The old church of St Matthew's in Lightcliffe, West Yorks is now just a tower. The rest of the church was demolished in 1973, despite our strenuous efforts to save it.
The loss was of historical significance — because this was a building of pioneering Georgian construction.
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The Neoclassical building had galleries of 'pews with a view' on three sides, and surviving photographs suggest that the quatrefoil columns supporting them were made of cast iron.
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The material had been used in buildings since the late 17thC — Christopher Wren employed it in the House of Commons — but the oldest surviving example of cast iron used for gallery supports is at St James's, Toxteth, built in 1775. Lightcliffe's church was built the same year.
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Cast iron was far stronger than stone or timber when used in compression — so a cast iron column could be much slimmer than stone but bear the same weight (which must have wowed Lightcliffe's parishioners!)
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Just four years after this high-tech solution was employed at St Matthew's, Iron Bridge — the world's first bridge made of cast iron — was built at the Shropshire village of Coalbrookdale, ushering in the English Industrial Revolution.
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Although we've lost this innovative example of 18thC engineering, we can still celebrate the achievement of its adventurous builder. He was William Mallinson, Master Mason of Halifax, and his gravestone can be seen in the churchyard, just a few metres from the tower.
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The inscription records that Mallinson 'created this Chappel in the year of our Lord 1775'.
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Cast iron continued to be used in columns until the turn of the 20thC. However, by the end of the 18thC, wrought iron — more ductile than cast iron — was a booming industry, and that was once again improved upon in the mid 19thC by the production of steel.
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You could say that the ground-breaking design of old St Matthew's was a precursor to the steel-framed skyscrapers that tower above our cities today.
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So, if you visit Lightcliffe, look up at the tower and spare a thought for William Mallinson, whose use of cast iron in the church there was the start of a journey to building some of the tallest and strongest towers the world has ever seen.
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Nestled in the centre of a small village in the Welsh countryside, St Mary's, Derwen is renowned for its wondrous collection of medieval woodwork.
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The church is entered through a charming late medieval wooden door, with iron studs and fleur-de-lys decorated hinges, set in a surround of gorgeous South Cheshire sandstone.
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Naturally, the medieval wooden treasures of this Denbighshire church continue inside. Foremost is the the fine late 15th-century rood screen and loft that dominate this interior.
A heavily Victorianised small church, St Anno's, Llananno in Powys is, from the outside, a humble and largely forgettable building.
However, inside visitors can feast their eyes upon one of the finest pieces of medieval carpentry in Wales.
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The rood screen and loft inside St Anno's, Llananno is a medieval gem that no visitor will forget in a hurry. Spanning the entire width of the building, this magnificent piece of medieval craftsmanship dates from the 15th century.
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The term for these pieces of church furnishings (rood screen and rood loft) relates to the fact that, in the medieval period, above these magnificent wooden structures there would have been a rood - a carving of the crucified Christ on the Cross.
St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
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The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
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The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.