the Gilded Age Ep 4 was an art history lover's dream so here's a thread recapping whatever has caught my eye so far ๐จ
we'll start off with the Russells' mansion because it is GORGEOUSSS.
very Rococo, inspired by Fontainebleau (a reference we will get to in a sec). blue walls, light-filled, very pastel. designed by Richard Morris Hunt (he did Marble House irl).
very Rococo, inspired by Fontainebleau (a reference we will get to in a sec). blue walls, light-filled, very pastel. designed by Richard Morris Hunt (he did Marble House irl).
the ballroom and billiard room is actually in The Breakers in Newport.
the entrance fireplaces are also based on Breakers; the pink marble reminds me a lot of the Grand Trianon at Versailles.
the Vanderbilts also built a Petit Chรขteau inspired by Louis XIIโs Chรขteau de Blois.
the entrance fireplaces are also based on Breakers; the pink marble reminds me a lot of the Grand Trianon at Versailles.
the Vanderbilts also built a Petit Chรขteau inspired by Louis XIIโs Chรขteau de Blois.
other bedrooms etc are from Marble House.
full list of historical mansions here: housebeautiful.com/design-inspiraโฆ
full list of historical mansions here: housebeautiful.com/design-inspiraโฆ
there's lots of Boucher paintings and there's also a Fragonard in the blue sitting room.
(Boucher's bucolic flower girl paintings are seen in several of Gladys' outfits)
(Boucher's bucolic flower girl paintings are seen in several of Gladys' outfits)
https://twitter.com/____hotstuff/status/1491030032567123972?s=20&t=prT54uGPGnJJ2885ThzvDQ
Bertha clearly loves Boucher; in ep 1 she says โI want to try to put the other Boucher in the drawing room!โ
(I'm a bit of a Boucher fan too ahah)
(I'm a bit of a Boucher fan too ahah)
Franรงois Boucher created The Toilette of Venus for the bathing apartments in Madame de Pompadourโs Chรขteau de Bellevue, รก la Marie Antoinette's Hamlet. (Met Museum)
A+ for putting The Love Letter on the wall in the scene where Bertha is *writing letters*. sapphic as. (NGA)
A+ for putting The Love Letter on the wall in the scene where Bertha is *writing letters*. sapphic as. (NGA)
there's also at least one Boucher in Bertha's bedroom, Virgin and Child with the Young Saint John the Baptist and Angels. (also Met)
the other might be Angelica and Medoro (above the fireplace).
the other might be Angelica and Medoro (above the fireplace).
back in the sitting room is also Jean-Honorรฉ Fragonard's The Swing.
the baron who commissioned it asked for his mistress to be pushed on a swing as he secretly admired her from below. ick. (Wallace Collection)
the baron who commissioned it asked for his mistress to be pushed on a swing as he secretly admired her from below. ick. (Wallace Collection)
and then Bertha's portrait is a Boldini ๐คฉ
he influenced John Singer Sargent, who seems to have inspired this red dress (Mrs Hugh Hammersley, Met) - ht @PortraitOfMmeX
he influenced John Singer Sargent, who seems to have inspired this red dress (Mrs Hugh Hammersley, Met) - ht @PortraitOfMmeX
the dining room ceiling is a replica of the Hercules room at Versailles (also my desktop wallpaper lol).
if you look closely behind Gladys i think there's another Boucher, The Interrupted Sleep (Met).
if you look closely behind Gladys i think there's another Boucher, The Interrupted Sleep (Met).
don't think we've seen it in a scene yet but, this is Asher Brown Durand's The Beeches in mirror image (again Met).
ok can we talk about that grand piano for a min because that is DIVINE ๐ค
on the underside of the cover is Nicolas Lancret's painting ft the dancer Marie Anne de Cupis de Camargo.
IM CRAZY IN LOVE. THATS ALL.
on the underside of the cover is Nicolas Lancret's painting ft the dancer Marie Anne de Cupis de Camargo.
IM CRAZY IN LOVE. THATS ALL.
one more which probs goes unnoticed but when i travelled europe a few years ago i was fascinated by tapestries...
the Russells have what look to be several Renaissance Gobelins tapestries, and Medieval-era stained glass windows.
(pic 4 might be The Hunts of Maximillian???)
the Russells have what look to be several Renaissance Gobelins tapestries, and Medieval-era stained glass windows.
