*Pixels of You* is a new young adult sf graphic novel, written by @ananthhirsh and @aidosaur and illustrated by @theyoungdoyler, published today by @ABRAMSbooks. It's a sweet, smart tale of art, bitterness, enmity and camaraderie.
*Pixels'* two protagonists are a pair of young women who have both won a coveted spot at an upscale photography gallery. 2/
Indira is the survivor of a wreck that orphaned her and led to one of her eyes being replaced with a digital camera; Fawn is a human-presenting AI whose robot "parents" sacrificed all to give her a skinsuit that lets her pass as a human. 3/
They begin the tale as rivals but when their bickering frustrates the gallery's mercurial owner, she orders them to collaborate on a graduate project, threatening to end their nascent art careers if they fail to produce work of merit. 4/
It's a fantastic setup for a buddy story, one where the irreconcilable is reconciled, where hate flips to love and back again, and where art is debated, created, destroyed and finally remade. 5/
Graphic novels are (unsurprisingly) great vehicles for stories about art. While painterly novels like Chaim Potok's *My Name is Asher Lev* and @StevenBrust's *The Sun, The Moon and the Stars* must approximate the visual with the literary, comics can skip that step entirely. 6/
It's partly why @scottmccloud's *Understanding Comics* remains a classic: using the visual to illustrate the visual is a natural and powerful technique. It's also why Disney's *Looking at Paintings* is such a superb book on art theory.
Comics aren't limited to tales of visual art; it's a great medium for any tale of art and artistry. Take @misscecil's memoir *Girl on Film*, variously a meditation on film, writing, rock-and-rolling, and the neurological basis for memory formation.
But comics about great visual art also present a unique challenge: while writers need not paint a great painting in order to evoke such a painting, a comic about great photography must feature images of great, striking photos. 9/
Here's where Doyle's work really shines. Their work captures lively posture and body language, and their composition evokes both the careful work of a carefully planned landscape and the lucky accidents of the perfect from-the-hip snap. 10/
You may be familiar with Doyle's work from their longrunning, successful crowdfunded series Knights-Errant. If so, you'll recognize their gift for character design and highly expressive, wordless panels.
I read my advance copy of *Pixels of You* with special interest, because Doyle and I are collaborating on a graphic novel adaptation of my novella *Unauthorized Bread*, which @01FirstSecond is publishing.
I was already excited about working with Doyle based on their solo work, but *Pixels* only increased my delight at the prospect of working on a book length project with them. 13/
ETA - If you'd like an unrolled version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
Early in the 19th century, philosophers like Bentham railed against #champerty, whereby "unscrupulous nobles and officials lent their names to bolster the credibility of doubtful and fraudulent claims in return for a share of the property recovered."
On its face, the practice of inviting investors to back litigation against deep-pocketed, corrupt parties sounds pretty good. 2/
Large corporations and wealthy individuals have enormous litigation warchests that allow them to abuse people with impunity, using their cash to draw out lawsuits until their victims run out of money for lawyers. 3/
Hey @KyleKulinski! I'd love a chance to talk with you about a better alternative to turning platforms into regulated utilities (which will just give them more power - that's the strategy that led to AT&T surviving intact for 68 years after its initial antitrust investigation)
Rather than deputizing the wildly imperfect and unperfectable platforms as arms of the state - with powerful stakeholders in the national security blob who will defend their continued bad acts - we could make them weaker.
Key to this is increasing interoperability with Big Tech, so new platforms - co-ops, nonprofits, hobby projects AND startups - can offer their users more tailored moderation policies, better privacy guarantees, etc.
Inside: Pixels of You; Wall Street's landlord business is turning every rental into a slum; UK Tories want a national database of porn-viewing habits; and more!
UK PM Boris Johnson has built a career out of running across rivers on the backs of alligators, always moving fast enough that he escapes their jaws. His career is a long string of outrageous scandals: lying, fraud, infidelity, abuse, all escaped with impunity. 1/
If you'd like an unrolled version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
Like any self-respecting posh sociopath, Boris knows how to fail up. But eventually, even the nimblest of gator-racers loses a step and finds a set of jaws clamped around his leg. 3/
Shelter is a human right and a necessity for human thriving. The choice to turn speculation on our homes into a path to social mobility inevitably led to the crash of 2008 and 3.7 million US foreclosures.
In the Great Financial Crisis, Obama administration bailed out banks, not borrowers, giving banks capital to buy those foreclosed homes in bulk. This was only accelerated by the Trump covid bailot, which sent trillions into the finance industry.
Wall Street landlords are the worst. There's a Wall St landlord playbook: deep cuts to maintenance that leave homes all but uninhabitable; scorching rent-hikes; and mass evictions any time a tenant balks at either measure.