Cory Doctorow NONCONSENSUAL BLUE TICK Profile picture
Dec 8, 2021 36 tweets 21 min read Read on X
This is more-or-less my last blogging day of 2021 (I may sneak a post or two in before the New Year, but I might not), so it's time for my annual roundup of my book reviews from the year gone by.

1/ A vast library.
I've sorted this year's books by genre (sf/f, other novels, graphic novels, YA, nonfic) a

nd summarized the reviews with links to the full review.

2/
As ever, casting my eye over the year's reading fills me with delight (at how much I enjoyed these books) and shame (at all the excellent books I was sent or recommended that I did *not* get a chance to read). 2021 was a hard year for all of us and I'm no exception.

3/
I ended up whiffing on *so many* astonishingly great and highly desirable books this year and I feel awful about it, to be honest.

4/
I know what it's like to launch a book in a pandemic (I had *four* books out in 2020, ugh), and I so want to get those writers' and publishers' books into your hands. I might actually start an aspirational "books I wish I was reading" monthly or quarterly list for 2022.

5/
On the subject of book publishing a pandemic: last year saw the publication of the paperback of my novel *Attack Surface*, the third Little Brother book:

craphound.com/homeland/2021/…

6/
There's still signed stock at @darkdel, and depending on the postal service, it's possible that if you order one (or the other signed books of mine they have on hand) that you'll get it in time for the Christmas break.

darkdel.com/store/p1840/Co…

7/
And speaking of 2022, I'll be publishing the first of *seven* planned books for 2022/3/4 in September: "Culture Heist: The Rise of Chokepoint Capitalism and How Workers Can Defeat It," comes out from @BeaconPressBks in September.

8/
It's a book on monopoly and creative labor exploitation that I co-wrote with @rgibli and it's *excellent*.

Now, onto the reviews!

* Science fiction/fantasy novels

9/
I. Situation Normal, by @leonardr

Richardson's second novel is a droll, weird, fast-moving space-opera with a gigantic cast, myriad subplots, and fascinating premises – a novel so brilliantly conceived that it runs like precision clockwork.

pluralistic.net/2020/12/14/sit…

10/
II. Rabbits, by @tkmiles

Mile's debut novel is a taut, conspiratorial thriller with overtones of PK Dick by way of Qanon and Dark City, a supernatural tale that illuminates the thrill and terror of ARG-like groups.

pluralistic.net/2021/06/08/leo…

11/
III. The City We Became, by @NKJemisin

A magic realist novel of New York City that is both a fantastic contemporary fantasy novel and a scorching commentary on the infantile nature of the racist dogma of HP Lovecraft and his ilk.

pluralistic.net/2021/01/09/the…

12/ The cover of The City We Became
IV. When the Sparrow Falls, by @unshavedmouse

A tense dystopia about the unraveling of a paranoid hermit kingdom established as a final redoubt against humanity's ascent to the cloud. A claustrophobic nightmare of authoritarian antitranshumanism.

pluralistic.net/2021/07/01/bas…

13/ The cover of When the Sparrow Falls
V. King Bullet, by @Richard_Kadrey

The final #SandmanSlim novel - more than a decade in the making, and a triumphant capstone to a supernatural noir series that transcended the tropes of noir and the supernatural with a tale of transformation, redemption, revenge and sacrifice.
VI. Hench, by @NatalieZed

This debut novel is fantastic, funny, furious and fucking amazing. It is a profound and moving story about justice wrapped up in a gag about superheroes, sneaky and sharp.

pluralistic.net/2021/08/19/fai…

15/
VII. The Every, by Dave Eggers

The sequel to Eggers' 2013 techno-dystopian satire "The Circle," and it's a deeply discomfiting, darkly hilarious, keen-edged tale of paternalism and its discontents.

pluralistic.net/2021/10/05/mas…

16/ The cover of The Every
* Novels (not sf/f)

I. Scholars of the Night, by John M Ford

The first in a long-awaited, storied and fraught reissues of the works of the brilliant and versatile Mike Ford, a cold war thirller without match.

pluralistic.net/2021/09/26/mik…

17/ The cover of Scholars of the Night
II. This Thing Between Us, by @Uhhgus

Gus Moreno's debut novel, "This Thing Between Us," is a genuinely creepy supernatural horror novel, a book that made the hairs on the back of my neck stand up and got me to turn on the nightlight at bedtime.

pluralistic.net/2021/10/12/no-…

18/ The cover of This Thing Between Us
III. LaserWriter II, by Tamara Shopson

Tamara Shopsin's fictionalized history of Tekserve, NYC's legendary Apple repair store: a vivid, loving portrait of an heroic wea when computers transformed lives and captured hearts.

pluralistic.net/2021/10/29/nor…

19/ The cover of LaserWriter II
* Graphic Novels

I. Streamliner, by Fane

The story of a secret outlaw jalopy hotrod race that plays out with so much fucking noir it's practically vantablack,. It's clear why STREAMLINER and its creator Fane are giants of the French comics scene.

