Got my booze, got my snacks, I'm ready for the #CellarClub! I've seen this film twice before. The 1st time, I expected too much and was disappointed; the 2nd time I set my expectations at rock bottom and realised it had its merits. 3rd time for the happy medium? #TheFilmCrowd
See, these opening shots are fab! Monkey to Lee establishes fears about evolution, degeneracy, the beast within. Two-headed child in the jar establishes split personalities. There is plenty of thought and detail here. Just somehow less than the sum of its parts. #TheFilmCrowd
Then this conversation in the gentleman's club makes what the visuals were hinting at fully explicit, right down to a direct reference to Freud! #CellarClub #TheFilmCrowd
Some beautiful Lee finger-work in the way he's handling those beakers and test-tubes. He was such a great hand actor. (As was Cushing, of course.) #CellarClub #TheFilmCrowd
Oh no, not the kitty! #CellarClub #TheFilmCrowd
That was narratively important, though. He killed that cat without having yet injected himself with the solution, showing us his own latent brutal tendencies which the solution will merely unlock. #CellarClub #TheFilmCrowd
And of course the contents of that drawer show some more suppressed tendencies... #CellarClub #TheFilmCrowd
Has Marlowe sought ethical approval for testing out this drug on his patients, eh? #CellarClub #TheFilmCrowd
This business about how the drug has different effects on different patients (and animals) is one of the things which has puzzled me on previous viewings, and I don't think it's ever fully resolved. It gets lost as the story focuses on Marlowe's own transformations. #TheFilmCrowd
So here, we're getting a direct explanation of the ego, the super-ego and the id. Marlowe theorises that the drug is doing the same thing in all subjects - destroying all but one of them. #CellarClub #TheFilmCrowd
But, given the different results we've seen, surely it isn't destroying the same ones in all subjects? So it's not 'the same thing' in all of them at all. #CellarClub #TheFilmCrowd
One of the definite strengths of this film are its sets - interiors and exteriors. They're easy to take for granted by modern standards, but for British horror movies of this time they are pretty high-grade, and generally nicely-lit too (though this print is dark). #TheFilmCrowd
And another is the subtlety of the gradual transformations we are seeing in Lee. Just another notch more depraved each time he shoots up, and a lot of it in the early stages conveyed by his expressions and gait rather than prosthetics. #CellarClub #TheFilmCrowd
Peter Cushing is starting to get suss! #CellarClub #TheFilmCrowd
Interestingly, I think that as well as the actual transformations getting more grotesque each time, Lee's face as Marlowe has also deliberately been made slightly more haggard by this stage in the film, as the guilt and horror starts to tell on him. #CellarClub #TheFilmCrowd
Hehe, that scene of Cushing comparing Marlowe and Blake's signatures reminded me of this. Subtler, though. #CellarClub #TheFilmCrowd
That shadow-transformation was an excellent touch! Pity it seems to have been a bit much for the elderly man-servant. #CellarClub #TheFilmCrowd
Also, I'm beginning to wonder why Mike Raven had such high billing in this film, appearing third on the poster after Cushing and Lee with his name the same size as theirs. He doesn't actually seem to be in it all that much? #CellarClub #TheFilmCrowd en.wikipedia.org/wiki/I,_Monste…
A bit of direct contrast being established here, I think. Cushing's scarlet smoking jacket is very similar to one Lee was wearing earlier in the film, but Cushing's character is kind to his kitty. #CellarClub #TheFilmCrowd
Lee's transformation in death from gruesome to handsome there a nice contrast with his usual disintegration as Dracula, too. Got to have been a deliberate inversion, right? #CellarClub #TheFilmCrowd
Anyway, there we go! It's been a blast, and I agree more with how I felt when I saw this the second time than the first. It's not perfect, but it's really a pretty good film all told. #CellarClub #TheFilmCrowd

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More from @pjgoodman

1 Oct 21
Ahhhh.... Home, wine, The Devil Rides Out on the telly, and I see I'm just in time to catch my favourite line: "He didn't stay long, did he?" #thefilmcrowd #hammerhorror
Richard Eaton must be like the Duc de Richelieu in having so many cars they're neither here nor there to him. That one Rex just crashed into a ditch is never seen or mentioned again for the rest of the film. #TheFilmCrowd
I would so have loved to be an extra in this Satanic orgy scene! It looks like massive fun. James Bernard's driving, urgent music absolutely makes it. #TheFilmCrowd
Read 11 tweets
30 Sep 21
The discussion about this exhibition which I came down to take part in is finished now, ending very congenially over wine in the Great Court cafe. It was a new kind of event, put together by @wmarybeard in her role as trustee, bringing academics and museum curators into dialogue.
They wanted to know what we had got out of the exhibition, what an exhibition can do for us as academics, and we wanted to know about the decision-making process, the logistics shaping how it was put together, etc. I think both sides got a lot out of it.
Personally, I spend a lot of time trying to 'read' exhibitions about Augustus, mostly mounted by the long-dead, so it was fascinating to hear from a modern equivalent. E.g. they had to reduce all text in this exhibition by 20% to prevent people lingering too long due to COVID.
Read 23 tweets
30 Sep 21
A few thoughts about the Nero exhibition, then. Overall I think it's better than the catalogue made me expect, with some nice design and layout decisions and great artefacts. But the source material sure sets up a problem which I don't think any exhibition on Nero can escape.
This is the opening question of the exhibition, right by the ticket desk before any artefacts. It gets to the nub of the issue - Nero's reputation as a 'bad emperor'. Any scholar will want to point out that the sources painting that picture clearly have a hostile agenda.
But because the 'good emperor, bad emperor' dichotomy is so strong, if you say the sources painting Nero as a monster are biased, it sounds like you're saying he was good after all. This is the closing Q of the exhibition, which shows it is literally framed by that dichotomy.
Read 9 tweets

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