Joumana Medlej's @joumajnouna "The Canticle of Creatures", a calligraphic rendering of St Francis of Assisi’s Canticle of Creatures in Arabic, in the Eastern Kufic style and materials of the Qarmatian Qur’an, written using mineral, foraged earth & plant pigments, 2021. 1/
Also called Laudes Creaturarum [Praise of the Creatures] or the Canticle of the Sun, Francis' work was composed around 1224 in Umbrian, his native Italian dialect. The script Joumana has used here is based on that of the Qarmatian Qur’an, made in Central Asia, circa 1180. 2/
"Praised be, o God, for Sister Air and the wind and clouds, and clear skies and all weathers, with which you nourish Your creatures.
Praised be, o God, for Brother Water, who is useful and humble, precious and pure." 3/
"Praised be, o God, for Sister Fire, who illuminates the night; and she is beautiful and playful, vigorous and strong.
Praised be, o God, for our sister Mother Earth, who protects us and guides us and brings forth fruits and flowers and herbs." 4/
Joumana has used carbon ink (midād) for the rasm, and cinnabar for harakāt, verdigris for shadda and i’jām, lapis lazuli for sukūn. The borders are painted with yellow ochre she personally gathered near Tannourine in Mount Lebanon. The outer border is lapis lazuli. 5/
The end papers are dyed with horse chestnut husks, and painted with lac. The cover is bookcloth paper, the flap embroidered with gold thread. 6/
There are still a few examples available of the limited edition (15 copies) reproduction of this extraordinary artist's book, see @joumajnouna's website for more details. 7/ majnouna.com/portfolio/cant…
Here are two images of the dispersed leaves of the remarkable Qarmatian Qur'an at @metmuseum, on which @joumajnouna's calligraphy here is based. Notice the striking extreme elongation of tall letters and the ellipse formed by combining two of these letters, lam and alif. 8/
Of course, @joumajnouna's choice of a text by St Francis of Assisi in Arabic translation is not coincidental, it's informed by a remarkable event eight hundred years age: St. Francis of Assisi meeting with the Muslim Sultan of Palestine, Syria, and Egypt: al-Malik al-Kamil. 9/
As far as we know based on the historical record, this meeting - in the middle of the bloody Fifth Crusade - was the first ever meeting of its kind. Never before had two such powerful (or holy) people from their respective faiths met in a spirit of peace and understanding. 10/
When Francis and his companion, Illuminatus (one of his brothers with a rudimentary knowledge of Arabic), left the Christian camp for al-Kamil’s headquarters, it seemed nothing short of a suicide mission - and was perhaps intended to be just that by Francis. 11/
That they even made it to appear before the Sultan was likely because al-Kamil’s guards mistook Francis and Illuminatus for Holy Men in the same vein as Muslim sufiyya (Sufis), who wore a simple belted tunic similar to the type we still see Franciscans wearing today. 12/
Al-Malik al-Kamil was widely known as a pious and devout man. The nephew of the warlike Saladin, he received an excellent military education but was known to prefer the discipline of prayer to the sword. 13/
Al-Kamil summoned his advisers to listen as Francis spoke of the story of salvation history, its culmination in the person of Jesus Christ, and a plea in the name of God for peace between the warring factions. 14/
Against the advice of his advisers – who recommended killing him – he spared Francis, even inviting him to spend a week in his residence as an esteemed guest. 15/
We know nothing of the content of their conversations with the Sultan but we do know that Francis & Illuminatis left a week later, unharmed. They were gifted ample provisions for their return journey, even refusing a further offer of precious gifts - apart from one. 16/
The Christian monk accepted only one of the gifts - an ivory horn, which was used by the muezzin to call Muslims to pray. Upon returning home, Francis used this horn to call for prayer and preach among his fellow Christians. 17/
Francis was struck by the fact that Muslims prayed five times a day, and subsequently began to encourage Christians to also make prayer a regular part of their daily life. He shared with his followers his respect for Muslims that arose during his visit to al-Kamil in Egypt. 18/
Sultan al-Kamil also changed his attitude towards his Christian opponents. Reportedly if someone from the Christians was captured by his troops, he treated them with unprecedented kindness and generosity. 19/
In this way, Sultan al-Kamil (a Muslim leader with the status of a European prince) and the Christian saint Francis (with a horn for the Muslim call to prayer in his hands) became longstanding symbols of Islamic-Christian dialogue. 20/
And it's precisely this Islamic-Christian dialogue - more important today than ever - that @joumajnouna honors with her artistic skill and wonderful calligraphy in this Arabic translation of St Francis' "Canticle of Creatures". 21/
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The seven days of Sukkot start tomorrow. Sukkot is one of the three Jewish festivals on which the ancient Israelites were commanded to make a pilgrimage to the Temple in Jerusalem.
