To answer all the questions, yes, it’s true, Babylon 5 is in active development as a series for the CW. We have some serious fans over at the network, and they’re eager to see this show happen. I’m hip deep into writing the pilot now, and will be running the series upon pickup.
The network understands the uniqueness of Babylon 5 and is giving me a great deal of latitude with the storytelling.As noted in the announcement, this is a reboot from the ground up rather than a continuation, for several reasons. Heraclitus wrote --
-- “You cannot step in the same river twice, for the river has changed, and you have changed.” In the years since B5, I’ve done a ton of other TV shows and movies, adding an equal number of tools to my toolbox, all of which I can bring to bear on one singular question:
if I were creating Babylon 5 today, for the first time, knowing what I now know as a writer, what would it look like? How would it use all the storytelling tools and technological resources available in 2021 that were not on hand then?
How can it be used to reflect the world in which we live, and the questions we are asking and confronting every day? Fans regularly point out how prescient the show was and is of our current world; it would be fun to take a shot at looking further down the road.
So we will not be retelling the same story in the same way because of what Heraclitus said about the river. There would be no fun and no surprises. Better to go the way of Westworld or Battlestar Galactica where you take the original elements that are evergreens and --
-- put them in a blender with a ton of new, challenging ideas, to create something fresh yet familiar. To those asking why not just do a continuation, for a network series like this, it can’t be done because over half our cast are still stubbornly on the other side of the Rim.
How do you telling continuing story of our original Londo without the original Vir? Or G’Kar? How do you tell Sheridan’s story without Delenn? Or the story of B5 without Franklin? Garibaldi? Zack?
The original Babylon 5 was ridiculously innovative: the first to use CGI to create ships and characters, and among the very first to shoot widescreen with a vigorous 5.1 mix. Most of all, for the first time, Babylon 5 introduced viewers accustomed to episodic television to --
-- the concept of a five-year arc with a pre-planned beginning, middle and end…creating a brand new paradigm for television storytelling that has subsequently become the norm. That tradition for innovation will continue in this new iteration, and --
-- I hope to create additional new forms of storytelling that will further push the television medium to the edge of what’s possible.
Let me conclude by just saying how supportive and enthusiastic everyone at the CW has been and is being with this project. They understand the --
-- unique position Babylon 5 occupies both in television and with its legions of fans, and are doing everything they can to ensure the maximum in creative freedom, a new story that will bring in new viewers while honoring all that has come before.
Onward!
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I actually discussed this quite a while ago, over a year, I think. I've always been frank with the fans whether it's good or bad. The short answer is no, at least not in this form. The problem we ran into was three-fold: first, it's rare when network A picks up a show from--
-- another network unless it's been a big hit or it has major talent attached to it. That wasn't the case here it was just a script. Second, the well-documented paralysis that would grip Hollywood for the next several years was already starting to make itself known and buying--
--was slowing down across the board. Third, that the project came from the CW was a liability with streamers who felt that a show that could air on the CW wouldn't work for them. But the studio believed in the project and felt it was important to try anyway. It took almost--
Sorry you got wound up. For whatever aid it may be in future, in general, here's how you can tell an actual entertainment news story from made-up clickbait. (Speaking here as someone who not only works in the business but was a reporter in this arena for many years.) /1
When a reporter for the LA Times or Variety gets wind of a breaking story, they will get confirmation from their sources, and say, for example, "There are initial discussions going on about a merger between A and B." They will generally cite the individuals involved in the /2
conversation. "The discussions, helmed by John Smith at A and Jean Smith at B, are aimed at..." They don't reveal their sources, but they a) identify the people involved, and b), most importantly, they say that this IS going on. They don't say "Well, this may or may not /3
Twenty years ago, publishing entrepreneur Jaclyn Easton came to me with a risky but innovative idea: , a publishing entity built around one show, Babylon 5, its participants and fans. This wouldn’t be what was usually done, aftermarket making-of books --B5Books.com
-- one-and-done and just kind of tossed out into the world. These would be curated books telling the story of the making of Babylon 5 from deep inside, which could only be done with unprecedented access to writers, producers, cast, crew, everybody --
-- along with scripts, photos, blueprints, artwork, it would be a massive task. This long-view approach to the show was as revolutionary as B5’s five-year arc.
Now, twenty years and seventy – count ’em, 70 – books later, the work is finished, and the site will be shutting down --
In the episode where Claudia breaks her foot, Ivanova has a line about the Drazi that it's like talking to her foot difference is she has a good relationship with her foot; in the episode where they're trying to get enough power to broadcast the Voice of the Resistance to Earth--
-- the day we went to shoot the scene where they say that, we lost power to the stage and had to bring in a generator. When I was trying to explain time travel to Jerry over lunch for Babylon Squared, I pointed to his plate and said "Imagine you get food poisoning from the fish--
-- and come back in time to warn yourself not to eat the fish." That night Jerry got food poisoning from the fish. When I wrote the episode where Delenn is pregnant, Mira was pregnant and didn't know it. This happened All The Time and weirded everyone out. At one point Mira --
Very saddened to hear of the passing of Jeri Taylor. Jeri was co-showrunner on Jake and the Fatman (with her husband David Moessinger) and brought me onto the show based on a script I'd written for another show. At the time, I had never been on a network series, and 90% --
-- of my live-action work was in half hour shows, a very different format. Which is why CBS didn't want me on the show. They didn't think I had the chops for a network series. But Jeri and David fought like hell to get me on that show, and eventually prevailed. Not only --
-- was it my first network gig, which was important, Jeri and David took the time to teach me all the things I didn't know about TV writing but thought I did. They were kind, patient, and damned good writers. So when a showdown came between Jeri and David, as the --
The stunning thing about the news coverage over the last couple of days is the sheer number of pundits saying we're in "uncharted waters" to have something like this happen during a political campaign, and that's only true if you ignore the fact that it's not. In 1972 --
-- Alabama Governor George Wallace was running for President. Wallace was batshit crazy, a stone racist and segregationist who, per Jimmy Carter, had previously run "one of the most racist campaigns in modern southern political history." This was the same George Wallace --
-- who personally stood in the schoolhouse door at the University of Alabama to prevent black students from entering after integration had been ordered. So, as noted: racist, segregationist, batshit crazy, and everybody except the people who were --