Thread. I like to cover photographers from the world's less known areas.
So I would like to pay my tribute to Shirin Aliabadi, an Iranian artist known for her colorful portraits of young women breaking the stereotypes associated with the country’s strict moral and dress codes.
These striking photos from her series known as "Miss Hybrid".
Taken from a series of the same name made in 2007, which captures the fashion-and nose-job obsessed young women Aliabadi encountered on the streets of north Tehran.
The are many photos of Iranian women on offer in the West, but not often ones quite like this.
Sadly, the international news media primarily uses photos of women swallowed by coal-black chadors, who'd be impossible to tell apart were it not for the thin slivers of their faces.
Even filmmakers and contemporary artists tend to serve up images of exoticised females, veiled and gowned and imbued with silent suffering, frequently shot in gritty black-and-white.
So I like how Aliabadi took a different stance and "went against the wave."
I also like Aliabadi’s Girls in Cars (2005), where the artist recorded the urban phenomenon of nocturnal cruising in cars as a pastime of young Tehranis.
In an interview with Deutsche Bank’s ArtMag, Aliabadi recalled her time capturing the images of young women all dressed up to be seen through the windows of their cars “as the best time I ever had stuck in traffic.”
Sadly, three years ago Shirin Aliabadi died in her native Tehran.
However, I'm pretty sure in upcoming years her work will be getting more attention. #WomensArt
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An injured resident of Togoga, arrives on a stretcher to the Ayder referral hospital in Mekele, the capital of Tigray region, Ethiopia, on June 23, 2021, a day after a deadly airstrike on a market in Ethiopia’s war-torn Tigray region.
An eight-year-old boy begs on the streets of Depok, Indonesia.
His skin is covered in a toxic concoction of metallic paint and cooking oil that transforms his body into a kind of burnished sculpture. #ManusiaSilver
Statue to prominent Kyrgyz writer Chingiz Aitmatov to be erected in Baku.
Aitmatov's works have been translated into more than 170 languages and UNESCO said he was among the world's most read contemporary authors.
I'm a huge fan of his work and I welcome this.
Aitmatov was the son of a Kyrgyz father and Tatar mother, but his writing transcended ethnic barriers to the point where all Central Asians considered him "their" writer, and indeed, citizens of the Soviet Union came to consider him "their" writer as well.
Aitmatov's books were popular for truthfully describing life in the Soviet Union, but were sufficiently tempered to avoid being considered outright criticism of the Soviet authorities.
The photographer Hiroshi Sugimoto divides his time between Tokyo and New York City. Primarily a photographer since the 1970s, his work has explored the ways photography can record traces of invisible but elemental forces.
Sugimoto’s major series include Dioramas, Theaters, Seascapes, Portraits, Architecture, Colors of Shadow, Conceptual Forms, and Lightning Fields, among others.
Sugimoto's most famous series is Seascapes: wide shots of an often placid, always unreadable ocean.
One of the images, Boden Sea, Uttwil, was used by U2 for the cover of their album No Line on the Horizon.
The UK politicians should stop stigmatising single parents.
I still remember how Boris Johnson wrote for The Spectator in 1995 which described the children of single mothers as “ill-raised, ignorant, aggressive and illegitimate”.
Why no one ever says that 90% of single parents in the UK are women?
Single parents are one of the real casualties in the Westminster’s class war.
Being a single parent is twice the work, twice the stress and twice the tears, but also twice the hugs and twice the love.
Around 1 in 3 children with a working single parent is living in poverty because poor wages, job insecurity and welfare cuts hit the vulnerable the hardest.
Sadly, single parents are still go-to scapegoats whenever the going gets tough for the government.
Thread. In 2020, I came across Masahisa Fukase's photos. I absolutely loved his bio and very interesting style.
Born in Hokkaido, Fukase's family ran a photo studio in a small town.
Although the photographer had moved to Tokyo permanently in the 1950s to further his studies and career, he still felt a strong emotional bond with his hometown.
Fukase’s 1986 book Karasu, also known as The Solitude of Ravens, is his most notable piece of work.
Karasu documents Fukase’s heartbreak, loneliness, and loss after his divorce from his wife. His main subjects, ravens, symbolises his solitude.
It is not ravens' freedom Fukase was drawn to, but rather their solitary nature, their otherness.