Let's talk about the Ben Franklin effect:
A person who does a favor for someone else is more likely to do another favor than if they had received a favor in the initial exchange.
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It's named for a line in Ben Franklin's autobiography:
"He that has once done you a kindness will be more ready to do you another, than he whom you yourself have obliged."
There's a story about Ben Franklin and a rival legislator, where Ben won him over by requesting to borrow a rare book, returning it promptly with an effusive thank you note. Afterwards, they developed a deep friendship, and the rival became indebted to support Franklin.
The early research on this, in the 60's, involved research subjects who won money in staged competition w the researcher, followed by being approached by someone to ask, humbly, if they would return the money, which'd been donated by the researcher because of low research funds.
They were then asked how they felt about the researcher. When the request came directly from the researcher, scores were more positive than not being asked at all. When asked by a dept. admin on behalf of the researcher, the effect was negated.
The best model of this behavior involves cognitive dissonance & scopes into a larger conversation about how we perceive people based on how we treat them. We tend to like people to whom we are nice. We tend to dislike people to whom we are mean.
The most extreme example: dehumanization as practiced in warfare. The enemy become faceless, evil. We find ways to rationalize our hatred, ascribing characterstics that justify our actions.
Jailers come to hate inmates, soldiers the enemy, concentration camp guards dehumanize their captors.
The contrary is how we transfer the gratitude of those indebted to us to the rationalization that they are deserving, worthy, allied.
It's possible to utilize an understanding of this phenomenon in sales, marketing, journalism, mentorship, clinical practice. Asking for the help of someone (and expressing gratitude) is a better way to build trust than offering to do a favor or give knowledge.
Our stupid, faulty brains give us unreliable data or make irrational associations. The best thing we can do is to be aware of that & try to live our lives in a way that is authentic.
Understanding this phenomenon can make us recognize how we're wired & try to be better.
End.
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I need to vent: 1. You don't need a vaccine card to go to the grocery store or "freely move about society".
2. We require licenses, proof of insurance, registration, inspection stickers, business licenses, event permits, visitor passes, etc. for any manner of venues.
3. We've required shot records for schools, some hospital wards, and we restrict visitors, enforce quarantines for international visitors, migrants and goods from other countries going back to Ellis Island.
Public health has always existed in dynamic tension with personal freedoms & the only reason that tension persists is that pandemic disease requires collective action to combat.
No-one likes it, but we do it because of what it can accomplish in the long run.
About 120 million years ago in what would become North Texas, a herd of sauropod dinosaurs, adults with their young, wandered along a coastal river delta, leaving footprints in the wet lime sediments.
At a later time, a group of theropods or carnosaurs followed the same path.
Silts and clay filtered in and filled the tracks, hardening into two layers of limestone & shale sediments. The Paluxy River unearthed the preserved trackways about 1 million years ago.
The area is now Dinosaur Valley State Park, one of the best preserved trackways from the Cretaceous. You'll need to wade out to see some of the tracks in the Paluxy, some as big across as 3 ft (1 m).
I have a theory about the sculpture of Michelangelo I want to share. Many of his sculptures interpose various characters or aspects of a story.
Example: His statue of David depicts a shepherd boy, a haughty king, and a giant all rolled into one. The whole story in 1 figure.
Look at the scale of David: he's enormous.
Look at the expression in the eyes. Is he a youth (11-13) or a mature man? Is he smirking or humble?
Do you get a sense of pending combat, or repose?
'La Pieta' is another great example. Look at Mary's face. Is she ~65 years old? Or a new mother cradling a baby she knows is destined for death on the cross?
Is she holding a 200 lb man, or a baby in her lap, based solely on her body position?
"Magicians are the most honest people in the world; they tell you they're gonna fool you, and then they do it."
- James "The Amazing" Randi
James Randi has always appeared to me that he was born old, but here he is in his prime as an escape artist and illusionist.
Born in 1928, he literally ran away to the circus as a teenager, and began performing escape acts like this one, suspended above a city street (date and location unknown to me).
If you've ever had a flight connect at DFW airport, you may have seen this mural, depicting my beloved Caddo Lake, created by Dallas artist Arthello Beck Jr.
Beck was the first African-American to own & operate an art gallery in Texas & launched careers for many Texas artists.
He grew up in Oak Cliff in Dallas, received no formal training beyond art class at Lincoln High School. He worked as a postal worker, a driver for Dallas MHRC, but always he was at the Dallas Public Library, looking at art.
He had a speech impediment, so art was his language.
His art depicts life growing up in Jim Crow Texas (he was born in 1941), through segregation, and he believed in grassroots and Black liberation.
He opened his gallery in 1973, mostly with his own paintings, but featuring other Black artists from the area.