Silk skirt and blouse dyed with Sir William Henry Perkin's Mauve Aniline Dye, England, 1862-63. Science Museum.
William Henry Perkin discovered the artificial dye mauveine in 1856 by accident. He was trying to synthesise quinine – an expensive natural substance used to treat
malaria – by isolating aniline salts from coal tar, a waste product from the gas industry. Perkin’s experiment failed, but he was left with an unfamiliar dark substance which, when dissolved in alcohol, produced a purple solution which could dye silk.
Public demand for mauve soared when Empress Eugénie of France and Britain’s Queen Victoria were seen wearing the colour. Perkin’s mauve was cheaper than traditional, natural purple dyes and became so popular that English humourists joked about the ’mauve measles’.
The advent of artificial dyes, following Perkin’s discovery of mauveine, led to a kaleidoscope of colours being used to dye products for mass consumption.
They had a dramatic impact on contemporary fashions, but their colours were impermanent and rapidly faded in the light, as seen on this dress.
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The Killer Cabinet house, a set of rooms in a lacquered cabinet made in England in the 1830s. Victoria & Albert Museum.
This house is quite special because it is has been set up in a cabinet and not in a miniature building. Both Dutch and German influences can be seen in early English houses of the 18th century but, by and large, by the end of the 18th century the preference in England was for buildings in miniature.
The Killer cabinet house is a late example dating to the 1830s although it is probable that the furniture and furnishings are a little earlier.
Sarah Biffen (1784 – 2 October 1850), also known as Sarah Biffin, Sarah Beffin, or by her married name Mrs E. M. Wright, was a Victorian English painter born with no arms and only vestigial legs. She was 94 cm (37 in) tall. She was born in 1784 in Somerset.
Despite her disability she learned to read and write, and to paint using her mouth. She was apprenticed to a man named Dukes, who exhibited her as an attraction throughout England. In the St. Bartholomew's Fair of 1808, she came to the attention of George Douglas,
the Earl of Morton, who went on to sponsor her to receive lessons from a Royal Academy of Arts painter, William Craig. The Society of Arts awarded her a medal in 1821 for a historical miniature and the Royal Academy accepted her paintings.
Mrs Bryant's Pleasure dolls' house made in England between 1860 and 1865. Victoria & Albert Museum.
This house is not a child's plaything. It was made for a lady called Mrs Bryant in the early 1860s, who lived in a house in Surbiton called Oakenshaw.
Mrs Bryant wanted to make a miniature record of the interior of her home. The only child-related object is a child's folding chair in the drawing room.
Mrs Bryant commissioned a professional cabinet-maker to make the furniture which was made with skill and accuracy. The rooms are furnished in exactly the same way as a middle class home of the time would have been.
Dolls' house known as May Foster's House made in England, 1800. Victoria & Albert Museum.
This house was donated to the museum by the great grand-daughter of the little girl for whom the house was originally made.
This grand town house belonged to the daughters of John Foster, an ambitious and wealthy engineer who ran Liverpool docks. ‘MF’ over the door stands for May Foster, who shared the house with her sister Isabella.
Armistice Day is commemorated every year on 11 November to mark the armistice signed between the Allies of World War I and Germany at Compiègne, France at 5:45 am, for the cessation of hostilities on the Western Front of World War I
which took effect at eleven o'clock in the morning—the "eleventh hour of the eleventh day of the eleventh month" of 1918.
A formal peace agreement was only reached when the Treaty of Versailles was signed the following year.
The first photographic record of an actual live medical operation. Daguerrotype portrait by Josiah Johnson Hawes & Albert Southworthlate, 1847.
The setting for this daguerreotype is the teaching amphitheater of Boston’s Massachusetts General Hospital. Dr. John Collins Warren, cofounder of the hospital and professor of anatomy, stands with his hands upon the patient’s thigh, explaining the proceedings to a student
audience seated out of camera range. Dr. Solomon Davis Townsend, who performed the operation, stands behind Warren with his left arm akimbo. An unidentified anesthetist holds a sponge soaked in ether near the head of the patient who, curiously enough, still wears his socks.