sententiae antiquae Profile picture
Aug 13, 2021 18 tweets 8 min read Read on X
I was super excited to get this article published with @LAReviewofBooks written with @SarahEBond to launch our new #PastsImperfect initiative. The feedback has been great, and it hasn't all been positive

lareviewofbooks.org/article/the-ma…
we've received a couple of questions/points that I'd like to mention because they point to some of the challenges of (1) taking academic discussions public and (2) dealing with dearly held topics
1. A few people complained the essay was superficial. They're not wrong! You can't cover nearly 3 generations of scholarship and hundreds of books in a short column
1a public scholarship like this offers an entry into a debate, outlines important themes, and makes an argument.

1b. Scholarly arguments should be invitations to discussions not final points. Final points are for tombstones.
1c. Our argument simplifies things.

Yes, see 1a. above.
2. Our article is more about the impact of Campbell's work and not his actual work. Well, this is true! Campbell is a metonym for what happens with his work.

But I am not keen on separting the two because I don't think authors are that important.

sententiaeantiquae.com/2019/12/20/har…
2a. Authors and their context are indelibly connected. Saying that Campbell didn't mean what other people did with his work is fine, but it ignores how much he profited from and championed what other people did with his work
3. Several people were like "you say X" but Campbell does in vol. 3 of his work. That's fine. But that's like saying that if I only dived deeper into their catalogue I would find out Maroon 5 aren't talentless schmucks.

Yes, the whole oeuvre matters, reception and use do too
4. Others were like, this is allegory, Campbell knew that because of Jung and Freud, etc.

Archetypal thinking IS the problem. Jungian approaches to myth are reductive, patriarchal, misognyistic, heteronormative, etc. etc.
4a. A longer version of the article talked about this: post-structuralist approaches to narrative show how limiting and damaging the entire archetypal approach is. It reduces difference and erases narratives
5. Various versions of my is universal, can't you see it.

There's an essentialism to the assertion that certain myths are universal that ignores the process of selection that mythographers and snakeoil salesmen like Campbell and Peterson have perpetrated
5a. If culture A is raised on stories XYZ and then members of Culture A look at Cultures 123 for examples of things they recognize they will find XYZ even if it isn't there. it is a type of confirmation bias
6. Several quailed at the equation of Campbell/Jungian dude-central selfishness with capitalism. I can't live another day watching mask protests and knowing about how social discourse works while listening to said nonsense
7. Some of our examples are wrong because the authors (e.g. Robert Jordan) were following the heroic pattern.

part of the damaging discourse about the monomyth is that it has been so successful as a narrative that it chokes out other possible tales and lives
To be clear, I have no problem with emails enumerating our wrongness, or tweets disagreeing. I say thanks for the former and sometimes even RT the latter.

I just wanted to say that @SarahEBond wrote the piece with wide eyes, taking some shortcuts to get to the main point
And I might wake up and change my mind tomorrow. Although, given the screaming fools protesting COVID safety precautions nationwide, it is unlikely.

Sign up for the #PastsImperfect newsletter for more chaos pastsimperfect.substack.com/p/coming-soon?…
And check out @postclassics thread by @theoctopiehole on Lizzo's and Cardi B's Rumor video. There's a lot more insight there than the comments on our article

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More from @sentantiq

Jun 3
Today we are arguing about translations and translating the Odyssey!

In particular, let’s fight about the phrase…. οὐκ ἐθέλων ἐθελούσῃ (ouk ethelōn ethelousē)

Come for the grammar, stay for the comparison of translations!
This phrase is used to describe Odysseus and Calypso when Hermes first arrives on Ogygia in book 5

It can be translated as something like “[he slept alongside her] unwillingly while she was willing” and is a particular pointed phrase
But it is a little more complicated than that and also a good indication of how Greek differs from English and some other languages

Participles are really what makes ancient Greek different. Early Greek tends to have a lot of participles and they can do very different things
Read 17 tweets
May 27
Today we are arguing about Odysseus' name!

Odysseus vs. Ulysses
The Odyssey itself toys with the hero's name. It can be traced to the verb odussomai, which means to hate or to be hateful
Athena may allude to this in book 1 when she says to Zeus:

“…Didn’t Odysseus please you
By making sacrifices along the ships of the Argives
In broad Troy? Why are you so hateful [ôdusao] to him, Zeus?”
Read 22 tweets
May 25
just to sum up, 5 points on the rancor over nolan's #odyssey cast

1. Epic is myth and fantasy, not history. these are not real people, they are part of stories

2. The terms used to describe heroes within epic are ambiguous and flexible and change over time
3. The ancient audiences conceived of the heroic world as one big interconnected family, Dannaus, Aegyptus, Agenor etec knit Persians, Greeks, Egyptians, and Phoenicians into one family. Hektor and Memnon were cousins!
4. Skin color and other physical features in epic don't map onto modern concepts of race. These assumptions are truly anachronistic and have everything to do with our own preoccupations
Read 4 tweets
May 25
One final thread on why the gender, race, appearance of actors in the #Odyssey shouldn’t matter, and, moreover, why appearances are more complicated in this epic than any other
Athena repeatedly makes him ugly and nobler again, so much so that there’s no sense of what he truly looks like: is he the pirate man in book 8, the withered beggar in book 16, the godlike man before Telemachus in book 16, or the cleaned up beau of Penelope in book 23?
Athena repeatedly makes him ugly and nobler again, so much so that there’s no sense of what he truly looks like: is he the pirate man in book 8, the withered beggar in book 16, the godlike man before Telemachus in book 16, or the cleaned up beau of Penelope in book 23?
Read 16 tweets
May 11
sorry folks. Achilles and Odysseus are not role models, they are epic heroes. Each epic starts by specifying their destructiveness to their communities.

Iliad: Achilles's rage sends myriad Achaeans to their doom

Odyssey: Odysseus tried to bring his men home and failed
in fact, the entire heroic age--the events of the Theban and Trojan Wars--is aimed at ERADICATING THE RACE OF HEROES because they are too bellicose towards each other and irreverent towards the gods [see Hesiod's Works and Days and the fragmentary Cypria]
And this is not a modern reading. As early as the 6th century BCE, allegorical interpretations [i.e., those that assumed the epics contained secret or indirect meanings] were dominant alongside the understanding that the poems were complex and their protagonists flawed
Read 5 tweets
Dec 29, 2024
#odyssey discourse whirling around, but reading epic is not easy because it is a little weird

1. I think almost no one in antiquity ‘read’ Homeric epic from beginning to end.
They listened to episodes and then later read passages. It would have been rare to experience either epic from beginning to end
one would have gone to reading the epic from beginning to end without prior knowledge of the characters and plots, the backstories and variations2.No
Read 20 tweets

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