Today I'm looking at Penguin Books from 1966. Why? Because that's the year they ditched the Marber Grid and brought in Alan Aldridge as art director to spice up their fiction covers!
He was a controversial choice, so let's see how he did...
Sleepwalkers, by David Karp. Penguin Books, 1966.
I really like this as a cover!
Farewell, My Lovely by Raymond Chandler. Penguin Books, 1966. Another favourite of mine.
Kiss Kiss, by Roald Dahl. Penguin Books, 1966. Art by Alan Aldridge.
Jubb, by Keith Waterhouse. Penguin Books, 1966. Richard Heimann did the photography on this one IIRC.
Boswell's London Journal: 1762-1763, edited by Frederick A Pottle. Penguin Books, 1966. Cover by Alan Aldridge.
Gunner Cade, by Cyril Judd. Penguin 1966. Cover by Ian Yeoman.
A Kind Of Loving, by Stan Barstow. Penguin Books, 1966. I do like this edition!
Island, by Aldous Huxley. Penguin, 1966. Cover by Ross Cramer.
Maigret's Special Murder, by Georges Simeon. Penguin Books, 1966. Cover by Karl Ferris.
The Penguin John Lennon (1966). Cover by Alan Aldridge.
The Unpleasant Profession of Jonathan Hoag, by Robert A Heinlein. Penguin, 1966. Cover by Alan Aldridge.
Personally I'm a fan of Alan Aldridge's work at Penguin, though that does put me into a minority! De gustibus non disputandum est, as they say.
And finally... The House on the Borderland, by William Hope Hodgson. Panther Horror, 1969. Cover by Alan Aldridge (who had just been sacked as Penguin's art director that year!)
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let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.
Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.
Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel...
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice.
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic?
It was a phenomenon, spawning a franchise that has lasted over fifty years. It's also a story with many surprising influences.
Today in pulp I look back at a sociological science-fiction classic, released today in 1968: Planet Of The Apes!
Pierre Boulle is probably best known for his 1952 novel Bridge On The River Kwai, based on his wartime experiences in Indochina. So it was possibly a surprise when 11 years later he authored a science fiction novel.
However Boulle had been a Free French secret agent during the war. He was captured in 1943 by Vichy forces in Vietnam and sentenced to hard labour. This experience of capture would shape his novel La Planète Des Singes.
Today I'm looking back at the work of British graphic designer Abram Games!
Abram Games was born in Whitechapel, London in 1914. His father, Joseph, was a photographer who taught him the art of colouring by airbrush.
Games attended Hackney Downs School before dropping out of Saint Martin’s School of Art after two terms. His design skills were mainly self-taught by working as his father’s assistant.