I’m so incredibly DELIGHTED for @mariaressa but I also want to explain why this decision by @NobelPrize is so important at this moment (& why it’s more very bad news for Facebook)
She’s spent much of the last 5 years trying to warn the west what is coming for us.
How the firestorm of lies & distortions & fake news are a dictator’s best friend.
And how Silicon Valley’s failure to deal with it is a fundamental danger to democracy
In the Philippines, Duterte took over the information space first. Violence, intimidation, co-ordinated attacks took place online before the extra-judicial killings began.
Maria came under a systematic co-ordinated attack.
And it all happened on Facebook.
‘You cannot have integrity of elections, if you do not have integrity of facts’
And we don’t. We have neither.
@mariaressa has been beating this drum & trying to make us understand the existential assault on the truth. And where this leads
The election that brought Duterte to power was a month before Brexit.
We now know that in 2016, social media sites - but especially Facebook - were profoundly, deeply corrupted.
The Philippines was @mariaressa says ‘the first of the dominoes to fall’
@mariaressa has not just courageously risked her freedom to stand up to Duterte, she has used her situation to explain these wider truths.
And to hammer away at Facebook’s complicity time & again
Anyway, small thing, but I’m very very pleased that I got to raise what happened in the Philippines directly to the Facebook executive in charge of global elections at the time, this week.
The expression on her face..
And I hope it’s okay to share this. This was Maria’s message to our group yesterday. The situation in the Philippines is going from bad to worse.
This could not have come at a better time.
This is just too cute. The moment @mariaressa finds out she’s won the Nobel in the middle of a live seminar:
The online harassment @mariaressa faces & which has such awful real world consequences is not just harassment against her as a journalist but as a female journalist: the victim of a terrible confluence of authoritarianism & misogyny
NEW: Why not calling a Nazi salute a Nazi salute puts us in a whole new place of danger. We have to call spades spades or what else is there? 1/ open.substack.com/pub/broligarch…
I've been a Sunday journalist for 20 years and what I'm trying to do in my newsletter is the slower take. Including what's missing from the news. And this week, that's Peter Thiel. *Where was he*??
He literally made JD Vance so was he missing from the tech bro line-up? 2/
And then there's these guys. If you want bad 2016 vibes, please come & read my dive into the straight-up weirdness of Nigel Farage & Arron Banks's inauguration party.
This is Bad Boys of Brexit #2. Only this time, the special geopolitical friends are Chinese. 3/
NEW: Meet Sergei Cristo, a Russian-born Conservative party activist turned whistleblower.
Ep 1 out today: A meeting at the Carlton Club. And the start of efforts to uncover the biggest Russian intelligence operation since the Cambridge Spy Ring. 1/ podcasts.apple.com/us/podcast/epi…
Above on Apple or here on Spotify or wherever you get your podcasts. Episodes will be weekly from now on so please subscribe.
It's an incredible story, John Le Carre but true. But it's also vital to get UK govt to act to protect our elections 2/ open.spotify.com/episode/3VnVjm…
More on it here. Sign up for latest news inc a special event we're hosting in Feb. And if you can afford to chuck a couple of quid into the crowdfunder, we'd be grateful. This is an independent production funded by the public for the public 🙏
Hahaha. I just got a call to ask if 'I'm going to the Indie'. To be clear, this is Lord Lebedev trolling me. But the serious point is that we just lost a liberal independent newspaper. With everything that entails for both journalists & readers. 1/
This week the Scott Trust sold the Observer brand to Tortoise Media. But they're using this to slash 70 core Guardian jobs in a sleight of hand. Observer journalists are *Guardian* journalists on *Guardian* contracts.
2/
But TUPE legislation legally allows the Guardian to transfer any part of its company out. So, 70 journalists on Guardian contracts have a choice to make this Christmas: go to a financially struggling start-up which may or may fail in a couple of years. Or take voluntary redundancy.
3/
Well this is very exciting. My investigation into the Guardian’s new partner & the Observer’s new owner has just got the thumbs up from the Baron of Siberia.
I’m not entirely sure he’s familiar with my journalistic oeuvre, mind…
The Guardian is cancelling my contract after 19 years continuous employment with no pay-off so totes happy to go to the Indie to continue my investigation into Evgeny’s dad, the ex-KGB spy.
To be clear, I’m not being singled out: fully one third of Guardian & Observer staff are on either zero hours or sham ‘freelance’ contracts. The Guardian issued notice on all these this week. If you’re an employment lawyer, feel free to slide into my DMs!
This week the Guardian's owner, the Scott Trust, gifted the 233-year-old Observer to Tortoise Media.
This isn't just a dark day for journalism, it's a sign.
Meet the team.
This is Putin giving Tortoise's energy advisory board member an 'Order of Friendship' medal in 2017. 1/
Independent news is under pressure across the world. The US is already crumbling: ABC settled with Trump. WaPo pre-obeyed.
This week Guardian lost 100 journalists & one of its arms. To understand what's lost, let's start with Putin's friend: Ivan Glasenberg, ex Glencore CEO.
2/
Glasenberg didn't just get a medal from Putin, he sat on the board of a Russian oil company, Rosneft, chaired by one of Putin's closest allies
And here he is: on Tortoise's energy advisory board, assembled by Tortoise, founder, owner & editor, James Harding. 3/
This is what the Observer team & I were doing between strikes. Please read it because it couldn’t be more relevant. I interview Asif Kapadia about his alarming new film, 2073, with its stark warning of where Trump, Musk & Farage are taking us..
Kapadia won an Oscar for Amy, his heartbreaking film about Amy Winehouse. This is emotional too, a sci fi thriller with Samantha Morton set in the future made of fragments of the present. I tell the story of how I accidentally ended up in the film. But it’s so much more than that
It’s a chilling warning of what’s to come. The first film I’ve seen that attempts to unravel the technological crisis that underpins our democratic one. And I’m so pleased to be able to write about in Observer New Review, where I work with the best editors & designers in Britain including @JaneFerg who commissioned this & made it look beautiful. It’s where we’ve relentlessly covered the technoauthoritarian takeover that’s at the heart of Asif’s film…as part of the Guardian’s core journalistic output. While Asif’s film has journalists & journalism at its heart. I’m proud & flattered to be part of it but it also brings home what we stand to lose 😢