The old church of St Matthew's in Lightcliffe, West Yorks is now just a tower. The rest of the church was demolished in 1973, despite our strenuous efforts to save it.
The loss was of historical significance — because this was a building of pioneering Georgian construction.
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The Neoclassical building had galleries of 'pews with a view' on three sides, and surviving photographs suggest that the quatrefoil columns supporting them were made of cast iron.
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The material had been used in buildings since the late 17thC — Christopher Wren employed it in the House of Commons — but the oldest surviving example of cast iron used for gallery supports is at St James's, Toxteth, built in 1775. Lightcliffe's church was built the same year.
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Cast iron was far stronger than stone or timber when used in compression — so a cast iron column could be much slimmer than stone but bear the same weight (which must have wowed Lightcliffe's parishioners!)
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Just four years after this high-tech solution was employed at St Matthew's, Iron Bridge — the world's first bridge made of cast iron — was built at the Shropshire village of Coalbrookdale, ushering in the English Industrial Revolution.
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Although we've lost this innovative example of 18thC engineering, we can still celebrate the achievement of its adventurous builder. He was William Mallinson, Master Mason of Halifax, and his gravestone can be seen in the churchyard, just a few metres from the tower.
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The inscription records that Mallinson 'created this Chappel in the year of our Lord 1775'.
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Cast iron continued to be used in columns until the turn of the 20thC. However, by the end of the 18thC, wrought iron — more ductile than cast iron — was a booming industry, and that was once again improved upon in the mid 19thC by the production of steel.
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You could say that the ground-breaking design of old St Matthew's was a precursor to the steel-framed skyscrapers that tower above our cities today.
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So, if you visit Lightcliffe, look up at the tower and spare a thought for William Mallinson, whose use of cast iron in the church there was the start of a journey to building some of the tallest and strongest towers the world has ever seen.
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With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
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A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
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A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.
Why is the English name for the festival of Christ’s resurrection so different from its name in almost every other language?
1/9 📷 East window of St Cadoc's, Llangattock-Vibon-Avel by Lavers & Barraud (1875).
In English, this most important Christian festival is known as Easter, whereas in most other languages, its name is markedly different: Pâques in French, Pasg in Welsh, and Páscoa in Portuguese.
2/9 📷 East window of St Beuno's, Penmorfa, Gwynedd by an unknown maker (c.1851)
This divergence between English and most other European languages is a hotly debated historical topic, relating to the transition from paganism to Christianity in England during the 6th and 7th centuries.
3/9 📷 East window of All Saints', Ballidon by C.E. Kempe
Caring for over 60 places of worship in England and Wales means that from a few of our churchyards you can see some varied sights.
From 20th century infrastructure to cultural landmarks, the fabric and fate of our churches has been shaped by their localities.
1/6 📷 Sutterby
On the Welsh border, in the remote fields of Herefordshire stands St Peter's, Llancillo. Adjacent to the church is an 8 meter high earthen Motte, which is all the remains of Llancillo Castle. This fortification was originally constructed in the 1090s by Richard Esketot.
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Releasing plumes of steam into the sky, the cooling towers of the Drax Power Station are visible, across the flat Yorkshire’s Ouse Valley, from St Helen's, Barmby on the Marsh. While St Helen’s tower was built in the 1770s, the cooling towers were constructed in the 1970s.
Red and yellow and pink and green ... most children can tell you that rainbows contain seven colours, and many of us use 'ROYGBIV' to remember them. But people haven't always seen rainbows this way.
Rubens' 'The Rainbow Landscape' of 1636 was painted just three decades before major new scientific theories about colour and light emerged. The rainbow lights up surrounding clouds with highlights of lemony yellow and blue.
In 1664, Robert Boyle conducted experiments with prisms, and in the 'artificial rain-bow' he produced, he observed five colours: Red, Yellow, Green, Blew and Purple. ...