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Pulp Librarian Profile picture
@PulpLibrarian
Nov 24, 2021 • 11 tweets • 4 min read • Read on X
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Time for a pulp countdown now, and today I attempt the impossible by picking my top 10 Ed Emshwiller illustrations!
No 10: Crisis in 2140, by H. Beam Piper and John J. McGuire. Ace Doubles, 1957. Emsh paints fantastic villains, and this one is my favourite.
No 9: Ed Emshwiller's alternative cover for Super-Science Fiction, June 1957. The composition is lovely and the spaceship is excellent.
No 8: an interior illustration by Emsh for 'The Visitor at the Zoo' from Galaxy Magazine, April 1963. I just really like these aliens.
No 7: Star Wars, by Poul Anderson. Ace Doubles, 1957. It's easy to miss the details on this cover, but if anyone can get away with drawing a space kilt Ed Emshwiller can.
No 6: Galaxy Science Fiction, June 1951. There's a lot of wit in Emsh's work and this is one of my favourite Galaxy covers.
No 5: Ed Emshwiller's cover illustration for Rat in the Skull, by Rog Phillips. If Science Fiction, December 1958. Creepy and funny at the same time.
No 4: Starship Soldier, by Robert A. Heinlein. The Magazine of Fantasy and Science Fiction, November 1959. Emsh did a lot of Heinlein magazine covers and this captures the essence of what would become Starship Troopers.
No 3: Threshold Of Eternity, by John Brunner. Ace Doubles, 1959. Emshwiller breaks the 4th wall.
No 2: Galaxy Science Fiction, December 1951. Emsh regularly painted the Christmas Galaxy cover, and this one has a great Mid-Mod feel to it.
And No 1: Women's Work, by Murray Leinster. The Original Science Fiction Stories, November 1956. It's just my favourite.

More pulp countdowns another time...

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More from @PulpLibrarian

Pulp Librarian Profile picture
Jun 30
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?

Let's find out... Image
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say. Image
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile. Image
Read 16 tweets
Pulp Librarian Profile picture
Jun 29
Time once again for my occasional series "Women with great hair fleeing gothic houses!"

Let's see what's in the library... Image
The Voice of the House, by Margaret Erskine (an Inspector Finch Gothic Mystery). Ace Gothic, 1973.

She'll fall over if she leans like that. Image
The Three Sisters of No End House, by Mona Farnsworth. Ace Gothic, 1972.

I said she'll fall over if she leans like that! Image
Read 10 tweets
Pulp Librarian Profile picture
Jun 27
Today in pulp I look back at the publishing phenomenon of gamebooks: novels in which YOU are the hero!

A pencil and dice may be required for this thread... Image
Image
Gamebooks are a simple but addictive concept: you control the narrative. At the end of each section of the story you are offered a choice of outcomes, and based on that you turn to the page indicated to see what happens next. Image
Gamebook plots are in fact complicated decision tree maps: one or more branches end in success, but many more end in failure! It's down to you to decide which path to tread. Image
Read 22 tweets
Pulp Librarian Profile picture
Jun 18
Time for a pulp countdown now, and today it's my top 10 public relations campaigns! Image
At no 10: prunes! Let's get this party started. Image
At no 9: butter! Don't suffer from a lack of it. Image
Read 12 tweets
Pulp Librarian Profile picture
Jun 15
You know what I haven't done in a while? Bad book covers!

Let's change that... Image
Ooh you little lyre... Guardian Angels, by Joseph Citro. Zebra Books, 1988. Image
How I answer the door in the mornings... Encounters With Aliens, by George W. Earley. Charter House, 1978. Image
Read 13 tweets
Pulp Librarian Profile picture
May 11
He was the terror of London; a demonic figure with glowing eyes and fiery breath who could leap ten feet high. The penny dreadfuls of the time wrote up his exploits in lurid terms. But who was he really?

Today I look at one of the earliest pulp legends: Spring-Heeled Jack! Image
London has always attracted ghosts, and in the 19th Century they increasingly left their haunted houses and graveyards and began to wader the capital's streets.

But one apparition caught the Victorian public attention more than most... Image
In October 1837 a 'leaping character' with a look of the Devil began to prey on Londoners. Often he would leap high into the air and land in front of a carriage, causing it to crash. It would then flee with a high-pitched laugh.

The public soon named him "Spring-Heeled Jack." Image
Read 14 tweets

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