Here’s the irony. #WritingWithFire, a powerful multiple award-winning documentary about @KhabarLahariya - a collective of grassroots women journalists in India opens on Friday in theaters in NYC, LA, Austin and Chicago. Next week it expands acrsss the US including SF.
Because of the film’s political content it has not been shown in India. But even if it was programmed by a festival, what are the chances of it getting theatrical release in India? Zero! We just don’t have the refined art house moviegoing culture in India.
A very Indian film about grassroot journalism will be seen by many Americans, before it travels to Europe. These women are self taught, they didn’t attend elite journalism schools in the US. But I suspect there will not be much of an audience in India to appreciate their story.
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Mourning a loss can be a difficult experience, especially if the person left us too soon. The guilt of losing someone and to feel responsible for it can be worse. Then two strangers meet and they take daily long drives while dialogues from "Uncle Vanya" play on a cassette.
#RyûsukeHamaguchi’s three-hours long #DriveMyCar pulls you into the world of an actor and theater director, his young chauffeur and an a host of supporting actors from different nationalities who are acting in a multi-lingual production of #UncleVanya.
Most of them are broken people, and the film takes us on the drive as we witness their tough journeys to heal.
It's a haunting film from perhaps the best young director working in the global film space. #DriveMyCar is Japan's official Oscar entry.