(pic 4 might be The Hunts of Maximillian???)
i gtg but each home has an aesthetic. the van Rhijns have flowers and dark landscapes (dutch and maybe some William Morris), the Morris home has ~oriental~ vibes, the Fane home is Modern Gothic (Aesthetic, British).
and ofc Mrs Astor has a giant portrait of herself as irl ๐คฃ
and ofc Mrs Astor has a giant portrait of herself as irl ๐คฃ
ok i'm back.
in ep 4, we visit Mrs Chamberlain's home and here we get to my FAV, the Impressionists. i was screaming this whole scene.
first Marian admires a Degas painting, The Dancing Class (Met), and there's another one at the end of the scene.
in ep 4, we visit Mrs Chamberlain's home and here we get to my FAV, the Impressionists. i was screaming this whole scene.
first Marian admires a Degas painting, The Dancing Class (Met), and there's another one at the end of the scene.
then they admire Jean-Baptiste-Camille Corot's Forest of Fontainebleau (i told you there'd be another reference). (NGA)
the woman reclining is Mary Magdalene. also, Corot didn't actually participate in the first impressionist exhibition but did influence many of them.
the woman reclining is Mary Magdalene. also, Corot didn't actually participate in the first impressionist exhibition but did influence many of them.
there's also a Degas sculpture, "La Petite Danseuse de 14 ans" (my pic from the bronze cast in the Musรฉe d'Orsay, the NGA OG looks more like the show).
not welcomed when exhibited but its urban realism was praised.
should also note, ballet dancers were abused as s*x workers.
not welcomed when exhibited but its urban realism was praised.
should also note, ballet dancers were abused as s*x workers.
the painting is Claude Monet's Woman with a Parasol. probably en plein air and not a formal portrait of his wife Camille and son. (NGA)
the painting behind Marian is Gustave Caillebotte's Skiffs, very recognisable. (also NGA)
the painting behind Marian is Gustave Caillebotte's Skiffs, very recognisable. (also NGA)
as they walk down the hall on the left, we see Paul Cรฉzanne's Bathers. (Met)
pic 3 is a more well-known Cรฉzanne at the Art Institute of Chicago.
this subject was taken up by Pissarro, Gaugin, and ofc in Seurat's pointilist Bathers at Asniรจres, pic 4. (National Gallery London)
pic 3 is a more well-known Cรฉzanne at the Art Institute of Chicago.
this subject was taken up by Pissarro, Gaugin, and ofc in Seurat's pointilist Bathers at Asniรจres, pic 4. (National Gallery London)
i must also point out that the Scotts' home shows they are part of the Black elite, from the photos & family history, to the paintings (landscapes, florals), & the interior decor.
this perhaps goes against the grain of our assumptions.
this perhaps goes against the grain of our assumptions.
there are paintings in other locations too.
when Marian is at the dressmaker's, there's a painting of women at a piano. very bourgeois, feminine, and aesthetic.
reminds me of Renoir, another Impressionist.
when Marian is at the dressmaker's, there's a painting of women at a piano. very bourgeois, feminine, and aesthetic.
reminds me of Renoir, another Impressionist.
at Fane's home, Aurora calls Clara Barton an angel, and behind her is A Song of the Angels by William-Adolphe Bouguereau. this is the Academicism style.
one of the other paintings on the wall is Joseph Scheurenberg's La lettre d'amour.
one of the other paintings on the wall is Joseph Scheurenberg's La lettre d'amour.
and this is not exactly an art reference but Marian at the opera reminds me a lot of Natasha Rostov at the opera and i do like a Tolstoy reference.
anyway, this was fun, i'll probably add more as the season goes on.
i'm a history major and art history, not costume history, is more my lane.
even if the dates are slightly off, i love how much attention was paid to these details and i appreciate it ๐คฉ
i'm a history major and art history, not costume history, is more my lane.
even if the dates are slightly off, i love how much attention was paid to these details and i appreciate it ๐คฉ
i did forget something we saw last week, which was a Grinling Gibbons carved box which Mrs Chamberlain delivered to Marian ๐คซ
Gibbons is famous for his wood sculptures in Blenheim, Hampton Court, and St. Paul's Cathedral, where he's buried.
