To understand the significance behind his bankai, it’s important to first look at his shikai and how they play off of each other. Shunsui’s shikai brings children’s games into reality, showing his dislike of responsibility and easygoing ‘facade’. +
His shikai often utilises shadows which is notable because shadows tend to represent a darker/hidden truth. This truth would be his immense trauma and pain as shown through his bankai. Barro sees an illusion because this is not the ‘real’ Shunsui symbolically. +
The extent to which his trauma affects him is best shown through his zangetsu. Zangestu is a part of the shinigami’s soul and Shunsui’s literally split in two due to the burden placed on him by Nanao’s mother. It’s the embodiment of his inner conflict. +
His aversion to responsibility and his deep pain explains why it takes so long for the audience to see his bankai. Just like he doesn’t want others to see and share his pain in-universe (he is kind), it’s only when he’s at the very end of his rope that it is used. +
This is why his eyepatch is such good characterisation. Matthew 5:29 describes sacrificing the right eye to not fall into hell. Shunsui ‘sacrifices’ his childish facade to take responsibility as the captain general of the 13 court guards. +
Onto the bankai itself, the theatre suicide shows the events of his sister in law’s life like a play and expresses shunsui’s emotions towards this trauma. Unlike his shikai which brought childish games into reality (false), his bankai shares his own reality (real) with others. +
Act 1 is the decision to fight the curse by having a husband outside of the ise family, act 2 is the curse affecting him, act 3 is his death and act 4 is her own execution for giving away the sacred treasure. Shunsui lost his family & place of comfort, hence his trauma. +
His language here highlights his self-loathing as the dialogue is also about him - he views himself as the ‘disgrace’. His strength also means he has a duty to keep reliving this, retrospectively strengthening his ties to Starkk who embodied ‘solitude’ due to his own strength. +
It’s all shown visually in the bankai release itself. The roots = connection to his past and his zangetsu clinging to him = how he will always be burdened by this.
The shadowy nature itself again highlights how this is a hidden part of shunsui. +
There’s other cool details - the ‘show’ restricts the talking of the audience.
This is tied to the idea of ‘logos’ which describes the rationality found in speech and conversation, hence it being shunned shows that this is the full and honest representation of his EMOTIONS. +
These emotions come through in all of the acts to give more subtext. Ie act 1 shows the relationship between his brother & nanao’s mother but it also reflects shunsui’s underlying desire for connection and the understanding that those connections can be painful. +
Also his bankai shares his own power and experiences by forcing his opponents to be the audience, whereas his other zangetsu hides the ise family treasure which reflects the opponents power back at them. This is literally the opposite and again emphasises his duality. +
His opponent ties to a major theme in Bleach - the idea that ‘god’ resides within us all. It’s highlighted in ichigo’s arc, aizen’s mistaken god complex, reio being a powerless nugget, mayuri creating life through science, and ywatch who gained the power of god from others.+
It’s essentially the battle of finding purpose within yourself v only having purpose as an extension of your ‘role’. Eg when he starts his bankai, Barro says it’s not hopeless as he is a messenger of god. His ROLE rebukes it v shunsui who must fight his hopelessness head on. +
It’s shown through the conclusion. Shunsui accepts his trauma and opens up to nanao, his honesty at last allowing him to truly help her by protecting her - reflecting the power of God itself through human connection. +
It’s even emphasised in act 2 where shunsui makes the buddha pose (pointing to heaven and earth as witnesses).
The path to enlightenment is an intrinsically human journey to grow past your failings as he fights against a being gifted the power of a false god. +
Shunsui’s conclusion shows the past will always affect him, but through his growth and connection to others he’s able to continue living regardless.
His bankai is hauntingly beautiful and my favourite of the series, perfectly tying his character together.
thanks for reading🤍
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thread exploring mikasa, eren, and what ‘love’ can mean in attack on titan
firstly, the functional reasons why he doesn’t know. erens eyes are closed in the mouth of his titan, he opens them when mikasa enters and he only sees her (eye reflection) once his head was severed. just like when he didn’t know how he entered paths after gabi shot him
this lack of knowledge is important because it ties into how his memories work. when he talks to zeke in marley he states that he didn't just see memories, he ‘felt' them. essentially eren fully EXPERIENCES the memories he holds as if he himself lived them
actual ‘reaches’ (not foreshadowing btw wrong word):
-pg 13 only numbered page in aot (links to long dream, 9 pages long)
-ymir + zeke from page they got powers to page of death = 13 pages
-eren wakes up pg 45 in yr 845, dies ch138 pg 45
- 139 = end of a cycle
complete breakdown of eren’s psyche, mikasa’s role, and the battle between free will and determinism in attack on titan ep87: ‘the dawn of humanity’
this episode is the first real look into eren’s psyche since the timeskip and it’s centred on two main concepts: his determination and his self loathing. his venture into the outside world changes his perspective but it doesn’t stop him from following through. +
for this it’s important to note that his coldness in his conversations with floch and historia is BEFORE he crosses the ocean. he can still view them all as enemies who he is fighting but he’s forced to accept the reality that they’re ‘all the same’ once he sees them for himself+
thread looking at annie, floch, armin, mikasa and the rise of the yeagerists
attack on titan episode 82: ‘sunset’
the episode opens with the ruins of stohess. this is a call back to s1 where erwins plan led to the capture of annie with lots of civilian casualties at the same place. erwin was later revealed to be led by his ‘selfish’ dream, and this selfishness is what allowed him to +
sacrifice others. his burden and guilt gives rise to questions concerning eren’s own mind. he said he was doing the rumbling to protect paradis but his actions have led to the titanisation of paradisians along with civilian casualties. it’s aligned with another important +
the second noble truth in buddhism teaches us that because we believe we are a permanent and unchanging self we fall into clinging and craving, jealousy and hate, and all other poisons that cause unhappiness. this is kokushibo and his search for the ‘self’. +
yoriichi and kokushibo present two opposing halves, much like other siblings have throughout demon slayer. one was given the rights to the house, education, clothes etc while the other was ‘blessed’ with talent. kokushibo’s journey stems from egotism. +
it was mostly emphasis on the fact the desire to be strong is borne from insecurity (weakness) or past failures. it was the same for uzui, tanjiro and the other demons. demons are humans who gave into the desperation of their weaknesses and through that lost their humanity. +
the hatred akaza felt was just an extension of self loathing, the weakness he abhorred in himself. this is when muzan plays in. the process of becoming a demon is what removes the memories of the past, they become lost in their anguish and are reborn into suffering (samsara). +