He's a different type of figure than either Kalashnikov or Stoner (and a generation younger), but Duo Yingxian might be the closest China produced to either one. So, this is his story, as best as I can tell it.
In the 1950s, while he was in his twenties, Duo Yingxian was drafted to work under Soviet advisors, turning out copies of their weapons. At first, there wasn't much effort put into design; they had the plans. The problem was developing industrial infrastructure and expertise.
Most expertise was put into working out manufacturing problems. Chinese armories got very good at making guns like the Type 56 AK variant. The Soviet designs were crucial. This was true even after the Sino-Soviet split. (Small Arms of the World.)
After the split, China didn't have access to Soviet small arms innovation. They focused mainly on perfecting what they already had or making reasonable modifications. (Soldiers with Type 56s, illustrated in The Chinese People's Liberation Army Since 1949.)
One exception was the Type 67 machine gun. Although not technologically revolutionary, it could replace Soviet-derived designs and be produced without armories completely retooling. It is credited to Duo Yingxian. His success there is how he got the job to replace the Type 81.
The Type 81 was the rifle meant to replace the Type 56 (or the Type 67) (as the AKM and AK-74 had replaced the AK for the Soviets). It was good but still a distant cousin of Soviet rifles. They needed a modern small caliber rifle. (Small Arms Visual Encyclopedia.)
In the '80s, sorting out the Sino-Vietnam conflict, opening up to new thinking, the military looked at what the rest of the world had been up to in the meantime. Duo Yingxian was given a team, a budget, and a deadline. He revived his own small caliber development, began in 1971.
He analyzed the Type 81. He looked at what else was in development. He met Kalashnikov and asked him why his guns couldn't shoot straight. He met Stoner (second from left, Duo second from right) and asked why the M16 was unreliable in the field.
He settled on a short, cheap, light (three kilos, well balanced: you can see him wielding it with one hand; Chinese accounts always say it suits their particular body type), polymer-heavy bullpup chambered for China's own 5.8x42mm. This was the first generation of the Type 95.
The Type 81 had been part of the first wave of military modernization; the Type 95 was part of another wave, predicting a new type of conflict (limited and quick, not border skirmishes with the Soviets) and using new manufacturing processes for the plastics involved.
By the late 1990s (it's often noted that most people saw them for the first time at the Hong Kong handover ceremony, which may or may not be true), Duo Yingxian's Type 95 was sent to the field. It became a platform worth developing.
This is a very sketchy history of Chinese small arms manufacturing and Duo Yingxian's own involvement in it. It's interesting that although he is not a household name that he has been granted for various reasons (I don't fully understand them) the "King of Guns" title...
It's another testament to post-reform Chinese industrial innovation, I suppose. The design had longevity. Even as it's gradually replaced for Chinese forces, there are still millions out there in the world. The brave men and women of the United Wa State Army swear by them.
You can watch hours of celebrations of Duo Yingxian and the Type 95. A good biography: . Development and manufacturing: . You can watch Ian McCollum disassemble a semi-auto civilian export version:
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Coming across Chinese prison fetish videos through social media posts claiming them to be legitimate documentary footage, I scanned through them one night, and contemplated spinning out a thousand words about fetishism of the power of the state itself. Maybe it's there.
They are stranger than I expected. I'm not sure "fetish video" is correct. Most, despite featuring shackles and confinement, don't linger on that aspect, or at least fail, as far as I can tell, to eroticize it. They are heavy on plots intended to produce emotional responses.
They seem, going mostly off my imagination of the latter, closer to morally heavy-handed local state media productions than bondage videos. The episode clipped below is about a city mayor handed the death sentence. She is saved from execution. It is more emotional than erotic.
This is an old piece of industrial boosterism from Wang Xiaodong 王小东, who is identified with what has been called the Industrial Party 工业党. What he advocates is development at any cost, with state resources and direction leading high-tech industrialization. The essay,… twitter.com/i/web/status/1…
Competitiveness in an industrial age relies on these factors: making things that others cannot, making things better, and making things cheaper. To do those things relies on skilled technicians, scientists, and workers. China has a good supply of all of them. There are many… twitter.com/i/web/status/1…
The next section speaks directly to the split between the Industrial Party and what Wang Xiaodong calls the Sentimental Party, which embraces both the left and right. Although he didn't coin these terms, this essay popularized them.
A 2021 survey in Taiwan found the majority of respondents believed that the Japan Self-Defense Forces would be deployed to save them from the People's Liberation Army. It's possible. However, in this poll, only eleven percent of Japanese respondents agreed with the idea.
Fifty-six percent suggested that logistical support should be the extent of SDF aid. Twenty-seven percent said it would be wrong to work with the American military. Seventy percent suggested that the solution to the Taiwan issue was deepening relations with China.
This reflects thoroughgoing pacifism, I believe, but also fear of breaking with the status quo, perhaps skepticism of American-led foreign policy, and recognition that there's not much in it for the Japanese. Intervention would certainly be a disaster.
On the subsistence of the Japanese on apples, North America is not the right comparison. China loves fruit. These markets are nowhere to be found in Japan. No ladies selling mulberries or rambutan on the street, trucks loaded with pineapple (stuck on a nail, skinned, and bagged).
Look at those peaches! The consumption numbers bear out the conclusion. But, again, China is a continental agricultural superpower. You can't compare it to a temperate, mountainous island chain. That's the final answer: this is life on a string of islands in the North Pacific.
I will attach here another note about dietary conservatism, China vs. Japan. I'm not sure "Westernization" can be quantified, so let's adapt the last term to "dietary diversity." The import supermarket does not exist in Japan (Seijo Ishi doesn't count and Nissin is unique). China… twitter.com/i/web/status/1…
I was distracted from my research into the 1995 Ministry of Public Security Notice on Rectification of Drug Rehabilitation Facilities and Kunming heroin markets when this somehow came up in the results: local state monopoly on prostitution, Kunming, 1912-1949.
The system was early on attacked by Confucian societies, merchants, residents, and patriotic women's groups, who demanded that women in the quarter be denied certain hairstyles, as well as unbound feet (they didn't want their daughters mistaken for working girls).
It closed down but eventually re-opened, with more stringent regulation and advanced bureaucratization. State employees administered the brothels. Revenues funded the city. It began to decline in the 1940s when coastal refugees demanded more choice in commercial sex.
Tonight, I enjoyed reading Lin Chengxiang's thesis, "An Epic Poet in the Information Age: Revisiting Haizi at the Intersection of Literature and Science in Postsocialist China." When writing about legal systems engineering and Qian Xuesen, I had not realized he was a key thinker.
Lin lays out Haizi's engagement with Jin Guantao, Alvin Toffler, Hegel, and posthumanism in his academic work, as well as his epic poems. Like Qian, Haizi was interested also in the possibility of qigong and somatic science as more than a metaphor for information theory.
All of this locates Haizi more accurately in the intellectual context of the time. His poetry was informed by currents—cybernetics-enabled interventions in national cultural fever, and qigong-infused takes on three theories fever—that are particularly interesting to me.