest: The Adventure of Dai ep.41: Pissed Myst’s great and the logistics of Dai’s sword are interesting, while the castle’s just there to be knocked down. But it knocks down well. 4/5 #DragonQuest#ep41