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Pulp Librarian Profile picture
@PulpLibrarian
Nov 15, 2021 • 14 tweets • 4 min read • Read on X
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Today I'm looking at Penguin Books from 1966. Why? Because that's the year they ditched the Marber Grid and brought in Alan Aldridge as art director to spice up their fiction covers!

He was a controversial choice, so let's see how he did...
Sleepwalkers, by David Karp. Penguin Books, 1966.

I really like this as a cover!
Farewell, My Lovely by Raymond Chandler. Penguin Books, 1966. Another favourite of mine.
Kiss Kiss, by Roald Dahl. Penguin Books, 1966. Art by Alan Aldridge.
Jubb, by Keith Waterhouse. Penguin Books, 1966. Richard Heimann did the photography on this one IIRC.
Boswell's London Journal: 1762-1763, edited by Frederick A Pottle. Penguin Books, 1966. Cover by Alan Aldridge.
Gunner Cade, by Cyril Judd. Penguin 1966. Cover by Ian Yeoman.
A Kind Of Loving, by Stan Barstow. Penguin Books, 1966. I do like this edition!
Island, by Aldous Huxley. Penguin, 1966. Cover by Ross Cramer.
Maigret's Special Murder, by Georges Simeon. Penguin Books, 1966. Cover by Karl Ferris.
The Penguin John Lennon (1966). Cover by Alan Aldridge.
The Unpleasant Profession of Jonathan Hoag, by Robert A Heinlein. Penguin, 1966. Cover by Alan Aldridge.
Personally I'm a fan of Alan Aldridge's work at Penguin, though that does put me into a minority! De gustibus non disputandum est, as they say.
And finally... The House on the Borderland, by William Hope Hodgson. Panther Horror, 1969. Cover by Alan Aldridge (who had just been sacked as Penguin's art director that year!)

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More from @PulpLibrarian

Pulp Librarian Profile picture
Nov 22
Today in pulp I'm looking back at one of the greatest albums of all time.

What are the chances... Image
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album. Image
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera. Image
Read 15 tweets
Pulp Librarian Profile picture
Nov 17
Shall we take a look at some classic pinball table backglass art?

I think we should... Image
"Do you like gladiator movies?"

Mars: God of War pinball (Gottleib, 1981) Image
Dr. McCoy has been seriously working out!

Star Trek pinball (Bally, 1979). Image
Read 14 tweets
Pulp Librarian Profile picture
Nov 12
Today in pulp I'm looking back at a very popular (and collectable) form of art: Micro Leyendas covers! Image
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable. Image
The art of Micro Leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale. Image
Read 9 tweets
Pulp Librarian Profile picture
Nov 9
Today in pulp: what makes a good opening sentence for a pulp novel?

Now this is a tricky one… Image
The opening sentence has an almost mythical status in writing. Authors agonise for months, even years, about crafting the right one. Often it’s the last thing to be written. Image
Which is odd, because very few people abandon a book if they don’t like the first sentence. It’s not like the first sip of wine that tells you if the Grand Cru has been corked! Most people at least finish Chapter One. Image
Read 17 tweets
Pulp Librarian Profile picture
Nov 7
The Time Machine, Brave New World, 1984: these weren’t the first dystopian novels. There's an interesting history of Victorian and Edwardian literature looking at the impact of modernity on humans and finding it worrying.

Today in pulp I look at some early dystopian books… Image
Paris in the Twentieth Century, written in 1863, was the second novel penned by Jules Verne. However his publisher Pierre-Jules Hetzel rejected it as too gloomy. The manuscript was only discovered in 1994 when Verne’s grandson hired a locksmith to break into an old family safe. Image
The novel, set in 1961, warns of the dangers of a utilitarian culture. Paris has street lights, motor cars and the electric chair but no artists or writers any more. Instead industry and commerce dominate and citizens see themselves as cogs in a great economic machine. Image
Read 25 tweets
Pulp Librarian Profile picture
Oct 31
Time once again for my occasional series "Women with great hair fleeing gothic houses!"

I assume everyone's doing it this #Halloween ? Image
The Legend Of Crownpoint, by Monica Heath. Signet Books, 1974.

A lot of moss on that heath... Image
The Legend Of Holderly Hall, by Kate Cameron. Leisure Books, 1974.

This is number one in a series of four novels, proving that nobody really reads Trip Advisor hotel reviews... Image
Read 11 tweets

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