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Pulp Librarian Profile picture
@PulpLibrarian
Jan 10, 2022 • 13 tweets • 5 min read • Read on X
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Today in pulp... let me introduce you to Scotland Yard's most famous detective*: Geisterjäger John Sinclair!

(*In the German speaking world) Image
John Sinclair is a Scotland Yard Chief Inspector who has been battling all manner of undead and demonic creatures since 1973.

He's a busy chap... Image
Chief Inspector Sinclair is a direct descendent of Henry Sinclair, Earl of Orkney. He is also the Son of the Light due to his exceptional demon fighting skills. Image
Sinclair reports into Sir James Powell, head of Scotland Yard's special division for fighting supernatural crime. Along with Inspector Suko - a Shaolin trained martial arts expert - Sinclair travels the world in his battle with the demonic and the possessed. Image
John Sinclair is armed with a Beretta pistol full of silver bullets and a silver cross made by Ezekiel. Suko also has a whip made from the skin of a demon. With these they fight the good fight across the world against the forces of darkness. Image
Geisterjäger John Sinclair first appeared in 1973 in Bastei's Gespenster-Krimi series... Image
...but he proved to be such a popular character that in 1978 Bastei gave him his own series. Image
Sinclair does has had a few recurring foes, such as Doctor Tod and Der Schwarze Tod... ImageImage
...but with several hundred stories in print the Geisterjäger has fought everyone: from Dracula to killer clowns! ImageImage
Helmut Rellergerd, aka Jason Dark, wrote most of the Sinclair novels. Born in Dahle he trained as a chemical technician before a spell in the Bundeswehr In 1966, where he wrote his first stories for Bastei. Image
He was soon working permanently as a horror writer and was pretty busy doing it: Bastei wanted a John Sinclair story every week, and since 1978 that's what Rellergerd (later assisted by a few other writers) has been producing. Image
John Sinclair has featured in a number of audio adventures as well as a TV show and a TV movie. As a demon hunter there's plenty of life left in the old dog yet! Image
I'm pleased to say that Helmut Rellergerd is still writing, knocking out the stories on his old Olympia typewriter. Long may he continue.

Geisterjäger John Sinclair, Twitter salutes you! Image

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More from @PulpLibrarian

Pulp Librarian Profile picture
Sep 1
Today in pulp, one of the most influential and outrageous illustrators of the Italian Italian fumetti scene: Emanuele Taglietti!

This will be interesting... Image
Emanuele Taglietti was born in Ferrara in 1943. His father worked as a set designer for director Michaelangelo Antonioni, often taking Emanuele with him on set. Image
In the 1960s Taglietti moved to Rome, where he studied stage design. He began a successful career as an assistant art director, working for Federico Fellini and Marco Ferreri. Image
Read 17 tweets
Pulp Librarian Profile picture
Aug 25
"He lay beside the gently whispering stream - murdered!"

Scales Of Justice, by Ngaio Marsh. Fontana, 1958. Image
"Sucked to death in a seething cauldron of mud!"

Colour Scheme, by Ngaio Marsh. Fontana, 1960. Image
Death amongst the darts and drinks...

Death At The Bar, by Ngaio Marsh. Fontana, 1956. Image
Read 10 tweets
Pulp Librarian Profile picture
Aug 18
Today in pulp... a few covers by Reginald Heade. Image
Vice Rackets Of Soho, by Roland Vane. Archer Books, 1951. Cover by Reginald Heade. Image
Sinful Sisters, by Ronald Vane. Archer Books, 1951. Cover by Reginald Heade. Image
Read 16 tweets
Pulp Librarian Profile picture
Aug 16
Time once again for my occasional series "Women with great hair fleeing gothic houses!"

No, I hadn't forgotten... Image
Terror On Duncan Island, by Caroline Farr. Signet Gothic, 1971. Cover by Allan Kass.

Note: this is a sea-circled island. None of your oxbow lake nonsense here... Image
The Fortune Hunters, by Joan Aiken. Pocket Books, 1972.

When fleeing a gothic castle be sure to colour co-ordinate! Image
Read 18 tweets
Pulp Librarian Profile picture
Aug 13
If the spacesuit is the symbol of progress, the gas mask is the sign of the apocalypse. In popular culture it signifies that science has turned against us. It's the face of dystopia.

Today in pulp I look at the culture of the mask!
Image
Image
The first chemical masks were work by Venitian plague doctors: a bird-like affair, the beak stuffed with lavender, matched with full length coat and hat. It was a terrifying sight - the grim reaper come to apply poultices to your tumours. Image
But it was poison gas, first used at the Second Battle of Ypres in 1915, that led to the modern gas mask. At first these were cotton masks treated with chemicals. However their protection was limited. Image
Read 19 tweets
Pulp Librarian Profile picture
Aug 10
It's now over half a century since 1970, and I'm starting to wonder if we should bring back its concept of gracious modern living... Image
You see we've grown so used to Swedish-style modernism that we've sort of forgotten that maximalism, rather than minimalism, was once the sign of a cultured abode. Image
The 1970s in many ways reached back to the rich ideas of Victorian decor: heavy, autumnal and cluttered. Home was meant to be a baroque and sensual experience, rather than a 'machine for living in.' Image
Read 10 tweets

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