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Mar 1, 2022 10 tweets 4 min read Read on X
In UXM 201, Cyclops famously duels Storm. Immediately prior to this, however, he verbally duels his own wife, Madelyne Pryor over his desire to stay with the X-Men in an exchange that features some of Claremont’s most direct analysis of Cyclops’ character hang-ups. #xmen 1/10
Before this, Madelyne expresses her building frustration to Ororo. Storm tells her “He is a very private man. Such feelings are hard for him to face, much less reveal. But they are there, Madelyne. He does love you very much.” Madelyne isn’t convinced. 2/10
The debate scene in question begins with Cyclops’ declaration to Madelyne that “I have to stay. To lead them.” His concerns are his distrust for Magneto and his (terrible) observation that Storm would be a combat liability without her powers. 3/10
Madelyne, who has her own career as a pilot, calls him on the implicit misogyny of his presumption. “What about me? I have a life of my own – a career – do you expect me to chuck it?!” Cyclops’ then makes it clear that he absolutely did expect that. 4/10
Madelyne then points out that a child is a shared responsibility between partners and (somewhat delightfully) even takes the conversation into the territory of financial earning potential: “I have skills, I can earn a living – can you say the same?!” 5/10
In her (justified) frustration, Madelyne then effectively psychoanalyzes Scott: “Are you saying you - and you alone – are absolutely essential to the X-Men’s survival?! Or are you afraid they really can get along without you?” 6/10
She continues, “Is your life so hollow – your sense of self-worth so fragile – that you believe you’re nothing without them? What about me, what about us? My commitment supersedes everything – are you telling me the same doesn’t hold true in reverse?!!” 7/10
Cyclops has no response, and the pair hover in a beautifully-rendered silence by Leonardi, Portacio, and Oliver with an unnecessary panel gutter between them to signify the distance that has now formed within their marriage. They are divided, literally and symbolically. 8/10
Storm (perhaps mercifully) breaks the silence and requests her duel, whilst also offering Cyclops the chance to step aside. He walks away from both Storm and Madelyne, declaring simply “no.” Madelyne then holds their baby alone, again in silence, as Storm departs. 9/10
It’s a great little scene that adds emotional heft to the duel that follows (and the choices that inform it), whilst advancing the inherent conflict between Cyclops’ sense of duty and self as well as the fundamental inequity emerging in his relationship to Madelyne. 10/10

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More from @ClaremontRun

May 30
While the circumstances of Rogue’s absorption of the Carol Danvers persona are surreal and supernatural, they nonetheless provide an intriguing example of the concept of “restorative justice” in a manner that makes a compelling story at the same time. #xmen #rogue 1/9 Image
Restorative justice is a system that focuses on “providing an opportunity for the parties directly affected by the crime – victims, offenders and communities – to identify and address their needs in the aftermath of a crime” instead of simple punishment. 2/9 Image
Though more recently popularized, RJ was commonly practiced by First Nations communities in North America, forming the basis of entire judicial infrastructures (where most Western justice systems, up until recently, focused on the familiar penal structure). 3/9 Image
Read 10 tweets
May 9
As a collaborative medium, comics are sometimes denigrated for their committee approach to character-building, but a closer look at the 'committee' behind Wolverine shows how a character like Logan offers a multifaceted connection to creative genius. #xmen #wolverine 1/10 Image
As noted by Marvel historian Sean Howe, Wolverine was first “named and conceived by Roy Thomas, who detected a need to exploit the Canadian market” before being “developed further by Len Wein and John Romita” ahead of Logan’s debut in “The Incredible Hulk.” 2/10 Image
Throw in Claremont, and the pedigree is quite impressive already. Thomas is perhaps best known as the greatest writer of Conan comics, a character that later artists would draw from quite directly in their interpretations of Wolverine. 3/10 Image
Read 11 tweets
Apr 11
In UXM #220, Claremont takes a moment away from a chaotic era to touch back upon the longstanding, well-evolved relationship between Storm and Wolverine, giving readers another character-revealing scene between this iconic X-Men duo. #xmen #wolverine #storm 1/9 Image
The scene initiates a journey of self-discovery for Ororo, one of many throughout the series but this one will specifically create the rising action for the “Fall of the Mutants’’ event. She has to go alone, but someone has to lead the X-Men in her absence. She recruits Logan 2/9 Image
The power dynamic is foreshadowed in the simple fact that Wolverine (an archetypal hunter) has literally scaled the highest mountain to be alone, but it doesn’t matter. Even without her powers, Ororo has tracked him down. 3/9 Image
Read 9 tweets
Mar 21
In an introductory essay penned in 1980, John Byrne recounts his personal perspective on Jean Grey and her transformation to Phoenix. His candid account paints a less grandiose view on the cultivation of the character within the series than we normally hear. #xmen #JeanGrey 1/7 Image
“I’ve never liked Phoenix. There, I said it...It’s not that I don’t like Jean Grey. I have an abiding fondness for readheads, and have been in love with Jean since we first ‘met,’ about a millions years ago when I was 13.” 2/7 Image
“Granted that her power were not nearly as spectacular as Cyclops’, or Angel’s, or even Iceman’s, but she looked real good in a tight uniform and could – and did – serve to get the X-Men out of tight places.” 3/7 Image
Read 7 tweets
Feb 1
Placing Kitty Pryde into the position of viewpoint character has to represent one of the most groundbreaking decisions within the entirety of the Claremont run – a move that ultimately impacted the series, comics as a whole, and even Western media in powerful ways. #xmen 1/10 Image
The Claremont run begins with Cyclops as the main viewpoint character. Kitty joins the team right at his departure and soon enough takes over as a main viewpoint character for the rest of her tenure, as reflected in our data (noting that Kitty’s only on for 70ish issues). 2/10 Image
At the time of her arrival, Claremont had already executed a turn toward more adult-oriented stories (something that becomes even more pronounced after the death of an X-Man in DPS). It’s therefore perhaps odd to bring on a teen protagonist. 3/10 Image
Read 10 tweets
Jan 25
Despite having all manner of characters (good and evil) express romantic interest in her, Storm’s first canonical love is Forge, a possibly counter-intuitive choice. But this might be the point, as Forge can better connect Ororo to her humanity. #xmen 1/10 Image
Storm is routinely courted (or abducted – or both) by the wealthiest, most powerful beings on the planet/cosmos. She could be a queen, a goddess, a vampire, you name it, but she rejects all of these suitors out of concern for her own independence. 2/10 Image
When asked in interview why it took so long for Storm to receive a relationship partner, Claremont would often reply “because nobody was good enough for her.” 3/10 Image
Read 10 tweets

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