pluralistic.net/2021/03/15/fre…

20/ The cover of Streamliner
II. Cyclopedia Exotica, by @aminder_d

An alternate world shared with cylcopes (one eye/one breast). Told as a series of lighthearted gags that made me cry with laughter - an admirably sneaky and profound story about race, gender and class.

pluralistic.net/2021/05/11/uni…

21/ The cover of Cyclopedia Exotica
III. Bubble, by @Jordan_Morris et al

Comedy/sf story about outposts on a hostile planet where human colonists live under armored domes, protection against overpowered alien critters. An improbable artifact that turns podcasting into a visual medium.

pluralistic.net/2021/08/21/pod…

22/ The cover of Bubble
* YA

I. Permanent Record, by @Snowden

Snowden's sprightly prose, deep tech, superb explanations of complex matters, and ability to articulate principled action come together in a book that is, if anything, better than the adult version.

pluralistic.net/2021/02/09/per…

23/ The cover of Permanent Record
II. The Halloween Moon, by @PlanetofFinks

Welcome to Nightvale co-creator Joseph Fink brings his superb, unmatchable gift for balancing the weird and the real to a spooky middle-grades novel that echoes such classics as @NeilHimself's Coraline.

pluralistic.net/2021/09/23/rem…

24/ The cover of Halloween Moon
III. Victories Greater Than Death, by @CharlieJane

An exciting, engrossing tale with all that's great about YA tropes while deftly subverting the their problems. Full of majesty and sweep, good and evil, bravery and sacrifice, treachery and danger.

pluralistic.net/2021/11/08/tin…

25/ The cover of Victories Greater Than Death
* Nonfiction

I. The Data Detective, by @TimHarford

Could have been called HOW TO TRUTH WITH STATISTICS. Journey beyond debunking bad stats and learn how stats can be part of how we discover truth.

pluralistic.net/2021/01/04/how…

26/ The cover of The Data Detective
II. Food and Climate Change Without the Hot Air, by @sarahbridle

Clear, nonthreatening, technical language, brilliant data visualizations, and examples grounded in our daily experience make a powerful read.

pluralistic.net/2021/01/06/met…

27/ The cover of Food and Climate Change Without the Hot Air
III. Competition is Killing Us, by @MichMeagher

A smart, fast-moving history of the neutering of monopoly law, by the Chicago School of neoliberal economists. The Chicago School put competition enforcement in chains. Meagher shatters them.

pluralistic.net/2021/01/08/com…

28/ The cover of Competition is Killing Us
IV. Monopolized, by @DDayen

Unpicks knots of bullshit and laying them straight to reveal them for the turds they are; showing how we're all drowning in crap. Pharma, aviation, newspapers, Big Tech, Big Funeral, all the scams that pick our pockets.

pluralistic.net/2021/01/29/fra…

29/ The cover of Monopolized
V. Broad Band, by @TheUniverse

More than a celebration of the hidden woman heroes of the computing revolution – an epitaph for all the people whose talent, aptitude, dreams and contributions were squandered.

pluralistic.net/2021/02/13/dat…

30/
VI. Prisoners' Inventions, by Angelo

A carceral version of neo-neolithic Youtubers who bootstrap tools from raw materials. Prisoners treat the environment as a challenge, to be reconfigured, overcoming user-hostile designs and armed enforcers.

pluralistic.net/2021/06/09/kin…

31/
VII. Jackpot, by @MichaelMechanic

A pitiless, empathic look at the lives of the super-rich: the transactional relationships, the paranoia and greed, the pingponging between homes, the ruined offspring, the constant preoccuptation with accumulation…

pluralistic.net/2021/04/13/pub…

32/
VIII. Mutual Aid, by Peter Kropotkin, @DavidGraeber, and others

Debunking the fraud of "social Darwinism," the idea that hierarchy and exploitation are evolutionarily baked into our genes. A gorgeous illustrated edition with an intro by Graeber.

pluralistic.net/2021/09/22/kro…

33/ The cover of Mutual Aid
IX. Savage Love A-Z, by @FakeDanSavage

Come for graphic sexual content, stay for thoughtful and philosophy. Savage's latest is an illustrated, alphabetical tour through the concepts of his decades-long corpus of wisdom, humor and learning.

pluralistic.net/2021/10/04/avo…

eof/ The cover of Savage Love A-Z
ETA - If you'd like an unrolled version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

pluralistic.net/2021/12/08/req…

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More from @doctorow

May 17
As a science fiction writer, I find it weird that some sf tropes - like space colonization - have become culture-war touchstones. You know, that whole "we were promised jetpacks" thing.

1/ A cartoon image of a jetpack-flying man waves hello at a gap-toothed, awed young boy. Beneath them in the corner, a sinister figure with huge, hypnotic-spiral eyes works the switches on an imposing control panel. On his desk is a copy of Amazing Stories with the same rocketeer. In the image background is a faded, halftoned image of the NYC 1964 World's Fair.
If you'd like an essay-formatted version of this thread to read or share, here's a link to it on , my surveillance-free, ad-free, tracker-free blog:



2/pluralistic.net
pluralistic.net/2024/05/17/fak…
I confess, I never looked too hard at the practicalities of jetpacks, because they are so obviously either used as a visual shorthand (as in the Jetsons) or as a metaphor.

