this thread will be safe for anime onlies until i say that i will be getting into manga spoilers. i will be using translations from ‘genius’. this ed serves as a microcosm of eren’s character, centred around his duality (beauty/cruelty) and his pursuit of freedom. +
the first verse describes eren’s journey, coming to the understanding that the ‘justice’ he sought was shallow because his enemies were the same as himself. ‘over the sea, inside the walls, we are all the same’ - the devils he shot shared the same ‘body and temperature’ as him. +
he goes on to lament the difference in their treatment just because of the walls they were born into, an ode to the wall that separates eldians from marleyans both in paradis and for the eldians on the mainland. +
he then dismisses the destiny he was born with, saying it’s because they are all born free regardless - the scarf transforming in the bird, symbolic of freedom itself. we are special just because we are born, the line that saved eren from his existential crisis after the cave.+
the scarf is what he gave mikasa, therefore it becoming the bird (freedom) indicates that he gave that freedom to her, their bond being a different interpretation of what ‘true’ freedom might be. this is strengthened by the content of the ed as a whole: +
this ed is a parallel to ed 1, both visually and functionally by answering mikasa’s question - ‘what are protecting?’ eren’s answer is that he will protect her even if that means sacrificing ‘everything’. +
this ties to ‘sekaikei’, the idea that stories can be formed around the dynamic between two central characters. in aot this would be eren & mikasa, therefore it makes sense that the first and last ED’s form a ‘conversation’ between the two of them. +
the idea that eren gave his freedom to mikasa is tied to the interplay between the op/ed - ‘i just wanted to save you, never wanted to grab a knife’. killing the kidnappers was the first implementation of his innate rage, a catalyst that may have set him on the path he took. +
this gives his line at the table scene another layer. instead of mikasa, eren was the one who died by becoming a ‘slave’ to his rage, hence the panel shows eren, not her. his actions at the table scene actually provide a lot of insight into the ed. +
a cage starts to surround the bird with the lyrics ‘if we don’t have a place to return, we can’t go anywhere’ as the bird disappears. eren symbolically destroyed his place to return to through pushing mikasa away - eren creates his own birdcage. +
this cage is created by his own desires, merely surviving is not enough for him and that pushes him to take actions that remove his own capacity for freedom. this is again tied to op7 where his actions crush the butterfly - symbolic of the beauty in the world. +
the same birdcage (dusk) becomes beautiful scenery (dawn) when he ACCEPTS the beauty through his love for her. the trapped bird becomes free because our perception can be freedom itself. the meaning in the world is what we choose to take from it (qualia). +
it’s important to note that this is still his child self, fully able to enjoy the empty, decrepit and people less scenery before him. the adult eren tramples on the flowers, his expression the complete opposite of the child, due to the actions he’s already taken. +
the next tweet will be the final one for anime onlies, pointing out the beauty/cruelty theme visually. after that i will be going onto MANGA SPOILERS
‘the world is cruel, but also beautiful’ is a major theme of the story, and this is ever present in the ED not just through eren/mikasa but also eren himself. it begins with eren standing in a field of flowers (beauty) holding a knife (cruelty), the blood staining a flower. +
we see the adult, unsmiling, eren be wrapped up in fire and disappear. this is symbolic of shadis’ words and the end of the manga. ‘what is right is to believe in yourself strongly’ and eren sticking to his desires is what literally became the fire that killed him. +
his adult eyes are also never shown, a potential tie to king fritz words that ‘slaves have no need for two eyes’ and the main theme that everyone is a slave to something. eren’s desires encage him, beautifully shown in this ed which ties to his final say in the manga. +
another tie is the obvious foreshadowing. eren is burnt up and disappears but he leaves a world free of walls, hinting that despite him not achieving ‘freedom’ he set a stage for others. +
just like how he broke down the walls (which represent barriers between humans) but brought them along in his march so he always remained trapped, the freedom he gives to others is based on whether they view that as freedom. it is our choice to make, just like it was his. +
final detail is that the bloody flower is a motif that parallels ymir when she entered paths. since this was the moment that emphasised ymirs inability to escape from slavery, it strengthens the idea that the cabin was when eren in fact became the ‘slave’ to his innate desires. +
that’s all, i love this ed and hopefully you guys enjoyed it too, let me know any additions or other interpretations you have.
the bird in the birdcage of his own creation
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thread exploring mikasa, eren, and what ‘love’ can mean in attack on titan
firstly, the functional reasons why he doesn’t know. erens eyes are closed in the mouth of his titan, he opens them when mikasa enters and he only sees her (eye reflection) once his head was severed. just like when he didn’t know how he entered paths after gabi shot him
this lack of knowledge is important because it ties into how his memories work. when he talks to zeke in marley he states that he didn't just see memories, he ‘felt' them. essentially eren fully EXPERIENCES the memories he holds as if he himself lived them
actual ‘reaches’ (not foreshadowing btw wrong word):
-pg 13 only numbered page in aot (links to long dream, 9 pages long)
-ymir + zeke from page they got powers to page of death = 13 pages
-eren wakes up pg 45 in yr 845, dies ch138 pg 45
- 139 = end of a cycle
complete breakdown of eren’s psyche, mikasa’s role, and the battle between free will and determinism in attack on titan ep87: ‘the dawn of humanity’
this episode is the first real look into eren’s psyche since the timeskip and it’s centred on two main concepts: his determination and his self loathing. his venture into the outside world changes his perspective but it doesn’t stop him from following through. +
for this it’s important to note that his coldness in his conversations with floch and historia is BEFORE he crosses the ocean. he can still view them all as enemies who he is fighting but he’s forced to accept the reality that they’re ‘all the same’ once he sees them for himself+
thread looking at annie, floch, armin, mikasa and the rise of the yeagerists
attack on titan episode 82: ‘sunset’
the episode opens with the ruins of stohess. this is a call back to s1 where erwins plan led to the capture of annie with lots of civilian casualties at the same place. erwin was later revealed to be led by his ‘selfish’ dream, and this selfishness is what allowed him to +
sacrifice others. his burden and guilt gives rise to questions concerning eren’s own mind. he said he was doing the rumbling to protect paradis but his actions have led to the titanisation of paradisians along with civilian casualties. it’s aligned with another important +
the second noble truth in buddhism teaches us that because we believe we are a permanent and unchanging self we fall into clinging and craving, jealousy and hate, and all other poisons that cause unhappiness. this is kokushibo and his search for the ‘self’. +
yoriichi and kokushibo present two opposing halves, much like other siblings have throughout demon slayer. one was given the rights to the house, education, clothes etc while the other was ‘blessed’ with talent. kokushibo’s journey stems from egotism. +
it was mostly emphasis on the fact the desire to be strong is borne from insecurity (weakness) or past failures. it was the same for uzui, tanjiro and the other demons. demons are humans who gave into the desperation of their weaknesses and through that lost their humanity. +
the hatred akaza felt was just an extension of self loathing, the weakness he abhorred in himself. this is when muzan plays in. the process of becoming a demon is what removes the memories of the past, they become lost in their anguish and are reborn into suffering (samsara). +