Gibbons is famous for his wood sculptures in Blenheim, Hampton Court, and St. Paul's Cathedral, where he's buried.
she also namedrops M. Knoedler & Co. an art dealership in NYC founded in 1846.
now rather infamous for fraud and looting & closed in 2011.
now rather infamous for fraud and looting & closed in 2011.
moving on to ep 5, i think the directors heard me because they really gave us a close up of the tapestries ๐ญ
i'm not 100% sure which one this is, but it looks like a hunting scene, probably made in Flanders.
i'm not 100% sure which one this is, but it looks like a hunting scene, probably made in Flanders.
i had another look, this is The Taking of Lille tapestry, a Gobelins tapestry of Louis XIV receiving the keys of Lille after the 1667 battle.
the Gobelins were a French family of dyers & clothmakers est around 1450 in Faubourg Saint Marcel and became suppliers to Louis XIV.
the Gobelins were a French family of dyers & clothmakers est around 1450 in Faubourg Saint Marcel and became suppliers to Louis XIV.
finally! we see Gladys' room! hers befits a young womanโthere's a portrait of a lady posing with a dog, a basket of flowers and needles, and a portrait of likely young Gladys.
all very youthful and innocent.
all very youthful and innocent.
as Edith Wharton wrote, "The room where the childโs lessons are studied is, in more senses than one, that in which he receives his education."
i already tweeted about this Boucher BUT THIS LIGHT IS GLORIOUS.
continuing with the girls' bedrooms, i doubt Agnes would have redecorated for a niece she's never met but the yellow hues match beautifully here.
again a portrait of a lady, this time standing.
again a portrait of a lady, this time standing.
George Russell's study and his office are both very dark in comparison to Bertha's sitting room and the rest of the house. his paintings depict battles, but there's also this map of NY state.
his bedroom is actually Consuelo Vanderbilt's bedroom at Marble House.
his bedroom is actually Consuelo Vanderbilt's bedroom at Marble House.
last one for now, there's another painting in the dining room i hadn't noticed before (top left).
i assume it's a Boucher like the rest of the house but i'm not sure which one.
i assume it's a Boucher like the rest of the house but i'm not sure which one.
it's been a crazy week and i won't get to watch this week's ep when i usually do so here's the art history recap for #TheGildedAge ep 6 ๐จ๐ผ๏ธ
Mamie Fisher's doll party is not that bizarre tbhโshe claimed Prince del Drago of Corsica was a monkey, rented an elephant, made guests dress up as peasants, fed dogs w bday cake (making space rockets rather tame).
still, there's two dolls and a doll house in Gladys' bedroom...
still, there's two dolls and a doll house in Gladys' bedroom...
the Fisher house is pretty European in terms of paintingsโand interior is generally Aesthetic/Modern Gothic.
but whereas the Fanes looks v churchy for some reason, this house has the Anglo-Japanese style, a little ~oriental~ rather than Medieval.
but whereas the Fanes looks v churchy for some reason, this house has the Anglo-Japanese style, a little ~oriental~ rather than Medieval.
in fact other paintings in the Fanes home also seem quite religiousโapart from last week's St John and all the stained glass, these two look like one birth and one resurrection. not sure of the artist tho...
like the Chateau de Fontainebleau gallery, Mrs Chamberlain's home has herringbone flooringโinfinitely French chic.
no idea what the paintings are but i want that couch.
should note, Mrs Chamberlain is like the Impressionists at this timeโcritics thought their art was vulgar.
no idea what the paintings are but i want that couch.
should note, Mrs Chamberlain is like the Impressionists at this timeโcritics thought their art was vulgar.
still haven't figured out what this painting is altho istg i've seen it before...doing my head in ๐ญ
quite apart from THEE AUDRA playing Beethoven, it is really something to see all the art, flowers, decor, the sculpture shadow, plus the piano, in the Scott home ๐ค
i'm a big fan of the fans ๐
they're likely Brisรฉ fans, since Madame de Pompadour liked them and Bertha likes Pomp style.
they imitate delicate Chinese/Japanese wooden and ivory fans but Bertha's are much more gilded than the French/British ones in the Met.
they're likely Brisรฉ fans, since Madame de Pompadour liked them and Bertha likes Pomp style.
they imitate delicate Chinese/Japanese wooden and ivory fans but Bertha's are much more gilded than the French/British ones in the Met.
ending for now with Agnes because i love Agnes... here's Durand's Beeches!
not sure what the other paintings are altho there's some (family) portraits.
not sure what the other paintings are altho there's some (family) portraits.
