A story about the Gibraltar skull, involving Darwin, always reminds me of how difficult it is to truly speak about the world as we see it. This incident, involving the skull, in a world-historic life such as Darwin's often reminds me of a line by V. S. Naipaul.
In 1864, Charles Darwin had been very sick for weeks. (He suffered various ailments for much of his adult life.)
To "see how I stand change", he and his wife, Emma Darwin arrived at 4 Chester Place in London where his sister-in-law Sarah Wedgewood lived.
[Charles & Emma]
It was a convenient location for Darwin because despite being sick, he could walk over to the Royal Botanical Society and the Zoological Society. In those months and past few years he was writing a book/monograph on climbing plants then.
He writes in his autobiography:
"In the autumn of 1864 I finished a long paper on Climbing Plants, & sent it to the Linnean Society. The writing of this paper cost me four months: but I was so unwell when I received the proof-sheets that I was forced to leave them very badly.."
While convalescing, Hugh Falconer, a paleontologist, brought to the Wedgewood residence the Gibraltar skull for Darwin to examine.The skull howevr failed to make any impact on Darwin & he failed to realize it what we know today: the first female Neanderthal.
ph: Chris Stringer
This was despite that only a year ago, in 1863, the Anglo-Irish geologist William King ("first scientist to name a new & extinct species") had presented to the British association for the Advancement of Science a partial skeleton from Feldhofer Caves in Neander Valley, Germany.
Perhaps it was because Darwin had read Thomas Huxley's 1863 monograph in which the latter had said the partial skull from Neander Valley was "unusual & ancient" but likely within the range of variation.
(On Feb 18, 1863, Darwin wrote to Huxley, “Hurrah the monkey book has come!”)
This new skull -- one that Falconer brought for him to see -- was complete even if some aspects were yet to be cleaned. Darwin, who was as extraordinary an observer as there ever has been, didn't register its importance. Was it bias or noise?
a la Hamlet meets Darwin, a late 19thC sculpture by a German sculptor Hugo Rheinhold had the title 'Affe, einen Schädel betrachtend'
(loosely "Ape contemplating a skull").
Cezanne's 1896 painting 'Jeune homme à la tête de mort' (Young Man With a Skull) riffs of this theme.
Perhaps the skull did precipitate thoughts in Darwin's mind.
On Sep 1st, 1864, he wrote to Joseph Hooker:
"Both Lyell & Falconer called on me & I was very glad to see them. F. brought me the wonderful Gibraltar skull.
--Farewell.
Ever Yours,
C. Darwin".
Perhaps it was a passing remark about something out of the ordinary. But for someone as careful & meticulous the skull must've been a 'glitch in the Matrix'. Or maybe it was his ill health & reluctance to opine on anatomy since he wasn't an expert that he put aside his intuition.
Eitherway, finding the right words to describe what we see is hard. Harder than we imagine.
V.S.Naipaul writes in his novel: 'The Enigma of Arrival', wherein he writes: "I saw what I saw very closely. But I didn't know what I was looking at. I had nothing to fit it into."
/end.
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Call me,
like a grasshopper in a May meadow
like silent sentinels all around the town
like leaves upon this shepherd’s head
like a snow hill in the air.
like a candle moving about in a tomb.
like a Czar in an ice palace made of frozen sighs,
like the segment made in the new-mown grass by a long-armed mower
like a corkscrew,
like a restless needle sojourning in the body of a man
like another cursed Jonah,
like a bench on the Battery
like a coffer-dam
like an ape
like a string of inions
like the stained porcupine quills round an Indian moccasin
like a hamper
like lightning
like a mildewed
like polished ebony
like a tenpin between the andirons
like a strip of that same patchwork quilt
like a Newfoundland dog just from the water
Narendra Pachkhede on G. N. Devy's new book abt the relationship b/w India & Mahabharata: "He does not dwell on what is the relationship of this greatest literary work with our people, but rather he delves into how this relationship functions." thewire.in/books/gn-devy-…
"The allure of the Mahabharata and how it provides insight into its cultural memory in India could be best explained through the idea of a controlling text – a reference point for all thinkers and a recourse to fall back on for the nation."
This review also kindly makes a mention of my book and compares it to the writings of Hilda Doolittle and her poems marked by Greek/Roman myth. Didn't know who she was so had to google her. 😎 literaryladiesguide.com/classic-women-…
word meaning to perish, which comes from an even older word meaning to separate or cut apart. The modern sense of misplacing an object only appeared later, in the thirteenth century; a hundred years after that, “to lose” acquired the meaning of failing to win. 2/3
In the sixteenth century we began to lose our minds; in the seventeenth century, our hearts. The circle of what we can lose, in other words, began with our own lives and each other and has been steadily expanding ever since.”
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13. On Daya Krishna, who per Daniel Raveh was one of the most interesting philosophers (not just Indian philosophers) of the 2nd half of 20thC. A book that distills DK's last decade & his efforts to read through Indian texts imaginatively and critically. traffic.megaphone.fm/NBN5587148690.…
14. At age 80, veteran China scholar Orville Schell has published his first novel. My Old Home: A Novel of Exile -- a bildungsroman from the Cultural Revolution to Tiananmen in 1989. On the worlds fiction can open & change in modern Chinese history. chrt.fm/track/47257E/p…