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Feb 27, 2022 10 tweets 4 min read Read on X
In UXM 183 Claremont takes the seemingly superficial concept of a teenager getting dumped and lends it a weight and interiority beyond all expectation. As Piotr breaks Kitty’s heart, she is run through a complex gamut of emotional responses to devastating effect. #xmen 1/10 Image
The backdrop for the scene (cliffs at sunset) is both dramatic and (ironically) romantic. This is enhanced by JRJR’s use of hot pink colour shade panels as well as Piotr’s tendency to stare out across the endless water, while struggling to make eye contact with Kitty. 2/10 Image
While his actions in Secret Wars (not written by Claremont) were indeed callous, Claremont’s Piotr is arguably noble in this scene, laying out the truth as he sees it out of respect for Kitty’s feelings. The damage, however, is already done. 3/10 Image
The most poignant aspect of the scene is the juxtaposition between what Kitty says and what Kitty thinks, a divide that is often accentuated and/or mediated by her expression and posture in the highly capable hands of John Romita Jr, doing some stellar expressionist work. 4/10 Image
In conversation, Kitty commits, as best she can, to casual rationality, but her inner monologue is neither casual nor rational. She is spiraling hard through devastation, insecurity, and despondency. 5/10 Image
Even the tone of the conversation is wildly inconsistent. Kitty acts almost indifferent at times in her responses to Piotr, but flashes quickly to anger when triggered, thus reflecting the interior turmoil she is undergoing. 6/10 Image
Kitty’s attempt to hold it together isn’t just for the benefit of spiting Piotr, but also for herself. We see her lash out just a bit at Storm (in her mind, anyway), then strive to hold on in front of Illyana, before falling apart in her bedroom. 7/10 Image
The combined effect of the scene is a rather intense blend of awkwardness and anxiety that captures the raw edge of emotions that one might expect from any teenager in a similar situation. Of course, Kitty isn’t “any teenager,” so the scene is humanizing of the superhero. 8/10 Image
A later scene explores the complex ambivalence that the end of the relationship creates for Kitty. “I hate him, Ororo, with all my heart. I love him.” The tightening of the world around Kitty, as she says this, is elegantly exhibited in Romita’s collapsing vertical panels. 9/10 Image
In all of this, Claremont’s love for Kitty as a character shines through, as does the respect that he has for his own character creation. He strives to give life to Kitty’s anguish and sorrow through a deeply method approach to her voice in the scene. Arguably, he finds it. 10/10 Image

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More from @ClaremontRun

Nov 22
In the Classic X-Men #2 backup story "First Friends" Claremont finally fills in one of the most notorious gaps in his own X-Men continuity: the initial cultivation of Ororo’s friendship with Jean. #xmen 1/8 Image
In the story that unfolds, Jean has invited Ororo alone to a social gathering at her Manhattan loft. Her logic is “There are so many guys in the X-Men, we gals have to stick together” thus establishing an intentional construction of a sororal community. 2/8 Image
From there Claremont falls into some of his familiar interpretations of feminine bonding: being naked in front of each other, wearing each other’s clothes, and going shopping together. This isn’t to say these things can’t work, of course, just that he does this a lot. 3/8 Image
Read 8 tweets
Oct 10
Arguably the most poignant costume transformation in UXM is that of Storm’s embrace of a costume that signifies the punk subculture (or counterculture) and digging a bit deeper into what it represents can illuminate the full significance of that shift on her character. 1/8 #xmen Image
The punk movement is often badly misunderstood in the popular zeitgeist. It isn’t about wrecking, it’s about resisting. Even the concept of anarchism contains a number of beautiful ideals at its core, including an enhanced commitment to community and love. 2/8 Image
Claremont shows complete awareness of the significance of Ororo’s transformation in the form of Kitty’s reaction, which surfaces the same misconceptions about what punk fashion represents. Kitty comes around, though, and so too does the reader. 3/8 Image
Read 8 tweets
Oct 3
The Cross-Time Caper is easily the most famous story arc from Claremont’s Excalibur, but it’s also a misnomer. Rather than ‘time’ (or even dimensions) the caper is actually built around a tour of famous fictional settings. 1/7 #xmen #excalibur @GoshGollyWow Image
The story begins with a dive into a world of Arthurian Romance in the spirit of Thomas Mallory’s “Le Morte D’Arthur” or T.H. White’s “The Once and Future King.” This initial foray sets the tone for juxtaposing Excalibur with a different fictional universe. 2/7 Image
From there, the team lands into a metatextual alternate version of the Marvel Comics Universe itself; After that they find themselves in Edgar Rice Burroughs’ John Carter of Mars; after that: a Manga universe with direct connections to Dirty Pair and Speed Racer. 3/7 Image
Read 7 tweets
Sep 26
Though Jim Lee gets most of the credit for the 1990s X-Men aesthetic, Scott Williams’ inks played an immeasurable role in taking Lee’s line art from house style to the forefront of comics illustration thanks to harmonious collaboration. #xmen 1/10 Image
In a recent interview with Syfywire, legendary inker Scott Williams talks about some of the misconceptions surrounding what inkers actually do and about how his 30 year partnership with Jim Lee in particular has thrived on mutual influence. 2/10 Image
Williams immediately dispels the tragic misconception that inkers are tracers, describing a much stronger artistic contribution: "There are a lot of times where deadline strikes and the penciler is not able to give all the information within a given page that is required.” 3/10 Image
Read 10 tweets
Sep 5
UXM 261 feels more or less like a backdoor pilot for “Hardcase and the Harriers” but it also features some strong initial character development of Jubilee, defining the complex dualities and opposing extremes that readers identify with in Jubilation. #xmen #Jubilee 1/10 Image
The issue opens with Jubilee expressing her frustration at the Southeast-Asian cuisine she’s exposed to in contrast to her abiding love for American junk food (something Wolverine provides, thus showcasing his bond with her). 2/10 Image
Though a small and simple bit, the scene dramatizes Jubilee’s representational complexity as an Asian-American. This is actually important for a series that, since GSXM #1, was built around characters embodying essentialist national types. 3/10 Image
Read 10 tweets
Aug 29
At the time of Colossus’s 1975 debut, America was embroiled in “The Cold War” with the USSR, a war that was often fought through media propaganda. Though Piotr was built around familiar US symbols of Soviet people, Claremont developed him away from type. #xmen 1/8 Image
Steel and agriculture were dominant symbols of the USSR at the time (seen on their flag), so a farm-boy who turns to living steel is right in-line with type from the get-go. His costume also features the colours of the Soviet flag and he espouses communist philosophy. 2/8 Image
In “Asymmetric Warfare: The Vision of the Enemy in American and Soviet Cold War Cinemas,” Andrey Shcherbenok establishes US mass culture’s tendency to portray Soviet persons in media as homogenized, generic enemies, overdetermined by their hate of America. 3/8 Image
Read 8 tweets

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