https://twitter.com/____hotstuff/status/1495160291969335300?s=20&t=Jm7FtG996YAWoUbBE7zegw
picking up where we left off last week with the cigarette case that Bertha Russell gifts Ward McAllister at her luncheon.
gold enamel, monogrammed, very lovely ๐ค
gold enamel, monogrammed, very lovely ๐ค
#TheGildedAge ep 7 is another art lover's dream because we return to mฬถyฬถ ฬถdฬถrฬถeฬถaฬถmฬถ ฬถhฬถoฬถmฬถeฬถ Mrs Chamberlain's gallery ๐คฉ
said this before, but i'm still so intrigued by Mrs C collecting Impressionists because in contemporary times the word was basically an insult.
said this before, but i'm still so intrigued by Mrs C collecting Impressionists because in contemporary times the word was basically an insult.
said this before, but i'm still intrigued by Mrs C collecting Impressionists bc in contemporary times the word was basically an insult.
Impressionism is about *feelings* not detailed realism, and the various artists exhibited outside the formal French Academy's Salon *gasp*.
Impressionism is about *feelings* not detailed realism, and the various artists exhibited outside the formal French Academy's Salon *gasp*.
first we see John Singer Sargent's A Venetian Woman (Cincinatti Art Museum). Sargent was an American painter of the Gilded Age, inspiring Bertha's dresses.
one can see cultural exchange bw American artists & Venetian Murano glassmakers in this portrait of a working-class woman.
one can see cultural exchange bw American artists & Venetian Murano glassmakers in this portrait of a working-class woman.
commissioned by Catharine Lorillard Wolfe, this depicts Echo, a figure from Greek mythology.
this Met painting is a replica of a well-known composition now in the Musรฉe national Jean-Jacques Henner, Paris, called Les Naรฏades.
this Met painting is a replica of a well-known composition now in the Musรฉe national Jean-Jacques Henner, Paris, called Les Naรฏades.
at the far end, there's another Caillebotte (Mrs C is clearly a fan), called Paris Street, Rainy Day. probs his best known work, of Place de Dublin/Carrefour de Moscou. (Art Institute of Chicago)
in front is Rodin's Thinker (pic my own from Musรฉe Rodin, Paris in 2018).
in front is Rodin's Thinker (pic my own from Musรฉe Rodin, Paris in 2018).
apart from CB EATING this scene, i love seeing the hats & a fan in the background.
(pls let Agnes wear that dress in the background ๐๐)
(pls let Agnes wear that dress in the background ๐๐)
not getting into corset misinfo since there's plenty of resources out there, but i myself previously thought undergarments were plain but they were not.
slightly off date hence the smaller waist but Agnes here reminds me of this French Maison Lรฉoty silk at the Met.
slightly off date hence the smaller waist but Agnes here reminds me of this French Maison Lรฉoty silk at the Met.
ep 8! cannot believe this is the penultimate ep already ๐ญ
still cannot figure out a lot of Agnes' decor, but lots of landscapes.
(if anyone knows what the blue lake or the one on the easel is pls pls tell me ๐)
(if anyone knows what the blue lake or the one on the easel is pls pls tell me ๐)
i did figure out that in the room with yellow sofas (looks like above a piano?), there's a Thรฉodore Rousseau called The Edge of the Woods at Monts-Girard, Fontainebleau Forest. (Met)
very 17C Dutch influenced.
very 17C Dutch influenced.
also want to point out that this piece behind Peggy looks like embroidery depicting some country house, which is perhaps a nod to where the sisters grew up and that Peggy has just come from Doylestown.
(full pic from past ep)
(full pic from past ep)
we see more of Mrs Astor's home!
forgot to mention but way back in ep 1, we saw a landscape painting called Adirondack Lake Scene by Levi Wells Prentice, typical of the Hudson River School. (Hudson River Museum)
forgot to mention but way back in ep 1, we saw a landscape painting called Adirondack Lake Scene by Levi Wells Prentice, typical of the Hudson River School. (Hudson River Museum)
this ep we see a Winslow Homer painting in the corridor, Painting, the Butterfly. (Cooper Hewitt, Smithsonian Design Museum)
in the poorly lit bedroom, i think you can see a fan which is a nice touch.
in the poorly lit bedroom, i think you can see a fan which is a nice touch.
historic houses galore!
Ward McAllister's house is Wrentham House, the first collaboration between Richard Morris Hunt and landscape designer Frederick Law Olmsted.
