Time now to look at one of the biggest stars of wrestling: a man who had the crowds booing, hissing and paying to see him in the ring and on TV.
I am of course talking about Gorgeous George...
George Raymond Wagner was born in Nebraska in 1915. Age 17 he was paid 35 cents to wrestle at a carnival. When his amateur wrestling coach found out he kicked him out, furious that he was now a "professional wrestler."
Wagner was 'only' 5ft 9in tall and weighed 215 pounds, but he was athletic and technically solid. By 1938 he had won his first title.
But what transformed Wagner's career - indeed the whole sport of pro wrestling - was 'Lord' Patrick Lansdowne, a wrestler with an amazing gimmick: he entered the ring accompanied by two valets while wearing a velvet robe and doublet. He wanted a crowd reaction, and he got it!
Wagner took Lansdowne's idea of a pre-match performance and turned it up to 11. In 1941 he died his hair platinum blonde, wore elaborate capes and baited the crowd. Gorgeous George was born...
No one had seen anything quite like it: he would enter the arena to his own theme music - Pomp and Circumstance - along with a butler who sprayed the ring with perfume. A purple spotlight would follow Gorgeous George, reflecting off the gold bobby pins in his platinum hair.
Gorgeous George's showmanship was heaven sent for TV sports, which had begun to see pro wrestling as a lucrative - and easy to televise - opportunity. Now they had an outlandish star that the public loved to hate to help draw in the viewers.
But Gorgeous George could also wrestle: he won the American Wrestling Association World Title in 1950 and soon became one of the highest paid stars of the sport.
He also made it into movies, starring in the 1949 film Alias The Champ as a wrestler who wouldn't knuckle under to the New York Mob.
George retired from wrestling in 1962 to become a gentleman farmer in Beaumont, promoting his own range of turkeys and running his own restaurant.
Over the years many other wrestlers have emulated the showmanship and swagger of Gorgeous George Wagner. He set the template for what a bad boy wrestler should be: haughty, proud, outrageous and dazzling.
So let's hear it for Georgeous George: the Golden Age wrestler with the platinum wave. Pulp salutes you sir - now let's get ready to rumble...
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Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.
Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel...
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice.
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic?
It was a phenomenon, spawning a franchise that has lasted over fifty years. It's also a story with many surprising influences.
Today in pulp I look back at a sociological science-fiction classic, released today in 1968: Planet Of The Apes!
Pierre Boulle is probably best known for his 1952 novel Bridge On The River Kwai, based on his wartime experiences in Indochina. So it was possibly a surprise when 11 years later he authored a science fiction novel.
However Boulle had been a Free French secret agent during the war. He was captured in 1943 by Vichy forces in Vietnam and sentenced to hard labour. This experience of capture would shape his novel La Planète Des Singes.
Today I'm looking back at the work of British graphic designer Abram Games!
Abram Games was born in Whitechapel, London in 1914. His father, Joseph, was a photographer who taught him the art of colouring by airbrush.
Games attended Hackney Downs School before dropping out of Saint Martin’s School of Art after two terms. His design skills were mainly self-taught by working as his father’s assistant.
Today I'm looking back at the career of English painter, book illustrator and war artist Edward Ardizzone!
Edward Ardizzone was born in Vietnam in 1900 to Anglo-French parents. Aged 5 he moved to England, settling in Suffolk.
Whilst working as an office clerk in London Ardizzone began to take lessons at the Westminster School of Art in his spare time. In 1926 he gave up his office job to concentrate on becoming a professional artist.
Today in pulp I look back at the Witchploitation explosion of the late 1960s: black magic, bare bottoms and terrible, terrible curtains!
Come this way...
Mainstream occult magazines and books had been around since late Victorian times. These were mostly about spiritualism, with perhaps a bit of magic thrown in.
But it was the writings of Aleister Crowley in English and Maria de Naglowska in French and Russian that first popularised the idea of 'sex magick' in the 20th century - the use of sexual energy and ritual to achieve mystical outcomes.