Today in pulp I visit Yugoslavia - the Federal People's Republic of Fun!
Come this way, it's all-inclusive...
Yugoslavia was very much the sophisticated side of socialism: more G-plan than five year plan.
(although rural Yugoslavia could be, er, pretty rural)
Now it's true that Yugoslav architecture could tend towards the brutalist...
...but really Yugoslavia was just like the rest of Western Europe: consumerist, cosmopolitan and in love with Kate Bush.
The best way to get around Yugoslavia was by hatchback - if you could get the pretty ladies off the bonnet that is!
And being a socialist republic Yugoslavia was firmly behind equal opportunities.
Food in the Federal Republic was pretty unique and hard to find anywhere else...
...but it was always washed down with lashings of Cockta: the people's fizzy pop!
Yugoslav fashion was big on comfy knits...
...whilst it's music was an eclectic mix of pop, punk and big synth sounds.
And if there's one thing Yugoslavs loved above all it was home entertainment: they were gadget mad!
Yugoslavia was certainly at the forefront of the home computer boom...
... and its home-produced micro, the Galaksija, was a 4kb marvel: easy to build and fun to use.
A pint and a party is a worldwide language, and in Yugoslavia they spoke it as well as anyone else. They also bought into that whole Paul King scene in 1985, but so did everyone!
And so we say a fond farewell to Yugoslavia: fun, frolicks and just a hint of collective planning!
More pulp trips another time...
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Case 32: High Marks For Malice (1989). Nordic knits always work and they're great for detectives. Pastels are very flattering but you'll need a good lint roller if it's a long case you're investigating. This is a clear fashion win.
Case 51: A Model Crime (1990). Gold is a hard colour to pull off, but the details are on point here: single button and shoulder pads make it a power look and Nancy has sensibly avoided the '90s waitcoat trend. Another win.
Today in pulp: I try to buy a computer... in 1978!
Let's see how I do.
First things first: in 1978 you might never actually see your computer. Many people used dumb terminals linked to a mainframe or minicomputer system somewhere in the office basement. Access was on a timeshare basis, with dozens of users sharing access to the same system.
If you did have a microcomputer on your desk you were probably an executive. To be honest many CEOs didn't actually know what a computer was or what it did.
Today I'm looking at a few books from New York publishing house Grosset & Dunlap...
London After Midnight, by Marie Coolidge-Rask. Grosset & Dunlap, 1928.
This is a movie tie-in version, although the last known copy of the film was destroyed in 1965 at a fire at MGM's vaults. It's one of the most sought-after lost silent films now.
A Thousand Years A Minute, by Carl H Claudy. Grosset and Dunlap, 1939. Cover by A C Valentine.
Part of the Adventures in the Unknown series, this is a time travel novel sending its heroes back to the prehistoric world.
One of the best #Christmas presents you could ever get was a View-Master! It sold over one billion reels across the world, but it's based on Victorian technology. How did one simple gadget get to be so popular?
Let's take a look at the toy that took over the planet...
Stereographs are cards with two nearly identical photographs mounted side by side. Viewed through a binocular device they give an illusion of depth. By 1858 the London Stereoscopic and Photographic Company had published over 100,000 of them.
Sawyer's Photo Finishing Service began in 1919 in Portland, Oregon. By 1936 they had teamed up with William Gruber, who had been experimenting with stereoscope photography using the new Kodachrome colour film.
Today in pulp I look back at a few forgotten '80s sci-fi movies and ask: is it time to reappraise them?
Spoilers: not all of these are available on Betamax...
There were a huge number of mid and low budget sci-fi movies released throughout the '80s, many of which went straight to video. Today they lurk in the far corners of your streaming service.
Should you watch them? Well let me take you through a few you might be tempted by.
Battle Beyond The Stars (1980) was Roger Corman's retelling of Kurosawa's Seven Samurai in space. James Cameron did an impressive job on the SFX with a small budget and the film certainly has a distinctive look.