curses are born from overflowing emotions therefore it makes sense that love and curses are two sides of the same coin, but the most interesting aspect to me is perspective. one’s love is another’s curse or perhaps it’s both - ‘love is the most twisted curse of all.’ +
it’s a theme that runs through many characters but i think it’s highlighted the best through the mc, yūji. his original motivation was a message from his grandfather (‘love’), but it ended up serving as a ‘curse’ instead (visually through black panelling). +
It’s again emphasised through nanami. here we see the final message for yuji is in black (‘curse’), but yuji’s decision to take that on changes the panelling to white. Nanami said it with ‘love’ for yuji and despite it being a ‘curse’, yujis own perspective can change that back.+
This is how yuji eventually wins the ‘war’ of truths and eventually defeats mahito - through his rationalisation of himself as a cog and the acceptance of his own ‘purpose’. He will keep carrying both love and curses as HIS decision. +
This brings up the ‘agency’ discussion. Yuji is the protagonist of a manga, a character created to serve a role just like his role in-universe as a creation by kenjaku to fulfill his own plans. This lack of agency is emphasised throughout the entire manga - but does that MATTER?+
To answer i think we should look at Toji - the man who was ‘free’. Looking deeper we can see that toji was never truly free at all: his trauma from the zen’in informed his whole life then he was reincarnated into samsara as a puppet. None of these scream ‘freedom’ to me. +
In fact the only moments of true freedom are when he abandons his trauma to live with megumi’s mother, and when he kills himself to save his own son - literally escaping the eternal cycle of rebirth that he had been caught in (wouldn’t die till the vessel broke). +
My interpretation is that akutami is implying true ‘freedom’ comes not from birth or a mechanical function (ie lack of ce) but instead from accepting both love and curses and living with reality in its entirety. Through complete knowledge we can make our own, ‘true’, decisions. +
Megumi also plays into this for me. His perspective is clearly set out visually between love (white) and curses (black). His journey is one of battling with both sides of these (and his own conscience) as shown through tsumiki actually residing in ‘grey’. +
Again it’s maintained through so many characters:
gojo/geto
yuta/rika
riko/life
maki/mai
nobara/saori
mechamaru/miwa
kamo/his mother
yaga/panda etc
To me ‘a story of love and curses’ is perfect for jujutsu kaisen. Didn’t think i’d write this much lol but thanks if u got here
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thread exploring mikasa, eren, and what ‘love’ can mean in attack on titan
firstly, the functional reasons why he doesn’t know. erens eyes are closed in the mouth of his titan, he opens them when mikasa enters and he only sees her (eye reflection) once his head was severed. just like when he didn’t know how he entered paths after gabi shot him
this lack of knowledge is important because it ties into how his memories work. when he talks to zeke in marley he states that he didn't just see memories, he ‘felt' them. essentially eren fully EXPERIENCES the memories he holds as if he himself lived them
actual ‘reaches’ (not foreshadowing btw wrong word):
-pg 13 only numbered page in aot (links to long dream, 9 pages long)
-ymir + zeke from page they got powers to page of death = 13 pages
-eren wakes up pg 45 in yr 845, dies ch138 pg 45
- 139 = end of a cycle
complete breakdown of eren’s psyche, mikasa’s role, and the battle between free will and determinism in attack on titan ep87: ‘the dawn of humanity’
this episode is the first real look into eren’s psyche since the timeskip and it’s centred on two main concepts: his determination and his self loathing. his venture into the outside world changes his perspective but it doesn’t stop him from following through. +
for this it’s important to note that his coldness in his conversations with floch and historia is BEFORE he crosses the ocean. he can still view them all as enemies who he is fighting but he’s forced to accept the reality that they’re ‘all the same’ once he sees them for himself+
thread looking at annie, floch, armin, mikasa and the rise of the yeagerists
attack on titan episode 82: ‘sunset’
the episode opens with the ruins of stohess. this is a call back to s1 where erwins plan led to the capture of annie with lots of civilian casualties at the same place. erwin was later revealed to be led by his ‘selfish’ dream, and this selfishness is what allowed him to +
sacrifice others. his burden and guilt gives rise to questions concerning eren’s own mind. he said he was doing the rumbling to protect paradis but his actions have led to the titanisation of paradisians along with civilian casualties. it’s aligned with another important +
the second noble truth in buddhism teaches us that because we believe we are a permanent and unchanging self we fall into clinging and craving, jealousy and hate, and all other poisons that cause unhappiness. this is kokushibo and his search for the ‘self’. +
yoriichi and kokushibo present two opposing halves, much like other siblings have throughout demon slayer. one was given the rights to the house, education, clothes etc while the other was ‘blessed’ with talent. kokushibo’s journey stems from egotism. +
it was mostly emphasis on the fact the desire to be strong is borne from insecurity (weakness) or past failures. it was the same for uzui, tanjiro and the other demons. demons are humans who gave into the desperation of their weaknesses and through that lost their humanity. +
the hatred akaza felt was just an extension of self loathing, the weakness he abhorred in himself. this is when muzan plays in. the process of becoming a demon is what removes the memories of the past, they become lost in their anguish and are reborn into suffering (samsara). +