The old church of St Matthew's in Lightcliffe, West Yorks is now just a tower. The rest of the church was demolished in 1973, despite our strenuous efforts to save it.
The loss was of historical significance — because this was a building of pioneering Georgian construction.
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The Neoclassical building had galleries of 'pews with a view' on three sides, and surviving photographs suggest that the quatrefoil columns supporting them were made of cast iron.
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The material had been used in buildings since the late 17thC — Christopher Wren employed it in the House of Commons — but the oldest surviving example of cast iron used for gallery supports is at St James's, Toxteth, built in 1775. Lightcliffe's church was built the same year.
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Cast iron was far stronger than stone or timber when used in compression — so a cast iron column could be much slimmer than stone but bear the same weight (which must have wowed Lightcliffe's parishioners!)
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Just four years after this high-tech solution was employed at St Matthew's, Iron Bridge — the world's first bridge made of cast iron — was built at the Shropshire village of Coalbrookdale, ushering in the English Industrial Revolution.
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Although we've lost this innovative example of 18thC engineering, we can still celebrate the achievement of its adventurous builder. He was William Mallinson, Master Mason of Halifax, and his gravestone can be seen in the churchyard, just a few metres from the tower.
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The inscription records that Mallinson 'created this Chappel in the year of our Lord 1775'.
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Cast iron continued to be used in columns until the turn of the 20thC. However, by the end of the 18thC, wrought iron — more ductile than cast iron — was a booming industry, and that was once again improved upon in the mid 19thC by the production of steel.
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You could say that the ground-breaking design of old St Matthew's was a precursor to the steel-framed skyscrapers that tower above our cities today.
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So, if you visit Lightcliffe, look up at the tower and spare a thought for William Mallinson, whose use of cast iron in the church there was the start of a journey to building some of the tallest and strongest towers the world has ever seen.
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Red and yellow and pink and green ... most children can tell you that rainbows contain seven colours, and many of us use 'ROYGBIV' to remember them. But people haven't always seen rainbows this way.
Rubens' 'The Rainbow Landscape' of 1636 was painted just three decades before major new scientific theories about colour and light emerged. The rainbow lights up surrounding clouds with highlights of lemony yellow and blue.
In 1664, Robert Boyle conducted experiments with prisms, and in the 'artificial rain-bow' he produced, he observed five colours: Red, Yellow, Green, Blew and Purple. ...
The church at Skeffling was built from glacial clutter and recycled masonry in the 1400s. It sits in Holderness. A landscape of mudflats and salt-marshes washed into existence by the North Sea.
Here ‘leaves unnoticed thicken, hidden weeds flower, neglected waters quicken’.
Those are the words of poet, Philip Larkin. Larkin explored this area after he moved to Hull in 1955 to take up the position of librarian at the Brynmor Jones Library at the University of Hull. He lived there and held that job for thirty years, until his death in 1985.
Of Hull, he wrote "I never thought about Hull until I was here. Having got here, it suits me in many ways. It is a little on the edge of things, I think even its natives would say that. I rather like being on the edge of things.”
If there were more than 20 sheep in the flock, he could note the first 20 when he reached Figgit by putting a pebble in his pocket, and then starting the sequence from Yan again.
(info from 'Alex's Adventures in Numberland' by Alex Bellos)
In about 1300, five massive oak legs were pushed into the soil at Boveney to raise a belltower out of the clay tile roof of the 12th-century church. Inside, in the 1800s fielded panelling was installed, hiding those hardworking legs.
Perfect as that panelling looked, it obscured the most important timbers. Noticing that the bellcote was somewhat slumped, our architect removed some panels, and we found the legs were rotten. Boveney church was *almost* without a leg to stand on.
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Many things contributed to the decay-the high water-table of the river-bank church, deathwatch beetle, fruiting bodies… The panelling concealed this until it was almost too late. The words, ‘catastrophic collapse’, were used. Panic set in. The £60,000 repair bill quadrupled.
Between 1666 and 1680, the English parliament sought to protect the wool trade, by requiring the dead to be buried in nothing but a shroud of English sheep's wool. Plague victims and the destitute were the only exceptions.
The 'Burying in Woollen Acts' required an Affidavit within 8 days of burial, proving before a JP that the law had been complied with. Those who didn't comply were fined £5, half of which went to the poor. This blog has some terrific examples of affidavits:buff.ly/3YkB33B
Many wealthy families preferred to simply pay the fine and bury their loved ones in clothing or shrouds of finer materials, such as linen.
St Patrick was ripped from his home as a teenager. After six years as a slave in the west of Ireland, he trekked the breadth of the island to get home to Britain. He would become the patron saint of Ireland, yet at the end of his life, he felt he had failed.
Patrick lived in the 5th century. Upon leaving Ireland in his early 20s, he devoted his life to Christ. He returned to Ireland after hearing Vox Hiberionacum – the voice of the Irish – in a dream.
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He became the patron saint of Ireland in the 7th century when the embellishment of St Patrick’s story began. Some of the biographers got quite creative, attributing all manner of miracles to the man – from snakes to sprouting staffs.