Today in pulp... a quick look at at the Golden Age marvel that is Planet Comics!
Planet Comics ran from January 1940 to Winter 1953, and is widely credited as being the first comic dedicated solely to science fiction.
The comic was a spin-off from the pulp magazine Planet Stories, and covered many of the same themes: ray guns, bug-eyed monsters and rowdy space girls.
Planet Comics employed many leading women illustrators like Fran Hopper & Lily Renée, whose amazing life story became a 2011 graphic novel.
Regular Planet Comics characters included Mars God of War, Mysta of the Moon, Reef Ryan, Gale Allen and the Girl Squadron, and The Red Comet.
Planet Comics often featured 'good girl' covers: improbable dresses and poses! This pin-up style was also used by Planet Stories magazine.
By the early 1950s Planet Comics was struggling, sometimes producing only one issue a year, and the title finally closed in 1953.
There's certainly a lot of 'John Carter of Mars' type action going on in many editions of Planet Comics.
But there's also plenty of Dale Arden/Flash Gordon type action happening as well. It's a nice mix.
And that's it my our look at Planet Comics today. I hope you enjoyed it!
(And for everyone asking "whatever happened to Spurt Hammond?" he was a minor character in the first 10 issues of Planet Comics, before being replaced by Cosmic Corrigan in March 1941)
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One of the best #Christmas presents you could ever get was a View-Master! It sold over one billion reels across the world, but it's based on Victorian technology. How did one simple gadget get to be so popular?
Let's take a look at the toy that took over the planet...
Stereographs are cards with two nearly identical photographs mounted side by side. Viewed through a binocular device they give an illusion of depth. By 1858 the London Stereoscopic and Photographic Company had published over 100,000 of them.
Sawyer's Photo Finishing Service began in 1919 in Portland, Oregon. By 1936 they had teamed up with William Gruber, who had been experimenting with stereoscope photography using the new Kodachrome colour film.
Today in pulp I look back at a few forgotten '80s sci-fi movies and ask: is it time to reappraise them?
Spoilers: not all of these are available on Betamax...
There were a huge number of mid and low budget sci-fi movies released throughout the '80s, many of which went straight to video. Today they lurk in the far corners of your streaming service.
Should you watch them? Well let me take you through a few you might be tempted by.
Battle Beyond The Stars (1980) was Roger Corman's retelling of Kurosawa's Seven Samurai in space. James Cameron did an impressive job on the SFX with a small budget and the film certainly has a distinctive look.
"A dream to some. A nightmare to others!" As it's Christmas let's look back at a film that I think helped redefine an old genre, captivated the imagination and launched many successful acting careers.
Let's look at John Boorman's Excalibur!
For a long time the film industry found the King Arthur story amusing. Camelot (1967) was a musical comedy; Monty Python and the Holy Grail (1975) was pure comedy.
But director John Boorman had been thinking seriously about the Arthurian legend since 1969, particularly Sir Thomas Malory's 1469 telling of the story 'Le Morte d’Arthur'. The mythic theme greatly appealed to him.
Today in pulp I'm looking back at some Michael Moorcock books, and having a think about the New Wave of science fiction that started in the 1960s...
In Britain the New Wave is often associated with New Worlds magazine, which Moorcock edited from 1964 to 1970. Financial troubles caused the magazine to close in 1970, but it made sporadic comebacks over the subsequent years.
However he started as editor of Tarzan Adventures in 1957, where he introduced Sojan the Swordsman - perhaps his first stab at creating an 'eternal champion' character
Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.