3/
Read 49 tweets
May 16
Residents of 21 Utah cities have some of the fastest, cheapest broadband in the country, at speeds up to 10gb/s and prices as low as $75/mo. It's uncapped, and the connections are symmetrical: perfect for uploading *and* downloading. And it's all thanks to the government.

1/    The cover of the Penguin Classics edition of Thomas More's 'Utopia.' It has been altered to add a glowing halo of fiber optics around the central tower. The Penguin logo has been replaced with the beehive from the Utah state flag.  Image: 4028mdk09 (modified) https://commons.wikimedia.org/wiki/File:Rote_LED_Fiberglasleuchte.JPG  CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/deed.en
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2/pluralistic.net
pluralistic.net/2024/05/16/sym…
Of course this is delivered via fiber optic. Fiber is vastly superior to all other forms of broadband, including satellites, but also cable and DSL. Fiber caps out at 100tb/s, while cable caps out at 50gb/s - fiber is *1,000* times faster:



3/eff.org/deeplinks/2019…
Read 64 tweets
May 13
When it comes to AI art (or "art"), it's hard to find a nuanced position that respects creative workers' labor rights, free expression, copyright law's vital exceptions and limitations, and aesthetics.

1/ An old woodcut of a disembodied man's hand operating a Ouija board planchette. It has been modified to add an extra finger and thumb. It has been tinted green. It has been placed on a 'code waterfall' backdrop as seen in the credit sequences of the Wachowskis' 'Matrix' movies.
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2/pluralistic.net
pluralistic.net/2024/05/13/spo…
I am, on balance, opposed to AI art, but there are some important caveats to that position. For starters, I think it's unequivocally wrong - as a matter of law - to say that scraping works and training a model with them infringes copyright.

3/
Read 98 tweets
May 11
Like Oscar Wilde, "I can resist anything except temptation," and my slow and halting journey to adulthood is really just me grappling with this fact, getting temptation out of my way before I can yield to it.

1/ A complex control panel whose knobs have all been replaced with the menacing red eye of HAL9000 from Kubrick's '2001: A Space Odyssey.' A skeletal figure on one side of the image reaches out a bony finger to twiddle one of the knobs.  Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg  CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en  --  djhughman https://commons.wikimedia.org/wiki/File:Modular_synthesizer_-_%22Control_Voltage%22_electronic_music_shop_in_Portland_OR_-_School_Photos_PCC_%282015-05-23_12.43.01_by_djhughman%29.jpg  CC BY 2.0 https://cr...
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2/pluralistic.net
pluralistic.net/2024/05/11/for…
Behavioral economists have a name for the steps we take to guard against temptation: a "Ulysses pact." That's when you take some possibility off the table during a moment of strength in recognition of some coming moment of weakness:



3/archive.org/details/decent…
Read 86 tweets
May 9
Fun fact: "The Tragedy Of the Commons" is a hoax created by the white nationalist Garrett Hardin to justify stealing land from colonized people.

1/ A lonely mud-brick well in a brown desert. It has been modified to add a 'caganar' - a traditional Spanish figure of a man crouching down and defecating - perched on the edge of the well. The caganar's head has been replaced with the menacing red eye of HAL9000 from Kubrick's '2001: A Space Odyssey.' The sky behind this scene has been blended with a 'code waterfall' effect as seen in the credit sequences of the Wachowskis' 'Matrix' movies.  Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg  CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en  --  Cathe...
If you'd like an essay-formatted version of this thread to read or share, here's a link to it on , my surveillance-free, ad-free, tracker-free blog:



2/pluralistic.net
pluralistic.net/2024/05/09/shi…
The "Tragedy" hoax said that moving land from collective ownership "rescued" it from the inevitable tragedy by putting it in the hands of a private owner, who cared for it properly, thanks to "rational self-interest":



3/pluralistic.net/2023/05/04/ana…
Read 50 tweets
May 6
Amazon is very good at everything it does, including being very bad at the things it doesn't want to do. Take signing up for Prime: nothing could be simpler. The company has built a greased slide from Prime-curiosity to Prime-confirmed that is the envy of every UX designer.

1/ A hand depositing a ballot in a perspex ballot box on a black background. The box is full of yellow-green piss and the ballot features an angry robot made from Amazon boxes and the phrase 'I am not a robot.' The box has an Amazon logo across its top.   Image: Isabela.Zanella (modified) https://commons.wikimedia.org/wiki/File:Ballot-box-2.jpg  CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.en
If you'd like an essay-formatted version of this thread to read or share, here's a link to it on , my surveillance-free, ad-free, tracker-free blog:



2/pluralistic.net
pluralistic.net/2024/05/06/one…
But *unsubscribing* from Prime? That's a fucking *nightmare*. Somehow the company that can easily figure out how to sign up for a service is totally baffled when it comes to making it just as easy to leave.

3/
Read 49 tweets

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