Today in pulp... let me introduce you to Mark Hardin: The Penetrator!
Mark Hardin is a one-man strike force against corruption. Orphaned at the age of four he was brought up mean and hungry. He learned his fighting skills in Vietnam before returning to an America gone bad.
Actually The Penetrator is one of a long list of vigilante pulp heroes thrown up in the 1970s counter-counterculture backlash, along with The Destroyer, The Executioner The Iceman and The Marksman to name but a few.
Lionel Derrick was a Pinnacle house alias used by two pulp writers: Mark Roberts and Chet Cunningham. Overall they produced 52 Penetrator novels, with Roberts writing the odd-numbered books and Cunningham the evens.
Unlike other pulp vigilantes who only battle the Mafia, Mark Hardin fights anyone looking to destroy the American way of life: crooks, terrorists, pornographers, hippies, scientists...
But wherever he goes Mark Hardin knows how to blend in: his skills in covert operations and infiltration led to his uniquely memorable name - The Penetrator!
Are these books any good? Well there's plenty of bloody action and Hardin is always getting injured and having to fight against immense pain. Plus he has a moustache (sometimes). And a side parting. So he has lots to deal with.
If you like your books low on sex but high on blunt trauma, concussion and acid baths then The Penetrator is probably right up your alley. Omnibus editions ("Double Penetrator!") are also available.
But be warned: later Penetrator novels do get kinda weird: French-Canadian dwarf cults, mad Nicaraguan super-ants, mollusc assassins, remote controlled supervolcanoes etc.
The novels are easy to collect: prices are low and many editions are in reasonable condition, as they were only read once.
That's it for my look back at Mark Hardin and his one man war against weird villainy. More pulp heroes another time...
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Today in pulp: how do you write a novel in two weeks?
Pulp writing that has to work within specific constraints, which in turn shape the nature of the story. And speed is the biggest constraint of all: you have to write quickly!
But there are ways to make it work for you...
Today a prolific author may write a book every year, but in the 1950s and '60s pulp writer sometimes had as little as two weeks to complete a 50,000 word story and have it ready for print.
That’s 25 novels a year: but at least they got Christmas off!
Writing that quickly is hard, but surprisingly liberating. Pulp writers had to go with their first ideas and had to make them work. There wasn’t time to ‘kill your darlings’ - instead you had to toughen them up and send them into battle!
Today in pulp I'm taking a look back at the Regency Romance series from Signet Books!
Signet's Regency Romance series started in the late 1970s and ran until 2006. Like its rivals Harlequin and Mills & Boone, Signet Regency Romance published a number of titles each month, often to the same formula...
Most (but not all) Signet Regency Romance covers were by Allan Kass, and I can heartily recommend Rhonda Whiting's wonderful blog about this artist, featuring hundreds of scans of his work allankass.blogspot.co.uk
What are the pulp archetypes? Pulp novels are usually written quickly and rely on a formula, but do they use different archetypal characters to other fiction?
Let's take a look at a few...
The Outlaw is a classic pulp archetype: from Dick Turpin onwards lawbreakers have been a staple of the genre. Crime never pays, but it's exciting and trangressive!
Some pulp outlaws however are principled...
As Bob Dylan sang "to live outside the law you must be honest." Michel Gourdon's 1915 hero Dr Christopher Syn is a good example. A clergyman turned pirate and smuggler, he starts as a revenger but becomes the moral magistrate of the smuggling gangs of Romney Marsh.
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?
Let's find out...
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say.
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile.