Time now to look at one of the biggest stars of wrestling: a man who had the crowds booing, hissing and paying to see him in the ring and on TV.
I am of course talking about Gorgeous George...
George Raymond Wagner was born in Nebraska in 1915. Age 17 he was paid 35 cents to wrestle at a carnival. When his amateur wrestling coach found out he kicked him out, furious that he was now a "professional wrestler."
Wagner was 'only' 5ft 9in tall and weighed 215 pounds, but he was athletic and technically solid. By 1938 he had won his first title.
But what transformed Wagner's career - indeed the whole sport of pro wrestling - was 'Lord' Patrick Lansdowne, a wrestler with an amazing gimmick: he entered the ring accompanied by two valets while wearing a velvet robe and doublet. He wanted a crowd reaction, and he got it!
Wagner took Lansdowne's idea of a pre-match performance and turned it up to 11. In 1941 he died his hair platinum blonde, wore elaborate capes and baited the crowd. Gorgeous George was born...
No one had seen anything quite like it: he would enter the arena to his own theme music - Pomp and Circumstance - along with a butler who sprayed the ring with perfume. A purple spotlight would follow Gorgeous George, reflecting off the gold bobby pins in his platinum hair.
Gorgeous George's showmanship was heaven sent for TV sports, which had begun to see pro wrestling as a lucrative - and easy to televise - opportunity. Now they had an outlandish star that the public loved to hate to help draw in the viewers.
But Gorgeous George could also wrestle: he won the American Wrestling Association World Title in 1950 and soon became one of the highest paid stars of the sport.
He also made it into movies, starring in the 1949 film Alias The Champ as a wrestler who wouldn't knuckle under to the New York Mob.
George retired from wrestling in 1962 to become a gentleman farmer in Beaumont, promoting his own range of turkeys and running his own restaurant.
Over the years many other wrestlers have emulated the showmanship and swagger of Gorgeous George Wagner. He set the template for what a bad boy wrestler should be: haughty, proud, outrageous and dazzling.
So let's hear it for Georgeous George: the Golden Age wrestler with the platinum wave. Pulp salutes you sir - now let's get ready to rumble...
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He was the terror of London; a demonic figure with glowing eyes and fiery breath who could leap ten feet high. The penny dreadfuls of the time wrote up his exploits in lurid terms. But who was he really?
Today I look at one of the earliest pulp legends: Spring-Heeled Jack!
London has always attracted ghosts, and in the 19th Century they increasingly left their haunted houses and graveyards and began to wader the capital's streets.
But one apparition caught the Victorian public attention more than most...
In October 1837 a 'leaping character' with a look of the Devil began to prey on Londoners. Often he would leap high into the air and land in front of a carriage, causing it to crash. It would then flee with a high-pitched laugh.
Today in pulp I look back at New Zealand's home-grow microcomputer, the 1981 Poly-1!
Press any key to continue...
The Poly-1 was developed in 1980 by two electronics engineering teachers at Wellington Polytechnic, Neil Scott and Paul Bryant, who wanted to create a computer for use in New Zealand schools. Education Minister Merv Wellington liked the idea and gave it the green light.
Backed by government finances, and in partnership with Progeni Computers, Polycorp was formed in 1980 to began work on the prototype for the official Kiwi school computer.
It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.
This is the story of Agatha Christie's 11 lost days...
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage.
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard.
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.
Let me try and set it out.
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.