Share this page!

Enter URL or ID to Unroll

You can paste full URL like: https://x.com/threadreaderapp/status/1644127596119195649
or just the ID like: 1644127596119195649

How to get URL link on X (Twitter) App

  1. On the Twitter thread, click on or icon on the bottom
  2. Click again on or Share Via icon
  3. Click on Copy Link to Tweet
  4. Paste it above and click "Unroll Thread"!
  5. More info at Twitter Help
Pulp Librarian Profile picture
@PulpLibrarian
Nov 19, 2021 • 14 tweets • 4 min read • Read on X
Scrolly
Today in pulp I'm looking at the work of Brazilian illustrator José Carlos de Brito e Cunha, better known as J Carlos!
J Carlos was born in 1884 and spent his working life in Rio de Janeiro. He worked on all the main magazines in Brazil from 1920 onwards.
He was a cartoonist as well as an illustrator, and became the first Brazilian artist to draw Mickey Mouse for Walt Disney.
He also worked on the satirical magazine O Malho, where his gift for caricature helped make it a commercial success.
But J Carlos is probably best known for his cover illustrations for Para Todos in the 1920s, and that's what I'll focus on today.
The perils of parties. Para Todos, October 1927. Cover art by J Carlos.
I kiss your hand madame. Para Todos, April 1927. Cover art by J Carlos.
Ride the wild wave. Para Todos, January 1927. Cover art by J Carlos.
Fairy wings. Para Todos, October 1926. Cover art by J Carlos.
Pierrot. Para Todos, February 1927. Cover by J Carlos.
All that jazz. Para Todos, July 1927. Cover by J Carlos.
Don't stop the dance. Para Todos, October 1927. Cover by J Carlos.
You can learn more about the artwork of J Carlos online at the Rio Then blog: riothen.wordpress.com/2016/08/12/bea…
That's it for the art of J Carlos today. I hope you enjoyed it!

• • •

Missing some Tweet in this thread? You can try to force a refresh
　

Keep Current with Pulp Librarian

Pulp Librarian Profile picture

Stay in touch and get notified when new unrolls are available from this author!

Read all threads

This Thread may be Removed Anytime!

PDF

Twitter may remove this content at anytime! Save it as PDF for later use!

Try unrolling a thread yourself!

how to unroll video
  1. Follow @ThreadReaderApp to mention us!

  2. From a Twitter thread mention us with a keyword "unroll"
@threadreaderapp unroll

Practice here first or read more on our help page!

More from @PulpLibrarian

Pulp Librarian Profile picture
Apr 15
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.

This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world. Image
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with. Image
Read 21 tweets
Pulp Librarian Profile picture
Apr 10
Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.

Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel... Image
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice. Image
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic? Image
Read 14 tweets
Pulp Librarian Profile picture
Apr 4
Given the state of the stock market I thought I'd share my pulp guide to money. What is it? Where does it come from? And does it make us happy?

Let's take a look...
Money is just a token, like a football sticker. In itself it has no intrinsic worth. However it is desirable because, well, football!

Initially the value of all stickers is the same, because there's an abundant supply... Image
However as you fill up your sticker album the value of your existing stickers drops and the value of your missing ones rises.

This is due to scarcity: the law of supply and demand starts to determine worth and value, rather than which team you support. Image
Read 19 tweets
Pulp Librarian Profile picture
Apr 3
It was a phenomenon, spawning a franchise that has lasted over fifty years. It's also a story with many surprising influences.

Today in pulp I look back at a sociological science-fiction classic, released today in 1968: Planet Of The Apes! Image
Pierre Boulle is probably best known for his 1952 novel Bridge On The River Kwai, based on his wartime experiences in Indochina. So it was possibly a surprise when 11 years later he authored a science fiction novel. Image
However Boulle had been a Free French secret agent during the war. He was captured in 1943 by Vichy forces in Vietnam and sentenced to hard labour. This experience of capture would shape his novel La Planète Des Singes. Image
Read 18 tweets
Pulp Librarian Profile picture
Mar 25
Today I'm looking back at the work of British graphic designer Abram Games! Image
Abram Games was born in Whitechapel, London in 1914. His father, Joseph, was a photographer who taught him the art of colouring by airbrush. Image
Games attended Hackney Downs School before dropping out of Saint Martin’s School of Art after two terms. His design skills were mainly self-taught by working as his father’s assistant. Image
Read 13 tweets
Pulp Librarian Profile picture
Mar 23
Today I'm looking back at the career of English painter, book illustrator and war artist Edward Ardizzone! Image
Edward Ardizzone was born in Vietnam in 1900 to Anglo-French parents. Aged 5 he moved to England, settling in Suffolk. Image
Whilst working as an office clerk in London Ardizzone began to take lessons at the Westminster School of Art in his spare time. In 1926 he gave up his office job to concentrate on becoming a professional artist. Image
Read 14 tweets

Did Thread Reader help you today?

Support us! We are indie developers!

This site is made by just two indie developers on a laptop doing marketing, support and development! Read more about the story.

Become a Premium Member ($3/month or $30/year) and get exclusive features!

Become Premium

Don't want to be a Premium member but still want to support us?

Make a small donation by buying us coffee ($5) or help with server cost ($10)

Donate via Paypal

Or Donate anonymously using crypto!

Ethereum

0xfe58350B80634f60Fa6Dc149a72b4DFbc17D341E copy

Bitcoin

3ATGMxNzCUFzxpMCHL5sWSt4DVtS8UqXpi copy

Thank you for your support!

Follow Us!

Send Email!

:(