Three Greek poetic epithets describing Ares, God of War:
Λαοσσοος- Laossoos: "He Who Rallies Men"
Μιαιφονος- Miaiphonos: "Blood-stained"
Ανδρειφοντης- Andreiphontês: "Destroyer of Men"
-Bronze Corinthian Helmet [detail] 5th c. BC
These two Homeric epithets for Ares: Areiphatos & Areiktamenos mean respectively "killed by Ares" & "killed in War", i.e. Ares ultimately embodies every death in war.
Roman bronze statue of Mars, God of War [face detail] 2nd century AD -at Gaziantep Museum, Turkey [1]
In the Iliad, Trojan warrior Pedaeus is killed by the Greek spearman Meges in arguably the most strikingly graphic of Homer's war death descriptions.
The above Homeric passage is from Book V of 'The Iliad' translated by Robert Fagles [1]
In Book V of the Iliad, another Homer's graphic war death description when the Cretan commander Meriones spears Trojan warrior Phereclus.
The above Iliad's death description of Meriones spearing Trojan Phereclus is surprising in his anatomical precision, meaning a first-hand knowledge according to this note in "A Companion to the Iliad" edited by Malcolm M. Willcock.
Homer's Power of Linguistic Visualization in the Iliad:
The series of deaths in battles between Trojan & Greeks can be characterized as clinically objective yet underpinned by a deep feeling, that is a pathos at the inexorable fleetingness of human life.
Greek warrior killing a Trojan or perhaps a Trojan warrior killing a Greek? from a frieze on the tomb of a Lycian prince, the Heroon of Goelbasi-Trysa, ca. 380 BC (Turkey) [1]
Homer's power of graphic visualization through language was admired throughout antiquity. Byzantine scholar Eustathios of Thessalonike said Homer's vivid scenes were "as if painted in a picture"
• • •
Missing some Tweet in this thread? You can try to
force a refresh
In this fragment by German mystic Meister Eckhart (1260-c. 1328) he seeks to explain why "the divine One is a negation of negations", that is God is the fullness of being thus by defining what God is we limit what is unlimited.
The Christian mystic's vision of God can't be translated into human language. One of the ways to describe this boundless vision is by way of negation or via negativa (apophatic way) where anything we say of God must negate every attribute due to unknowability= "divine darkness"
Apophatic is the Latinized form of Greek apophatikos from apophasis "denial, negation," from apophanai "to speak off," from apo "off, away from" (see apo-) + phanai "to speak," related to pheme "voice"
**Jusepe de Ribera- Saint Francis of Paola (detail) ca. 1640 [1]
His life is not poor
He has riches beyond measure
Pointing to the moon
Gazing at the moon
This old guest follows the way
Hotei, 10th c. wandering Chinese monk venerated as “god of good fortune” with his treasure bag,he points to the moon, expressing the pure joy of nonattachment
Fugai Ekun (1568–1654) Hotei Pointing to the Moon, hanging scroll, ink on paper.
P.S The Hotei figure is executed in grey, wet strokes, with only spare use of black, which characterizes the Zen figural style known as “ghost” or “apparition” painting [1]
The above accompanying poem is the English translation of what's inscribed on the hanging scroll. [2]
Did you know Julius Caesar famous phrase before crossing the Rubicon “let the die be cast! (anerrhíphthō kúbos) was declaimed in Greek as it was written by the Greek comic playwright Menander?
In 49 BC (perhaps) on January 10,
Caesar leads his legion across the Rubicon.
Did Caesar really utter this phrase? Yes according to Suetonius, who recorded as alea iacta est ('the die is cast') & Plutarch in Greek
Caesar knew his Greek, also had a great sense for the dramatic, it was a momentous occasion & he wanted these words to pass unto history books.
Caesar might have also found inspiration in the words of Roman playwright Terence:
The Art of Judgment derives from discerning truth beyond appearances and emotions so the fool judges out of ignorance, the proud out of scorn and the wise out of character.
Daniele da Volterra-Head of a Bearded Old Man-drawing ca. 1550s [1]
In his 'Tusculanae Disputationes' (3.56), Cicero tells us to seek truth in a man's character even those living in poverty by quoting Statius Caecilius maxim:
saepe est etiam sub palliolo sordido sapientia
"There's often wisdom even underneath a tattered little cloak"