Time for a pulp countdown now, and today I attempt the impossible by picking my top 10 Ed Emshwiller illustrations!
No 10: Crisis in 2140, by H. Beam Piper and John J. McGuire. Ace Doubles, 1957. Emsh paints fantastic villains, and this one is my favourite.
No 9: Ed Emshwiller's alternative cover for Super-Science Fiction, June 1957. The composition is lovely and the spaceship is excellent.
No 8: an interior illustration by Emsh for 'The Visitor at the Zoo' from Galaxy Magazine, April 1963. I just really like these aliens.
No 7: Star Wars, by Poul Anderson. Ace Doubles, 1957. It's easy to miss the details on this cover, but if anyone can get away with drawing a space kilt Ed Emshwiller can.
No 6: Galaxy Science Fiction, June 1951. There's a lot of wit in Emsh's work and this is one of my favourite Galaxy covers.
No 5: Ed Emshwiller's cover illustration for Rat in the Skull, by Rog Phillips. If Science Fiction, December 1958. Creepy and funny at the same time.
No 4: Starship Soldier, by Robert A. Heinlein. The Magazine of Fantasy and Science Fiction, November 1959. Emsh did a lot of Heinlein magazine covers and this captures the essence of what would become Starship Troopers.
No 3: Threshold Of Eternity, by John Brunner. Ace Doubles, 1959. Emshwiller breaks the 4th wall.
No 2: Galaxy Science Fiction, December 1951. Emsh regularly painted the Christmas Galaxy cover, and this one has a great Mid-Mod feel to it.
And No 1: Women's Work, by Murray Leinster. The Original Science Fiction Stories, November 1956. It's just my favourite.
More pulp countdowns another time...
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In February 1974 something profound and inexplicable happened to author Philip K Dick that changed his life forever. Was it an illness, a psychotic reaction, or something truly mystical?
Today in pulp I look back at the exegesis of Philip K Dick...
Philip K Dick was both prolific and influential. In his youth he came to the conclusion that, in a certain sense, the world is not entirely real and there is no way to confirm whether it is truly there.
By the end of the 1960s Philip K Dick had published over 40 novels and stories, as well as winning the 1963 Hugo Award for The Man In The High Castle. But he still struggled financially.
What with you being so busy and everythign you may not have visited your local library in a while.
So come with me on a virtual library tour, courtesy of stock photography, to see what we do for a living...
The enquiries desk is normally your first stop in a library, and this is where you will meet The Angry Librarian!
Why is she angry? Because people keep asking her stupid questions!
"Are you open?"
"Do you have a toilet?"
"That chair's wobbly!"
"Why isn't it available in audiobook?"
"Someone else is on the computer and that's not fair!"
Today in pulp I look at the original white stripes: the world of dazzle camoflague!
Traditional pattern camoflague had been used by the British Royal Navy to break up a ship's outline for some time. But in 1917 artist Norman Wilkinson presented the Admiralty with a different idea - camoflague that confused enemy rangefinders.
Dazzle - known in the US as Razzle Dazzle - would use high contrast colours in irregular patterns to make it difficult for enemy gunners to calculate a ship's range and bearing. This would (hopefully) lead to them taking up a poor firing position when they attacked.
Friendship is universal. So are human-eating alien lizards in sunglasses. At least that's what we thought in 1983, thanks to one blockbuster TV mini-series.
This is the story of V...
Writer Kenneth Johnson had a strong background in TV drama and sci-fi, having worked on The Incredible Hulk and The Six Million Dollar Man. In 1976 he created The Bionic Woman series.
But his next project would be more political...
Johnson was interested in Sinclair Lewis's 1935 novel It Can't Happen Here, a story about how fascism might take hold in America. He worked up a modern retelling of the story - called Storm Warning - and pitched the idea to NBC as a mini-series.
Abraham Van Helsing may be the most famous of the early occult detectives, but there were many others who appeared in Victorian and Edwardian literature.
Today I look back at some of the early supernatural sleuths who helped to define a genre that is still going strong today…
Occult detectives explore paranormal mysteries, sometimes by using spiritual skills. They could be normal detectives investigating the occult, occultists who use the dark arts to solve crime, or detectives with supernatural abilities such as clairvoyance.
Occult detectives began in the mid-19th century: Poe’s Murders in the Rue Morgue (1841) had set the template for detective fiction, whilst spiritualism and paranormal research also began to interest the public. Séances and Ouija boards were familiar tropes for Victorian readers.
In the shadowy corners of the shortwave spectrum lurk the Numbers Stations: strange radio broadcasts of mysterious blocks of numbers in creepy monotone voices!
It's actually an old form of spycraft which is still in use today. Let's take a listen...
A Numbers Station is a type of one-way voice link for sending information to spies in foreign countries. Operating on Short Wave radio bands they transmit a secret code of spoken numbers.
Use of Numbers Stations peaked during the Cold War, but some are still operating today.
Numbers Stations are operated by various national intelligence agencies. At set times on a pre-arranged frequency a musical tone is played, followed by a speech synthesised voice reading out blocks of numbers. To most listeners it sounds both creepy and meaningless.