Thread: Harry Clarke (1889-1931) was one of Ireland’s greatest artists. His medium was stained glass & he created masterpieces which integrated Celtic art with Art Nouveau. He was not only one of the great Western artists but also a personal favourite. Let’s take a look!
One of Clarke’s most moving works is his Agony in the Garden (1924) which is in the Institute of Education & Celtic Culture in Dingle. It is one of a number of stunning windows in the Institute
I have a special offer on my original ink on paper drawings until February 2nd where two original works are just €99/€85* Please check availability as some works have sold
He was born in Dublin & apprenticed to his father’s ecclesiastical decorating business & attended the Dublin Metropolitan College of Art & Design at night. Baptism of St Patrick (1912)
Clarke moved to London & made a career there as an illustrator. His first printed work was published in 1916 (Hans Christian Andersen’s Fairy Tales). Their decorative beauty, subtle eroticism & vague hint of menace are typical of Clarke’s approach.
He was creating works of transcendent beauty in his 20s. Clarke’s work for the Honan Chapel at UCC is part of an exquisite Gesamtkunstwerk for one of the country’s most beautiful churches (1915-7).
In 1917 he completed a series of windows based on J M Synge’s poem Queen & in 1919 produced an Our Lady & Child for the Church of Assumption, Bride St, Wexford.
One of Clarke’s early secular stained glass masterpieces is the Song of the Mad Prince (1917). This jewel like window is set in a specially made box created by Dublin’s finest cabinetmakers, Hicks. Typical of Clarke is his love of Prussian Blue
He created a series of beautiful windows for St Mary’s Church, Nantwich (1920) which have an austere majesty belied by a rich Celtic approach to decoration
His window for Castletownshend Church includes the Nativity & SS Luke & Louis (1918-20), panel for St Mary’s Church, Dorset (1920-1) & Window from Holy Trinity Church, Killiney.
1923 saw the publication of his illustrations for Tales of Mystery & Imagination by Poe. This made his name & demonstrated his ability to stand comparison with Beardsley. The images are brilliant, unsettling & magnificent
One of Clarke’s greatest windows is the Eve of St Agnes (1923) currently installed in the Hugh Lane Municipal Gallery, Dublin. Dashing figures, astonishing command of the acid-etched process & jewel like finish combine to create one of the greatest triumphs in Irish art.
He illustrated Goethe’s Faust (1925) & this is considered by some as his greatest graphic work & was v much ahead of its time. Seldom has an artist taken such sweetness & revealed the macabre at the same time.
1925 saw the unveiling of his windows for Carrickmacross Church in Co Monaghan.
One of Clarke’s most famous stained glass window schemes was for Ballinrobe Church, Co Mayo (1926). These lights have been drawing visitors to the church since they were installed
Housed in the National Gallery of Ireland is his Mother of Sorrows (1926) window. It is a magnificent work full of incident & with etiolated elegant figures with almost hallucinatory beauty. Visitors regularly gasp when they come across it.
St Patrick’s Purgatory, Lough Derg (1927-8)
His windows for Tullamore Church were installed in 1927-8
Clarke was diagnosed with TB in 1929 & attended a sanatorium in Davos. He realised he was dying & decided to return to Dublin but died on the journey in 1931 at just 41. His windows for the Church of the Nativity (1929-30)
Clarke is one of a mere handful of Irish artists whose work stands comparison with European contemporaries (including Francis Bacon, James Barry & Roderic O’Conor). His great masterpieces included the 1930 Geneva window based on Irish stories
Here are two watercolour studies for the Geneva window
If you’d like to study Clarke more there are a number of excellent monographs - a few of which are here. Nicola Gordon Bowe is the recognised authority.
Here’s more on my artwork. I celebrate love, hope & joy. I think everyone should have access to original art so set up this affordable art project. See what you think!
Thread: For many this Pride is one of the scariest of modern times. Criminalisation of Trans kids & adults, banning of Pride, media campaigns against LGBT+ ppl, violence & persecution are found from the EU, thru the UK to the US.
I want to show how LGBT+ ppl are heroic.
Willem Arondeus (1894-1943) was a Dutch artist & writer, a proud gay man, a founder member of the Dutch Resistance & Righteous Among the Nations for saving Jewish lives.
He demonstrated that LGBT+ ppl are not cowards & will not be cowed.
He grew up in Amsterdam. When he was 17 he told his parents that he was gay & they later kicked him out for refusing to hide it (aged 18). To eke out a living he painted, created illustrations & wrote. He discovered in himself a fierce independence.
It amazes me the number of ppl with ‘Christian’ in their bios who seem to be completely unaware of Jesus being Gay. There are gonna be some awkward conversations at the Pearly Gates [John 13:23]*
Happy Pride!
*given that entire ‘churches’ are based on Leviticus & a disputed version of who can shag who, it’s amazing that Christianity overlooks how often JC is shown as Gay for Jonno. Leviticus, BTW, also says it’s AOK to own slaves, sinful to wear cotton-Lycra jocks & eat surf & turf…
Matthew 7:5 has some relevant side-eye
Thou hypocrite, first cast out the beam out of thine own eye; and then shalt thou see clearly to cast out the mote out of thy brother's eye.
The stupidity of ethnic English nationalism really is breathtaking. Europe is not miles away -
the British border is in Ireland [no wonder these tulips tied themselves in knots over it!]. In light of that ignorance, not knowing that GBS is Irish, is relatively minor!
I think that colonial history should be compulsory in English schools. Being a nationalist is the norm in most of Europe. However being an ethnic nationalist, with its emphasis on exclusion, is [to put it mildly] problematic. Ask anyone who has studied the period 1939-45.
Just to be clear Matthew was being humorous & I was agreeing with him. Today I’ve really realised how few ppl actually read threads & jump on the first Tweet with their opinion. Having said that I doubt anyone will read this 😉 .@DrMatthewSweet
Thread: To celebrate Pride Month I put together a celebration of LGBT+ artists & writers who have been central to Irish culture & our sense of who we are. Given past persecution it’s impressive how important they have been or are presently!
Mary Dorcey (b 1950) is a poet, writer & member of Aosdána. Her work is critically acclaimed & moving. She has campaigned for LGBTQI & has provided a voice for the community through activism & words
‘I have seen mad women in my time
- I have never seen them mad enough.’ (1991)
Here’s an overview of my own art. It’s all about love, hope & happiness.
Thread: I love using bold vibrant colours, pattern & clarity of line in my ink on paper drawings. Sometimes they look deceptively simple, but if you zoom in you can see why they can take up to eight hours to draw. Here’s some more drawings
Visit Etsy to see all my available drawings that you can purchase right now: etsy.com/ie/shop/robboh…
Wild Orchids (2021) | Original ink on paper drawing by Robert Bohan
Buy here: etsy.me/3MJHx9H
Japanese Ground Orchids (2021) | Original ink on paper drawing by Robert Bohan
Buy here: etsy.me/3piLysf