Ward McAllister's house is Wrentham House, the first collaboration between Richard Morris Hunt and landscape designer Frederick Law Olmsted.
2nd exterior shot of Mrs Astor's Beechwood is actually Chateau-sur-Mer, which Hunt remodelled in the Second Empire French (Beaux-Arts) style.
Oscar's and Agnes' bedrooms were both shot in this mansion.
Oscar's and Agnes' bedrooms were both shot in this mansion.
YEAH BABY in time for the S1 finale i had some time to research #TheGildedAge art history (thanks to TinEye and some brightening) so here goes:
i'm most excited about the flower still life next to Agnes' desk, my fave genre.
by German-born French painter Moรฏse Jacobber. trained in the Gรฉrard Van Spaendonck workshop, exhibited in the Salon.
Fleurs et fruits, mirrored (RMN-Grand Palais, Chรขteau de Fontainebleau)
by German-born French painter Moรฏse Jacobber. trained in the Gรฉrard Van Spaendonck workshop, exhibited in the Salon.
Fleurs et fruits, mirrored (RMN-Grand Palais, Chรขteau de Fontainebleau)
in Agnes' bedroom:
๐ผ๏ธ Sickness and Health, Thomas George Webster (V & A Museum)
๐ผ๏ธ Love's Messenger, William Knight Keeling (Wolverhampton Art Gallery)
๐ผ๏ธ Young Lady Bountiful, Richard Redgrave (RA 1861)
๐ผ๏ธ The Proposal, William Powell Frith
all these children in her room ๐ฅบ
๐ผ๏ธ Sickness and Health, Thomas George Webster (V & A Museum)
๐ผ๏ธ Love's Messenger, William Knight Keeling (Wolverhampton Art Gallery)
๐ผ๏ธ Young Lady Bountiful, Richard Redgrave (RA 1861)
๐ผ๏ธ The Proposal, William Powell Frith
all these children in her room ๐ฅบ
in the dining room is View of the Town of Alkmaar, Salomon van Ruysdael (Dutch, Met).
in Marian's room is, fittingly, News from Afar, Alfred Stevens (Walters Art Museum); known for his Japonisme style.
in Marian's room is, fittingly, News from Afar, Alfred Stevens (Walters Art Museum); known for his Japonisme style.
also, i realise now why i want her art gallery... Mrs Chamberlain is likely based on Arabella Huntington, the driving force behind the Huntington Library & Gardens in LA, which i visited in (very early) 2020.
(photos my own)
(photos my own)
so i'm v excited about this find: Auguste Rodin's Eve, intended to flank his monumental bronze doorway, The Gates of Hell, with Adam.
bronze casts of Adam and Eve were commissioned for The Met.
the top painting is Jean-Baptiste-Camille Corot's Ville-d'Avray, c. 1865 (NGA).
bronze casts of Adam and Eve were commissioned for The Met.
the top painting is Jean-Baptiste-Camille Corot's Ville-d'Avray, c. 1865 (NGA).
the other one that was absolutely BUGGING me was this Camille Corot. The Curious Little Girl depicts Emma Dobigny. (Met)
Corot was lauded for the 'naรฏvetรฉ' which collectors loved in his figure paintings.
Corot was lauded for the 'naรฏvetรฉ' which collectors loved in his figure paintings.
there's more in this gorgeous gorgeous room, both from the Met:
left is Monet's Camille Monet (1847โ1879) in the Garden at Argenteuil.
right is another Corot, an idyllic landscape called The Ferryman.
left is Monet's Camille Monet (1847โ1879) in the Garden at Argenteuil.
right is another Corot, an idyllic landscape called The Ferryman.
all from the Met, George Russell's classically decorated study:
a Goldsmith in his Shop, Petrus Christus. from Bruges, Northern Renaissance Art.
the Adoration of the Shepherds, by Italian Andrea Mantegna, also v
Netherlandish.
and Peter Paul Rubens' The Triumph of Henry IV.
a Goldsmith in his Shop, Petrus Christus. from Bruges, Northern Renaissance Art.
the Adoration of the Shepherds, by Italian Andrea Mantegna, also v
Netherlandish.
and Peter Paul Rubens' The Triumph of Henry IV.
