At the end of his life (375 BC), having reached a great age of 108 yrs, the sophist Gorgias was overcome by weakness gradually slipping into sleep.
When a friend asked how he was, Gorgias said: "Sleep (Hypnos) is now beginning to hand me over to his brother." (Death/Thanatos).
This anecdote about the renowned rhetorician Gorgias (483–375 BC) was recorded by the Roman writer Aelian in his 'Varia Historia' (early 3rd c. AD)
Fragment of a marble grave stele; upper part depicting an old bearded man in relief-Greek c. 340-320 BC at British Museum [1]
Hypnos bronze statuette. In his right hand he carries a horn of sleep-inducing opium while in his left he holds poppy capsules.
Hypnos also has other attributes like a branch dripping with water from the river Lethe (forgetfulness) & an inverted torch signifying darkness.
Hypnos bronze statuette- 2nd century AD copy from a Greek original 4th c. BC -At Kunsthistorisches Museum, Vienna [1]
This bronze cista served as a constant reminder to the owner of the fleeting nature of her/his existence...
Bronze Cista [large jewelry box] handle: Hypnos & Thanatos Carrying off the Slain Sarpedon
ca. 400-375 BC- Etruscan-at Cleveland Art Museum.
Nyx, "Night" & Erebus, "Darkness" were the parents of Hypnos,"Sleep" and Thanatos, "Death". Both Nyx & Erebus were offsprings of the first thing to exist, Chaos.
Hypnos' bronze winged head-Roman copy of a Hellenistic original at British Museum
Metamorphoses Bk. XI, Ovid describes "The House of Sleep" where Somnus/Hypnos dwells:
A mansion within a cave, so deep sun's beams cannot pierced. There "muted silence dwells" (muta quies habitat) no sound can be heard, save the hypnotic murmuring of river Lethe (Forgetfulness)
Few days ago, I posted about Adynaton,“impossible thing” Classical figure of speech to express an impossibility when words seem to fail us.
Here Ovid uses it to compare countless dreams/phantoms in the House of Sleep as there are ears of grain, forest leaves & grains of sand.
I'd like to end this thread by quoting Homer who in the Iliad describes Hypnos as "lord over all mortal men and all gods" that is, not even the Olympian gods could resist Hypnos' sleep-inducing power.
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In this fragment by German mystic Meister Eckhart (1260-c. 1328) he seeks to explain why "the divine One is a negation of negations", that is God is the fullness of being thus by defining what God is we limit what is unlimited.
The Christian mystic's vision of God can't be translated into human language. One of the ways to describe this boundless vision is by way of negation or via negativa (apophatic way) where anything we say of God must negate every attribute due to unknowability= "divine darkness"
Apophatic is the Latinized form of Greek apophatikos from apophasis "denial, negation," from apophanai "to speak off," from apo "off, away from" (see apo-) + phanai "to speak," related to pheme "voice"
**Jusepe de Ribera- Saint Francis of Paola (detail) ca. 1640 [1]
His life is not poor
He has riches beyond measure
Pointing to the moon
Gazing at the moon
This old guest follows the way
Hotei, 10th c. wandering Chinese monk venerated as “god of good fortune” with his treasure bag,he points to the moon, expressing the pure joy of nonattachment
Fugai Ekun (1568–1654) Hotei Pointing to the Moon, hanging scroll, ink on paper.
P.S The Hotei figure is executed in grey, wet strokes, with only spare use of black, which characterizes the Zen figural style known as “ghost” or “apparition” painting [1]
The above accompanying poem is the English translation of what's inscribed on the hanging scroll. [2]
Did you know Julius Caesar famous phrase before crossing the Rubicon “let the die be cast! (anerrhíphthō kúbos) was declaimed in Greek as it was written by the Greek comic playwright Menander?
In 49 BC (perhaps) on January 10,
Caesar leads his legion across the Rubicon.
Did Caesar really utter this phrase? Yes according to Suetonius, who recorded as alea iacta est ('the die is cast') & Plutarch in Greek
Caesar knew his Greek, also had a great sense for the dramatic, it was a momentous occasion & he wanted these words to pass unto history books.
Caesar might have also found inspiration in the words of Roman playwright Terence:
The Art of Judgment derives from discerning truth beyond appearances and emotions so the fool judges out of ignorance, the proud out of scorn and the wise out of character.
Daniele da Volterra-Head of a Bearded Old Man-drawing ca. 1550s [1]
In his 'Tusculanae Disputationes' (3.56), Cicero tells us to seek truth in a man's character even those living in poverty by quoting Statius Caecilius maxim:
saepe est etiam sub palliolo sordido sapientia
"There's often wisdom even underneath a tattered little cloak"