Curtis LeGeyt from the National Association of Broadcasters seems to be saying that if radio has to pay musicians, they won't be able to inform listeners about hurricanes, and tornados. 🙃 #musicfairness
Of course, the biggest barrier to radio stations providing emergency information to local communities is deregulation. NAB pushed Trump's FCC to eliminate the Main Studio Rule, which required stations to have an actual physical studio in the community served. #musicfairness
Consolidation has moved commercial radio away from its important public service role towards extraction. We've seen loss of jobs--DJs getting fired and being replaced with out of town robots. #musicfairness
And for years, NAB fought against LPFM which offers hyperlocal programming and information. They misled their members and Congress, making bogus technological claims of interference. #musicfairness

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More from @future_of_music

Feb 2
Senate Judiciary is currently debating a piece of legislation intended to support news and journalism at a time when Google and Facebook have been swallowing up more and more of the ad revenue. Watch here and read some thoughts in this thread.🧵 judiciary.senate.gov/meetings/break…
This issue matters a whole lot to musicians, in part because we are citizens like everyone else, but because musicians need a healthy music journalism ecosystem that covers the full diversity of musical traditions. That includes local artists and community scale.
We've seen so many small publications close up shop, daily papers drastically cutting back their arts and entertainment coverage, Alt-weeklies laying off music writers and cutting their page counts. Online, click-based incentive structures can narrow coverage.
Read 31 tweets
Jan 24
Seeing this piece making the rounds, and it makes some provocative claims that deserve scrutiny and investigation of the data. theatlantic.com/ideas/archive/…
Let's start by observing that the piece's author @tedgioia is an important and respected voice in music writing, and he's definitely on artists' and audiences' sides.
So if there's some skepticism about the claims made in this piece, it points to problems in the the bigger discourse. (Ted's books are are good and important and you should read/buy them!)
Read 33 tweets
Jan 12
The DMCA is in the news again, after some Twitch streamers are facing suspensions for streaming TV shows without a license. Among other things, it reveals some serious misunderstandings about what the DMCA is and how it works.
One big myth is that the DMCA made it illegal to stream unlicensed music and TV shows and that if DMCA was repealed, users could just stream whatever they want.
In fact, the create a liability exemption for services hosting content posted by users. The service isn't liable for what the users post, as long as they comply with a set of practices and procedures.
Read 7 tweets
Jan 12
December was the last @Bandcamp Friday, a day where the company waived its usual cut of the revenue to pass on more money to artists and rightsholders. Here's a thread with some lessons we can learn. 1/🧵
There's no question that this initiative was successful beyond anyone's expectations. Originally announced as a one-time effort, it was extended to a total of 15 days. Bandcamp reports that fans paid artists/labels $61 million on those 15 days since March 2020. 2/🧵
Do a little math, and you can see the waived rev-share works out to an effective donation by @bandcamp of roughly $7 million. But it's also the case that the initiative helped motivate a lot of music-buying that wouldn't have happened otherwise. 3/🧵
Read 11 tweets
Aug 12, 2021
The answer is 6-7%. Fascinatingly, most respondents dramatically overestimated the amount.
For a while, all 3 majors and Merlin (a rights aggregator representing independent labels) had equity totaling close to 18%. But those numbers went down after more investment rounds. Merlin and Warner sold off their equity post-IPO. Sony eventually sold half of its stake.
So now it’s just Universal and Sony that have small stakes in the company. Now, you might ask, “does that mean these companies get 6-7% of my monthly subscription?” It’s complicated, but that’s a different pool of money.
Read 13 tweets
Aug 12, 2021
Guess how much of Spotify's equity is owned by major labels right now (no cheating)
The answer is around 6-7%. Most of y’all were way off!
Major labels do have a lot of power in the industry. So do large technology firms. The specifics of where that power lies and how it’s leveraged are extremely important in figuring out the right solutions.
Read 4 tweets

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