#ArtsandCrafts#Cotswolds#churches is Herbert North's last major work & one of his few churches. St. Catherine's, Blackwell, 1939-40, was strongly influenced by Lethaby's All Saints at Brockhampton, 1902, its white-painted roughcast & grouped narrow lights giving a Scandi feel.
All 📷on this thread by Peter Jones, uo/ws, with thanks. The interior is stark with a compelling rhythm of sharply pointed arches, the only touches of colour being the painted sanctuary roof, candelabra & hanging rood. Pews & stalls may be glimpsed here.
(First 📷by Tudor Barlow)
North's A&C credentials are impeccable, though he is mainly known as a domestic architect with a strong body of work in Wales. At St. Catherine's, his fittings survive intact, inc. the stone font in the west end baptistry. Light pours through clear white glass.
📷3 Tudor Barlow
I'd like to finish with the war memorial tablet by the Bromsgrove Guild, but so far I haven't turned up an image. Off to rootle a little more ...
Success! Sort of! A very blurry image, but here is the bronze plaque commissioned from the nearby Bromsgrove Guild to commemorate the men of the parish who died in WWI
📷Philip22462, Lives of the First World War website
#ArtsandCrafts#Cotswolds#churches Bit of a bust tonight as images are in short supply for the former Wesleyan chapel - the Trinity Memorial Church - in Blackwell, Worcs. It memorialises Henry Taylor of nearby villa, Leahyrst, with a simple Gothic design of c1880.
📷Mike Dodman
Stained glass appears to be still in situ, most of late C19 by T W Camm, before the Camm siblings introduced Arts & Crafts principles to their father's business. Paul Woodroffe was responsible for the S transept S window in 1913. See frustrating colourful blur through the arcade!
#ArtsandCrafts#Cotswolds#churches Bacton St. Faith has four Powells windows. Some confusion between sources as to location means I haven't established designers yet, but they are quite a nice group, installed over a decade, 1901-11
Images with thanks to Rex Harris.
I am attempting to learn to love Powells as an exponent of Arts & Crafts. Of all the large commercial glass producers, they were the most innovative in stylistic & technical terms. These designs are rather looser than many of their contemporaries', with plainer backgrounds.
St. Firth's restoration came late, in 1892-4. Perhaps the new thinking on the value of historic fabric stayed the dreaded Nicholson hand, as he retained much C12-C15 work, rebuilding only the E wall, S porch & the chancel waggon roof, adding bosses & angels.