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Pulp Librarian Profile picture
@PulpLibrarian
Nov 15, 2021 • 14 tweets • 4 min read • Read on X
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Today I'm looking at Penguin Books from 1966. Why? Because that's the year they ditched the Marber Grid and brought in Alan Aldridge as art director to spice up their fiction covers!

He was a controversial choice, so let's see how he did...
Sleepwalkers, by David Karp. Penguin Books, 1966.

I really like this as a cover!
Farewell, My Lovely by Raymond Chandler. Penguin Books, 1966. Another favourite of mine.
Kiss Kiss, by Roald Dahl. Penguin Books, 1966. Art by Alan Aldridge.
Jubb, by Keith Waterhouse. Penguin Books, 1966. Richard Heimann did the photography on this one IIRC.
Boswell's London Journal: 1762-1763, edited by Frederick A Pottle. Penguin Books, 1966. Cover by Alan Aldridge.
Gunner Cade, by Cyril Judd. Penguin 1966. Cover by Ian Yeoman.
A Kind Of Loving, by Stan Barstow. Penguin Books, 1966. I do like this edition!
Island, by Aldous Huxley. Penguin, 1966. Cover by Ross Cramer.
Maigret's Special Murder, by Georges Simeon. Penguin Books, 1966. Cover by Karl Ferris.
The Penguin John Lennon (1966). Cover by Alan Aldridge.
The Unpleasant Profession of Jonathan Hoag, by Robert A Heinlein. Penguin, 1966. Cover by Alan Aldridge.
Personally I'm a fan of Alan Aldridge's work at Penguin, though that does put me into a minority! De gustibus non disputandum est, as they say.
And finally... The House on the Borderland, by William Hope Hodgson. Panther Horror, 1969. Cover by Alan Aldridge (who had just been sacked as Penguin's art director that year!)

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More from @PulpLibrarian

Pulp Librarian Profile picture
Dec 27
Today in pulp: how do you write a novel in two weeks?

Pulp writing that has to work within specific constraints, which in turn shape the nature of the story. And speed is the biggest constraint of all: you have to write quickly!

But there are ways to make it work for you... Image
Today a prolific author may write a book every year, but in the 1950s and '60s pulp writer sometimes had as little as two weeks to complete a 50,000 word story and have it ready for print.

That’s 25 novels a year: but at least they got Christmas off! Image
Writing that quickly is hard, but surprisingly liberating. Pulp writers had to go with their first ideas and had to make them work. There wasn’t time to ‘kill your darlings’ - instead you had to toughen them up and send them into battle! Image
Read 23 tweets
Pulp Librarian Profile picture
Sep 26
Today in pulp I'm taking a look back at the Regency Romance series from Signet Books! Image
Signet's Regency Romance series started in the late 1970s and ran until 2006. Like its rivals Harlequin and Mills & Boone, Signet Regency Romance published a number of titles each month, often to the same formula... Image
Most (but not all) Signet Regency Romance covers were by Allan Kass, and I can heartily recommend Rhonda Whiting's wonderful blog about this artist, featuring hundreds of scans of his work allankass.blogspot.co.ukImage
Read 11 tweets
Pulp Librarian Profile picture
Sep 14
Do you enjoy:
- rally driving?
- quizzes?
- touching stuff?

Then I have the magazine for you... Image
Electronic bagpipes. Everyday Electronics, May 1974. Image
Laugh simulator. Everyday Electronics, January 1972. Image
Read 9 tweets
Pulp Librarian Profile picture
Jul 26
What are the pulp archetypes? Pulp novels are usually written quickly and rely on a formula, but do they use different archetypal characters to other fiction?

Let's take a look at a few... Image
The Outlaw is a classic pulp archetype: from Dick Turpin onwards lawbreakers have been a staple of the genre. Crime never pays, but it's exciting and trangressive!

Some pulp outlaws however are principled... Image
As Bob Dylan sang "to live outside the law you must be honest." Michel Gourdon's 1915 hero Dr Christopher Syn is a good example. A clergyman turned pirate and smuggler, he starts as a revenger but becomes the moral magistrate of the smuggling gangs of Romney Marsh. Image
Read 28 tweets
Pulp Librarian Profile picture
Jun 30
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?

Let's find out... Image
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say. Image
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile. Image
Read 16 tweets
Pulp Librarian Profile picture
Jun 29
Time once again for my occasional series "Women with great hair fleeing gothic houses!"

Let's see what's in the library... Image
The Voice of the House, by Margaret Erskine (an Inspector Finch Gothic Mystery). Ace Gothic, 1973.

She'll fall over if she leans like that. Image
The Three Sisters of No End House, by Mona Farnsworth. Ace Gothic, 1972.

I said she'll fall over if she leans like that! Image
Read 10 tweets

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