the painting high up in the Russell's dining room is a cropped Boucher, Jupiter, in the Guise of Diana, and Callisto. (Met)
and then in the parlour is a Fragonard, A Game of Hot Cockles. (NGA)
and then in the parlour is a Fragonard, A Game of Hot Cockles. (NGA)
the Red Cross scenes were shot at Lyndhurst Mansion, & you can view the room virtually:
๐ผ๏ธ A Moorish Girl, Raymundo de Madrazo
๐ผ๏ธ Guards by an Entrance (Two Albanians & their Dog), Jean-Lรฉon Gรฉrรดme
๐ผ๏ธ Entrance to the Harem, Addison Thomas Millar
(well-travelled or exoticism ๐คทโโ๏ธ)
๐ผ๏ธ A Moorish Girl, Raymundo de Madrazo
๐ผ๏ธ Guards by an Entrance (Two Albanians & their Dog), Jean-Lรฉon Gรฉrรดme
๐ผ๏ธ Entrance to the Harem, Addison Thomas Millar
(well-travelled or exoticism ๐คทโโ๏ธ)
but American landscapes tooโthe two against the stained glass are
left: Albert Bierstadt's Among the Sierra Nevada, California. America as promised land. (Smithsonian American Art Museum)
right: George Inness' The Lackawanna Valley. America's industrial age, depicts PA. (NGA)
left: Albert Bierstadt's Among the Sierra Nevada, California. America as promised land. (Smithsonian American Art Museum)
right: George Inness' The Lackawanna Valley. America's industrial age, depicts PA. (NGA)
other travels include:
๐ผ๏ธ Two paintings by Martin Rico Y Ortega, A View of Venice & Venetian Canal with Bridge
๐ผ๏ธ An Abbey on a Hilltop with a Watermill in the Foreground, Gustave Courbet
๐ผ๏ธ River Landscape, Charles Daubigny
๐ผ๏ธ A Wooded River Landscape, Karl Pierre Daubigny
๐ผ๏ธ Two paintings by Martin Rico Y Ortega, A View of Venice & Venetian Canal with Bridge
๐ผ๏ธ An Abbey on a Hilltop with a Watermill in the Foreground, Gustave Courbet
๐ผ๏ธ River Landscape, Charles Daubigny
๐ผ๏ธ A Wooded River Landscape, Karl Pierre Daubigny
๐ผ๏ธ Traveller on Horseback, Jean-Baptiste-Camille Corot
๐ผ๏ธ The Broken Vase, Charles Baugniet
๐ผ๏ธ The Champes Elysรฉe, Jean Beraud
๐ผ๏ธ The Broken Vase, Charles Baugniet
๐ผ๏ธ The Champes Elysรฉe, Jean Beraud
previously mentioned but i didn't pick up these ones:
a Pre-Raphaelite is not quite the right era but anywho, William Adolphe Bouguereau's Madonna of the Roses *and* The First Caress.
Josef Scheurenberg's The Confidante. maybe this is sapphic too??
a Pre-Raphaelite is not quite the right era but anywho, William Adolphe Bouguereau's Madonna of the Roses *and* The First Caress.
Josef Scheurenberg's The Confidante. maybe this is sapphic too??
https://twitter.com/____hotstuff/status/1495242874128338946?s=20&t=TXRZbu2dYi2tbMLkTIu3PA
and then there's a Jonathan Eastman Johnson portrait of Mr. Gould (as in robber baron Jay Gould). Lyndhurst was his residence.
finally, to end with the Scotts. i didn't recognise anything on sight but expected symbolism:
a gorgeous hand-coloured lithograph by Frances Flora Bond Palmer (finally, a woman) of a Landscape โ Fruit and Flowers, with a view of the Hudson River. (Met)
photo wikipedia
a gorgeous hand-coloured lithograph by Frances Flora Bond Palmer (finally, a woman) of a Landscape โ Fruit and Flowers, with a view of the Hudson River. (Met)
photo wikipedia
the dining room's untitled floral still life is by Edward Mitchell Bannister. (Smithsonian American Art Museum)
his father was from Barbados, mother unknown. in Boston, he was influenced by the Barbizon School paintings of William Morris Hunt.
photo National Portrait Gallery
his father was from Barbados, mother unknown. in Boston, he was influenced by the Barbizon School paintings of William Morris Hunt.
photo National Portrait Gallery
#TheGildedAge art history, one last time ๐ญ๐ญ
we get a *loverly* view of the portrait in Marian's room, Alfred Steven's News from Afar, in which a young woman hearing news from a loved one far away, clutches at her heart.
premonition indeed.
premonition indeed.
