What does a Catholic chapel in the Cotswolds have in common with an Anglican church in the mountains of Cyprus?
Come with us on a journey from Brownshill to Troodos to find out …
In the late 1920s, Bertha Kessler and Katherine Hudson founded a Catholic retreat at Brownshill, in the Cotswolds, for people suffering from mental illness. They were inspired to build a chapel there, overlooking the Golden Valley.
They took their modest budget to W.D. Caröe, architect to the Ecclesiastical Commissioners. At 73, he had already designed 30 Anglican and non-conformist churches. The distinctive church he created at Brownshill — along with its furnishings — was eclectic, yet unpretentious ...
St Mary of the Angels’, consecrated in 1937, is a Romanesque building with a roof of Cotswold slate, a Neo-Norman chancel arch, Swedish-influenced woodwork in the gallery, and a Byzantine apse!
The Byzantine touches at Brownshill may well have been inspired by Caröe's previous project, another unusual commission. He had been the architect of St George-in-the-Forest — an Anglican chapel in Cyprus's Troodos mountains, 6000 feet above the Mediterranean sea.
The first request to build an Anglican church at Troodos was presented to Cyprus's governor and to the Bishop of the Diocese (Jerusalem) in 1927, Cyprus was at the time a British Crown Colony, and Troodos was the summer quarters of the government, troops and many civilians.
The military detachment there had been using a recreation room for services, which was inconvenient and unsuitable. A simple building of wood or corrugated iron was first proposed. However, in spring 1928, an invitation was sent to Caröe, who had spent the past winter in Cyprus.
He agreed to design a new church, at no charge. A site was soon chosen near Troodos village, in a forest of pine trees. It’s close to numerous historic Byzantine churches and monasteries, and the peak of Mount Olympus —mythical home of the Gods of Ancient Greece.
Caröe's design was for an Anglican-style church, but with consideration for the local environment and Cyprus's rich heritage. Built from mountain stones, it included a steep roof to allow snow to fall off.
As at Brownshill, Caröe designed the furnishings himself, some made of local materials, such as the altar of Cyprus cedar wood. Chairs and a piano were brought up from Nicosia, and an 18th Century icon of St. George beautifies the building.
By the time that the church opened in 1931 (when this church guide was made), Caröe must have already been working on his designs for the chapel at Brownshill.
St George-in-the-forest still serves Cyprus's English-speaking community, and is part of St. Paul’s Anglican Cathedral in Nicosia. Regular services are held outside of winter months, and Nine Lessons & Carols, with mince pies and mulled wine, in December.
We are grateful to Bill Grundy, Lay Reader of St Paul's and St George-in-the-Forest, for photographs of St George's church.
Learn more about St George-in-the-Forest, Troodos: bit.ly/3sRTZsF
St Mary of the Angels', Brownshill in Gloucestershire was Caröe’s only Catholic church, and it was to be his last. He died just a year after it opened.
This serene chapel has been in our care since 2011. Find out more:
Red and yellow and pink and green ... most children can tell you that rainbows contain seven colours, and many of us use 'ROYGBIV' to remember them. But people haven't always seen rainbows this way.
Rubens' 'The Rainbow Landscape' of 1636 was painted just three decades before major new scientific theories about colour and light emerged. The rainbow lights up surrounding clouds with highlights of lemony yellow and blue.
In 1664, Robert Boyle conducted experiments with prisms, and in the 'artificial rain-bow' he produced, he observed five colours: Red, Yellow, Green, Blew and Purple. ...
The church at Skeffling was built from glacial clutter and recycled masonry in the 1400s. It sits in Holderness. A landscape of mudflats and salt-marshes washed into existence by the North Sea.
Here ‘leaves unnoticed thicken, hidden weeds flower, neglected waters quicken’.
Those are the words of poet, Philip Larkin. Larkin explored this area after he moved to Hull in 1955 to take up the position of librarian at the Brynmor Jones Library at the University of Hull. He lived there and held that job for thirty years, until his death in 1985.
Of Hull, he wrote "I never thought about Hull until I was here. Having got here, it suits me in many ways. It is a little on the edge of things, I think even its natives would say that. I rather like being on the edge of things.”
If there were more than 20 sheep in the flock, he could note the first 20 when he reached Figgit by putting a pebble in his pocket, and then starting the sequence from Yan again.
(info from 'Alex's Adventures in Numberland' by Alex Bellos)
In about 1300, five massive oak legs were pushed into the soil at Boveney to raise a belltower out of the clay tile roof of the 12th-century church. Inside, in the 1800s fielded panelling was installed, hiding those hardworking legs.
Perfect as that panelling looked, it obscured the most important timbers. Noticing that the bellcote was somewhat slumped, our architect removed some panels, and we found the legs were rotten. Boveney church was *almost* without a leg to stand on.
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Many things contributed to the decay-the high water-table of the river-bank church, deathwatch beetle, fruiting bodies… The panelling concealed this until it was almost too late. The words, ‘catastrophic collapse’, were used. Panic set in. The £60,000 repair bill quadrupled.
Between 1666 and 1680, the English parliament sought to protect the wool trade, by requiring the dead to be buried in nothing but a shroud of English sheep's wool. Plague victims and the destitute were the only exceptions.
The 'Burying in Woollen Acts' required an Affidavit within 8 days of burial, proving before a JP that the law had been complied with. Those who didn't comply were fined £5, half of which went to the poor. This blog has some terrific examples of affidavits:buff.ly/3YkB33B
Many wealthy families preferred to simply pay the fine and bury their loved ones in clothing or shrouds of finer materials, such as linen.
St Patrick was ripped from his home as a teenager. After six years as a slave in the west of Ireland, he trekked the breadth of the island to get home to Britain. He would become the patron saint of Ireland, yet at the end of his life, he felt he had failed.
Patrick lived in the 5th century. Upon leaving Ireland in his early 20s, he devoted his life to Christ. He returned to Ireland after hearing Vox Hiberionacum – the voice of the Irish – in a dream.
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He became the patron saint of Ireland in the 7th century when the embellishment of St Patrick’s story began. Some of the biographers got quite creative, attributing all manner of miracles to the man – from snakes to sprouting staffs.