At Llangwm Uchaf, what remains of the gloomy inscription on this crumbling gravestone has a great example of the archaic use of 'ye' (the) which we tweeted about recently, but you can also spot two lovely examples of another extinct letterform: ſ - known as the 'long s'.
At a glance, ſ looks a bit like an f (especially in typefaces that give it a little nub on its left hand side - like in this edition of Paradise Lost).
But what looks like 'fpend' on the headstone is actually 'spend'.
Long s and short s were both in use, so the epitaph also tells us that if all goes well on earth we can look forward to a 'life of Bliſs' (Bliss).
But why were there two ways of writing the lower case (miniscule) letter s?
Both forms originated in the Roman period and their use and shape has changed multiple times over the centuries. Ninth century monks writing in the standardised Carolingian script would only use the long s.
But by the 12th century it had become a convention to use the long s at the beginning and in the middle of a word and the short s (which at that time looked like our letter r) at the end. The s we use today was around too but mostly used as the shape for a capital S.
By the 17th century, the rules of when to use a long or short s had become more complex, and weren't always followed consistently. However, one common convention was to use a long and short s for a double s - as in Miſs, congreſs, or Miſsiſsippi.
Thankfully, by the early 19th century, English language printers had almost entirely stopped using the long s, so today we are the Friends of Friendless ... not Friendleſs ... Churches.
However, the long s stuck around (ſtuck around?) for a bit longer in writing made by hand — whether with a pen or a chisel.
That was meant to be the end of our thread but we just couldn’t resist sharing a couple more examples of the long s from our churches. Like this elegant wall monument from Skeffling in the East Riding of Yorks
And this stern commandment board from Papworth St Agnes in Cambridgeshire
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A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
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A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
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A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.