This beautiful folio-sized machzor (prayerbook) for Sukkot according to the Provençal rite of Avignon, was written by the scribe David Tsoref in 1721. 1/
After their expulsion from France in the 14th-century, a handful of Jews remained in the Provençal Papal territory of the Comtat Venaissin. Avignon was one of four Jewish communities tolerated by the Holy See: the other 3 were Carpentras, Cavaillon, & L'isle-sur-la-Sorgue. 2/
Because of their extreme isolation from the rest of the Jewish world (and even, within the Comtat Venaissin, from each other), all 4 communities developed their own unique minhag (liturgical rite).
Most of these were never printed, and survive only in manuscript form, as here. Provençal manuscripts like this are instantly recognizable by their beautifully distinctive Hebrew script. 3/
Today, August 2, Roma people around the world commemorate the genocide of the Roma with Samudaripen memorial day. It marks both the specific moment in 1944 when the Nazis murdered around 3,000 Roma at Auschwitz, and the wider Roma genocide during the Second World War. 1/
The number of Roma killed during the Samudaripen is still unclear - the US Holocaust Memorial Museum puts the figure of Roma dead at between a quarter of million and a half a million people. 2/
However, the advocacy group the International Romani Union believes that as a result of this genocide, approximately 2 million Roma were killed, which was about two-thirds of the total Roma population in Europe at the time. 3/
One of the masterpieces of ancient Egyptian art, the 'Seated Scribe' was discovered by the French archeologist Auguste Mariette at the Saqqara necropolis just south of Cairo in 1850, and dates to the period of the Old Kingdom, around 2500 BCE. It's now in the collections of @MuseeLouvre.
The eyes are especially amazing. I'll explain why. 🧵
The eyes of the scribe are sculpted from red-veined white magnesite, inlaid with pieces of polished rock crystal. The inner side of the crystal was painted with resin which gives a piercing blue colour to the iris and also holds them in place. 2/
Two copper clips hold each eye securely in place. The eyebrows are marked with fine lines of dark paint. The scribe stares calmly out to the viewer as though he is waiting for them to start speaking. 3/
This is the Rongorongo script of Easter Island. Rongorongo lacks an accepted decipherment but is generally presumed to encode an earlier stage of Rapa Nui, the contemporary Polynesian language of the island. It is possible that it represents an independent invention of writing. 1/
Hundreds of tablets written in Rongorongo existed as late as 1864 but most were lost or destroyed in that period and only 26 of undoubted authenticity remain today; almost all inscribed on wood. Each text has between two and over two thousand glyphs (some have what appear to be compound glyphs). 2/
The longest surviving text is that on the ‘Santiago Staff’: around 2,500 glyphs, depending upon how the characters are divided. The glyph-types are a mixture of geometric figures and standardized representations of living organisms; each glyph is around one centimetre in height. 3/
Oy. Forget about being a "rabbi", if you had even a kindergarten level knowledge of Hebrew (or Judaism for that matter) you'd know that this is not old, not Jewish, not an amulet, and nothing to do with kabbalah (which you grotesquely mischaracterize). It's a crude mishmash of… https://t.co/3IJjWrqnIp https://t.co/U7OBn124MNtwitter.com/i/web/status/1…
When looking at any purportedly ancient Jewish manuscript, bear in mind: 1. Jewish manuscripts are generally austerely plain and written in black ink only. Red ink is seen occasionally as a highlight color in for example Yemenite manuscripts, but gold ink is essentially never… twitter.com/i/web/status/1…
Oi u luzi chervona kalyna - Oh, the Red Guelder Rose in the Meadow - is the anthem of 🇺🇦 Ukrainian resistance to Russian oppression.
Written in 1875, it was adapted by Stepan Charnetsky in 1914 to honor the Sich Riflemen of the First World War. 1/ twitter.com/i/web/status/1…
The red guelder rose or viburnum of the song ('kalyna' in Ukrainian) - a shrub that grows four to five metres tall - is referenced throughout Ukrainian folklore. It is depicted in silhouette along the edges of the flag of the President of Ukraine. 2/
Due to the song's association with the Ukrainian people's aspiration for independence, singing of the song was banned during the period in which Ukraine was a Soviet Republic(1919-1991). Anyone caught singing it was jailed, beaten, and even exiled. 3/