2 years ago, I was told #TheDarkTower was not moving forward to series. I had big plans not only for that show but for a whole TDT universe. Ideas from my notes:
A big part of Jake’s story is that he bought a children’s book in NYC called “Charlie the Choo Choo.” I propose creating an animated short to for a Comic-Con trailer.
Tell me this wouldn’t make a kick ass amusement park ride. You strap into Blaine the Mono, the voice over the speaker has gone insane, the mono itself turns invisible, and you go hurling through simulations of the world of The Dark Tower.
Father Callahan is a character from ‘Salem’s Lot. In Wolves of The Calla, Callahan gives a lengthy account of what happened to him between ‘Salem’s Lot and The Dark Tower. It’s a great story that could be adapted as a spin-off miniseries.
CHRISTMAS SPECIAL ALERT: This stand-alone fable is an important part of Roland’s world. It’s a story his mother told him when he was a little boy and he tells it as a story within a story in the novel TWTTK.
I had originally thought to adapt this material in the main narrative of the series, but we are no longer employing a story within a story device. I would really hate to lose this material. I love it. And I think a lot of fans would enjoy seeing the story of Tim Stoutheart.
I propose adapting it as a two-hour feature in the same way that UK genre shows have designated Christmas Specials. This material is not Christmas themed, I’m just proposing that UK model.
The world of The Dark Tower offers many opportunities for us to dramatize stories that may only exist in the written material as a line or two. For example, in The Wind Through the Keyhole Roland mentions that Tim Stoutheart went on to become a gunslinger
when he joined a posse that came through his town. Roland gives a very brief account then says “It’s a tale for another day.” We could turn this into another feature called “The Left-Handed Gun.”
We could also dramatize the events that led to Roland’s world becoming what it is. We could film the old ones tinkering with The Dark Tower, the fall of our world, the rise of Arthur Eld, and the establishment of the order of the gunslingers. The possibilities are limitless.
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I am consulting on a show and have read over 50 scripts for one open midlevel position. (Not taking any more submissions.) You gotta make the openings of your script sing.
And keep your scripts under 60 pages. 54-58 is good. Too many 64 page scripts floating around. Shows me you're precious about your writing & don't know how to cut. Meaning if you're on staff, I will have to do it for you.
LOTS of dystopian scripts out there. Future Americas destroyed by climate change in which people are kept in concentration camps. I've read a ton of these over the past week.
Spent Sunday afternoon reading 8 scripts. Here are my thoughts, which I mean to be helpful for emerging writers. Tips/reactions:
Read 4 scripts by @matejabozicevic and loved them all. She was sent to me months ago by a writer I love. We zoomed and I pushed her to write what she cares about. Don’t overthink. Write what’s raw. She did. Wrote some new scripts. Polished others. I could tell she had fun.
If your scripts are not fun for you while you’re writing them, they sure ain’t gonna be fun for your reader.
I just turned in what turned out to be the hardest script I’ve ever had to write. This thread is about why it was pure torture and what I learned from the process. I hope it helps some emerging writer out there.
Almost two years ago, I signed on to develop an IP for some fantastic producers. On Tuesday, March 10, 2020, we sold it in the room to a great network.
There were some rights issues so I couldn’t start writing until this time last year. After the BLM protests and the much-needed conversation about race last summer, I felt the story was even more relevant.
Spoke with an emerging writer who is making the same mistake I made at the beginning of my career. After my first gig on Nash Bridges, I didn’t land my next one (#TheShield) for 18 months.
I was supporting a wife and 2 kids. Living on residuals & credit cards. I cashed in a small pension, ran out of people to borrow money from. I was scared I would never work in Hollywood again.
So I ceded control of my career to my reps. I took all of their notes, gutted my writing, toned things down, stopped advocating for myself, turned the hustle over to them. My agent didn’t get me and I didn’t work until I got my own job.
They always tell writers to kill their darlings but some darlings never die.
In 2011, I came up with a cool action/horror sequence for The Walking Dead but we ended up doing something else. That happens. The episode we did, Killer Within, is pretty damn good. 1/
In 2017, I was breaking a Sin City tv series. That sequence worked perfectly as an opening but the Weinsteins had the rights and that show never happened. 2/
This year, I was breaking another series and needed something. "Well, hello, my favorite sequence, are you still lying around in my workshop? Why don't I just see if you fit here? Yes, yes, you do." 3/
#TheShield was inspired by the LAPD Rampart scandal involving LAPD's CRASH unit. Community Resources Against Street Hoodlums. That should tell you a lot.
Over 70 cops were accused of wrongdoing. Look it up. Pretty interesting stuff. Cops acting as criminals.
#TheShield was originally announced as RAMPART. LAPD shit itself. They threatened to sue FOX if we ever mentioned that our show was based on the LAPD.