Pulp Librarian Profile picture
Sep 2, 2021 12 tweets 5 min read Read on X
Time now to look at one of the biggest stars of wrestling: a man who had the crowds booing, hissing and paying to see him in the ring and on TV.

I am of course talking about Gorgeous George... Image
George Raymond Wagner was born in Nebraska in 1915. Age 17 he was paid 35 cents to wrestle at a carnival. When his amateur wrestling coach found out he kicked him out, furious that he was now a "professional wrestler." Image
Wagner was 'only' 5ft 9in tall and weighed 215 pounds, but he was athletic and technically solid. By 1938 he had won his first title. Image
But what transformed Wagner's career - indeed the whole sport of pro wrestling - was 'Lord' Patrick Lansdowne, a wrestler with an amazing gimmick: he entered the ring accompanied by two valets while wearing a velvet robe and doublet. He wanted a crowd reaction, and he got it! Image
Wagner took Lansdowne's idea of a pre-match performance and turned it up to 11. In 1941 he died his hair platinum blonde, wore elaborate capes and baited the crowd. Gorgeous George was born... Image
No one had seen anything quite like it: he would enter the arena to his own theme music - Pomp and Circumstance - along with a butler who sprayed the ring with perfume. A purple spotlight would follow Gorgeous George, reflecting off the gold bobby pins in his platinum hair. ImageImage
Gorgeous George's showmanship was heaven sent for TV sports, which had begun to see pro wrestling as a lucrative - and easy to televise - opportunity. Now they had an outlandish star that the public loved to hate to help draw in the viewers. ImageImage
But Gorgeous George could also wrestle: he won the American Wrestling Association World Title in 1950 and soon became one of the highest paid stars of the sport. Image
He also made it into movies, starring in the 1949 film Alias The Champ as a wrestler who wouldn't knuckle under to the New York Mob. Image
George retired from wrestling in 1962 to become a gentleman farmer in Beaumont, promoting his own range of turkeys and running his own restaurant. Image
Over the years many other wrestlers have emulated the showmanship and swagger of Gorgeous George Wagner. He set the template for what a bad boy wrestler should be: haughty, proud, outrageous and dazzling. Image
So let's hear it for Georgeous George: the Golden Age wrestler with the platinum wave. Pulp salutes you sir - now let's get ready to rumble... Image

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More from @PulpLibrarian

Dec 27
The Playboy bluffer's guide to appearing well read now follows... Image
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Today I'm looking at a few books from New York publishing house Grosset & Dunlap... Image
London After Midnight, by Marie Coolidge-Rask. Grosset & Dunlap, 1928.

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One of the best #Christmas presents you could ever get was a View-Master! It sold over one billion reels across the world, but it's based on Victorian technology. How did one simple gadget get to be so popular?

Let's take a look at the toy that took over the planet... Image
Stereographs are cards with two nearly identical photographs mounted side by side. Viewed through a binocular device they give an illusion of depth. By 1858 the London Stereoscopic and Photographic Company had published over 100,000 of them. Image
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Dec 22
Today in pulp I look back at a few forgotten '80s sci-fi movies and ask: is it time to reappraise them?

Spoilers: not all of these are available on Betamax... Image
There were a huge number of mid and low budget sci-fi movies released throughout the '80s, many of which went straight to video. Today they lurk in the far corners of your streaming service.

Should you watch them? Well let me take you through a few you might be tempted by. Image
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Read 22 tweets
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"A dream to some. A nightmare to others!" As it's Christmas let's look back at a film that I think helped redefine an old genre, captivated the imagination and launched many successful acting careers.

Let's look at John Boorman's Excalibur! Image
For a long time the film industry found the King Arthur story amusing. Camelot (1967) was a musical comedy; Monty Python and the Holy Grail (1975) was pure comedy. Image
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But director John Boorman had been thinking seriously about the Arthurian legend since 1969, particularly Sir Thomas Malory's 1469 telling of the story 'Le Morte d’Arthur'. The mythic theme greatly appealed to him. Image
Read 20 tweets
Dec 19
Today in pulp I'm looking back at some Michael Moorcock books, and having a think about the New Wave of science fiction that started in the 1960s... Image
In Britain the New Wave is often associated with New Worlds magazine, which Moorcock edited from 1964 to 1970. Financial troubles caused the magazine to close in 1970, but it made sporadic comebacks over the subsequent years. Image
However he started as editor of Tarzan Adventures in 1957, where he introduced Sojan the Swordsman - perhaps his first stab at creating an 'eternal champion' character Image
Read 20 tweets

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