Pulp Librarian Profile picture
Sep 6, 2021 9 tweets 3 min read Read on X
A bluffers guide to #ReadABookDay now follows...
"Yes, Mary McCarthy is a much neglected novelist now and that's a shame..."
"Gee it really is hard to argue against Emile Durkheim..."
"'The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.' Wow. Just... wow!"
"I'm telling you Katie you have to read White Noise before you read Underworld. You have to get into the rhythm of his sentences. DeLillo is all about the sentence..."
"Margaret Atwood opened my eyes, but Octavia Butler... she blew my mind!"
"My Aeolic Greek is a little rusty, but if that isn't a motto of Sappho then it surely should be."
"No madam, I'm not that J.D. Salinger."
"Then we throw our manuscripts into the fire and that's the end of the writer's retreat. We're free baby, free of our hangups and ready to really write! Anyway, next year we're in Montreal..."

Happy #ReadABookDay everybody!

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More from @PulpLibrarian

Aug 25
"He lay beside the gently whispering stream - murdered!"

Scales Of Justice, by Ngaio Marsh. Fontana, 1958. Image
"Sucked to death in a seething cauldron of mud!"

Colour Scheme, by Ngaio Marsh. Fontana, 1960. Image
Death amongst the darts and drinks...

Death At The Bar, by Ngaio Marsh. Fontana, 1956. Image
Read 10 tweets
Aug 18
Today in pulp... a few covers by Reginald Heade. Image
Vice Rackets Of Soho, by Roland Vane. Archer Books, 1951. Cover by Reginald Heade. Image
Sinful Sisters, by Ronald Vane. Archer Books, 1951. Cover by Reginald Heade. Image
Read 16 tweets
Aug 16
Time once again for my occasional series "Women with great hair fleeing gothic houses!"

No, I hadn't forgotten... Image
Terror On Duncan Island, by Caroline Farr. Signet Gothic, 1971. Cover by Allan Kass.

Note: this is a sea-circled island. None of your oxbow lake nonsense here... Image
The Fortune Hunters, by Joan Aiken. Pocket Books, 1972.

When fleeing a gothic castle be sure to colour co-ordinate! Image
Read 18 tweets
Aug 13
If the spacesuit is the symbol of progress, the gas mask is the sign of the apocalypse. In popular culture it signifies that science has turned against us. It's the face of dystopia.

Today in pulp I look at the culture of the mask!
Image
Image
The first chemical masks were work by Venitian plague doctors: a bird-like affair, the beak stuffed with lavender, matched with full length coat and hat. It was a terrifying sight - the grim reaper come to apply poultices to your tumours. Image
But it was poison gas, first used at the Second Battle of Ypres in 1915, that led to the modern gas mask. At first these were cotton masks treated with chemicals. However their protection was limited. Image
Read 19 tweets
Aug 10
It's now over half a century since 1970, and I'm starting to wonder if we should bring back its concept of gracious modern living... Image
You see we've grown so used to Swedish-style modernism that we've sort of forgotten that maximalism, rather than minimalism, was once the sign of a cultured abode. Image
The 1970s in many ways reached back to the rich ideas of Victorian decor: heavy, autumnal and cluttered. Home was meant to be a baroque and sensual experience, rather than a 'machine for living in.' Image
Read 10 tweets
Aug 10
Today in pulp I look back at the book cover typefaces of 1975!

I know that's the content you come here for... Image
Now I know what you're thinking: 1975? Surely that was wall to wall Bookman Swash!

Well not quite... Image
We all know that the books of '75 were fond of a cursive font. Goudy Fancy was all the rage and even Cooper Black got a bit swashy.

But many newer typefaces were starting to appear too.
Image
Image
Read 15 tweets

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