Today in pulp I look back at the early days of pulp Spanish sci-fi.
Let me introduce you to the Luchadores del Espacio!!
Luchadores del Espacio - Space Fighters - is a Spanish-language science fiction saga published by Editorial Valenciana from 1953-63. It's one of the early milestones of Spanish space pulp.
Spanish language science-fantasy had taken off in Argentina during the 1950s with Más Allá (Beyond), a local rival to Galaxy magazine. So the time seemed right for Editorial Valenciana to launch some original Spanish sci-fi stories.
Pascual Enguídanos was one of the writers who took up the challenge. Working under the pen names George H. White and Van S. Smith he put together La saga de los Aznar, one of the first Spanish space operas.
La saga de los Aznar Is influenced by both Greek myth and by Flash Gordon: Earth is invaded by aliens and Aznar leads the human survivors to a distant star system to rebuild their lost homeland.
Unlike other pulp sci-fi titles Luchadores del Espacio didn't rely on stand alone stories. Instead it took an episodic approach, with stories continuing over many issues.
Most Luchadores del Espacio stories were written by Spanish writers using English pen names. Sci-fi was still strongly associated with the United States, so publishers used house aliases to give the impression you were getting solid American pulp.
Luchadores del Espacio ran for over 200 issues, and a number of stories were reprinted in the 1970s. Over two dozen writers cut their teeth working for the publication.
Luchadores del Espacio may have been old fashioned space opera, but it helped pave the way for a boom in Spanish-language sci-fi as well as new magazines such as Anticipation and Nueva Dimensión in the 1960s and '70s.
So here's to the Luchadores del Espacio: sometimes all you need to write sci-fi is a bug eyed monster and a ray gun.
More stories another time...
• • •
Missing some Tweet in this thread? You can try to
force a refresh
Today I'm looking back at the work of British graphic designer Abram Games!
Abram Games was born in Whitechapel, London in 1914. His father, Joseph, was a photographer who taught him the art of colouring by airbrush.
Games attended Hackney Downs School before dropping out of Saint Martin’s School of Art after two terms. His design skills were mainly self-taught by working as his father’s assistant.
Today I'm looking back at the career of English painter, book illustrator and war artist Edward Ardizzone!
Edward Ardizzone was born in Vietnam in 1900 to Anglo-French parents. Aged 5 he moved to England, settling in Suffolk.
Whilst working as an office clerk in London Ardizzone began to take lessons at the Westminster School of Art in his spare time. In 1926 he gave up his office job to concentrate on becoming a professional artist.
Today in pulp I look back at the Witchploitation explosion of the late 1960s: black magic, bare bottoms and terrible, terrible curtains!
Come this way...
Mainstream occult magazines and books had been around since late Victorian times. These were mostly about spiritualism, with perhaps a bit of magic thrown in.
But it was the writings of Aleister Crowley in English and Maria de Naglowska in French and Russian that first popularised the idea of 'sex magick' in the 20th century - the use of sexual energy and ritual to achieve mystical outcomes.
Between 1960 and 1970 Penguin Books underwent several revolutions in cover layout, at a time when public tastes were rapidly changing.
Today in pulp I look back at 10 years that shook the Penguin!
Allen Lane founded Penguin Books in 1935, aiming to bring high-quality paperbacks to the masses for the same price as a packet of cigarettes. Lane began by snapping up publishing rights for inexpensive mid-market novels and packaging them expertly for book lovers.
From the start Penguins were consciously designed; Lane wanted to distinguish his paperbacks from pulp novels. Edward Young created the first cover grid, using three horizontal bands and the new-ish Gill Sans typeface for the text.
Today in pulp: a tale of an unintentionally radical publisher. It only produced 42 books between 1968-9, but it caught the hedonistic, solipsistic, free love mood of the West Coast freakout scene like no other.
This is the story of Essex House...
Essex House was an offshoot of Parliament Press, a California publishing company set up by pulp artist Milton Luros after the market for pulp magazines began to decline. It specialised in stag magazines sold through liquor stores, to skirt around US obscenity publishing laws.
By the 1960s Parliament Press was already selling pornographic novels through its Brandon House imprint, though these were mostly reprints or translations of existing work. Luros was interested in publishing new erotic authors, and set up Essex House to do just that.
Today in pulp... one of my favourite SF authors: Harry Harrison!
Harry Harrison was born Stamford, Connecticut, in 1925. He served in the US Army Air Corps during WWII, but became disheartened with military life. In his spare time he learned Esperanto.
Harrison started his sci-fi career as an illustrator, working with Wally Wood on Weird Fantasy and Weird Science up until 1950. He also wrote for syndicated comic strips, including Flash Gordon and Rick Random.