๐ there's another floral still life in the van Rhijn's entrance, which looks like Flowers in a Vase on a Marble Console Table, by Jan Frans van Dael. (Chateau de Fontainebleau)
๐ i also found the one in the dining room, Balthasar van der Ast's Basket of Flowers, c. 1622. (NGA)
๐ i also found the one in the dining room, Balthasar van der Ast's Basket of Flowers, c. 1622. (NGA)
i really want to know what these paintings in the Scott house are but i can't find them ๐๐
not art-related at all but i also really want these bookshelves in Mrs Astor's mansion bc they are ๐ค๐ค
i found a couple on 1st dibs but the ones in the show are FANCY.
i found a couple on 1st dibs but the ones in the show are FANCY.
in Gladys' room, there are a few portraits:
left ๐: Lady Maria Conyngham (died 1843), Sir Thomas Lawrence. (Met)
right ๐: Isabelle Franks, Thomas Gainsborough (mirrored). (Birmingham Museum)
left ๐: Lady Maria Conyngham (died 1843), Sir Thomas Lawrence. (Met)
right ๐: Isabelle Franks, Thomas Gainsborough (mirrored). (Birmingham Museum)
blink and you'll miss it, but i'm fairly sure this is Landscape with a Village in the Distance by the Dutch Jacob van Ruisdael. (Met)
the highlight! Alva Vanderbilt's masquerade ball on 26 March 1883, celebrating her new Fifth Avenue Petit Chateau.
in the Dresden Quadrille, women powdered themselves to resemble Dresden china (v Marie Antoinette).
in another, hobby-horses were attached to the dancers' waists.
in the Dresden Quadrille, women powdered themselves to resemble Dresden china (v Marie Antoinette).
in another, hobby-horses were attached to the dancers' waists.
a lil costume history:
๐ Bertha's wearing this House of Worth dress from the Met (1898-1900).
๐ Marian is wearing this John Singer Sargent portrait of Madame Paul Poirson (tho the bleeding heart is a little on the nose). (Detroit Institute of Arts)
๐ Bertha's wearing this House of Worth dress from the Met (1898-1900).
๐ Marian is wearing this John Singer Sargent portrait of Madame Paul Poirson (tho the bleeding heart is a little on the nose). (Detroit Institute of Arts)
๐ Mrs Astor looks very much like this 1890 portrait of Mrs. William Astor by
Carolus-Duran. (Met)
in fact Mrs Astor actually dressed as a Venetian princess, based on a painting by Alexandre Cabanel, and her husband was the 'Duc de Guise.'
(metmuseum.org/perspectives/aโฆ)
Carolus-Duran. (Met)
in fact Mrs Astor actually dressed as a Venetian princess, based on a painting by Alexandre Cabanel, and her husband was the 'Duc de Guise.'
(metmuseum.org/perspectives/aโฆ)
๐ can't quite decide but i think Gladys looks like this other Sargent portrait of Florence Adele Vanderbilt Twombly. (priv collection)
or, it could be Olivia Peyton Murray Cutting, by Cabanel. (Museum of the City of New York)
either way, the costumes are also *loverly* ๐ค
or, it could be Olivia Peyton Murray Cutting, by Cabanel. (Museum of the City of New York)
either way, the costumes are also *loverly* ๐ค
ok, to wrap up, as a history major, i gotta say that identifying art is all good & fun.
but art doesn't just appear, someone funds it, it's capitalist as heck.
and it's not just $$$. like most period drama, this show likes to divide old/new money, while mostly ignoring race.
but art doesn't just appear, someone funds it, it's capitalist as heck.
and it's not just $$$. like most period drama, this show likes to divide old/new money, while mostly ignoring race.
don't get me wrong, i adore Peggy & want more of that NY.
but this society is built on slavery & post Civil War myths about the nation's history continue.
like, the railroads, europe trips, the mansions require money *and* racism. the English/French obsession is for a reason.
but this society is built on slavery & post Civil War myths about the nation's history continue.
like, the railroads, europe trips, the mansions require money *and* racism. the English/French obsession is for a reason.
so all i'm saying is art doesn't exist in a vacuum.
enjoy the easter eggs i found, but also know why it exists at all.
/ end /
enjoy the easter eggs i found, but also know why it exists at all.
/ end /
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