From the very earliest stages in the Islamic literary tradition, poetry has reflected the deepest sense of Muslim self-identity, communal history, & aspirations for the future
To mark #WorldPoetryDay we are celebrating 14 Muslim poets who continue this tradition
A thread…
1/ UK based Bahraini writer & poet @ali_mn_aljamri is passionate about Bahraini history, human rights & decolonising education.
Writing in Arabic & English, he was recently appointment as one of 3 Manchester Multilingual City Poets #WorldPoetryDay
2/ Poet Shagufta K Iqbal’s work is personal, intimate & sometimes both bruising – & tender. She uses poetry to reach out & engage with people whose experiences are not reflected within mainstream arts #WorldPoetryDay
3/ Poet & writer @MuniPilgrim creates a poetic space of care & dialogue, accessible to all regardless of cultural boundaries. She shares her experiences growing up in Bristol, being Black, British & Muslim #WorldPoetryDay
10/ Dialectic is an American born Spoken Word Artist & Poet of Pakistani descent. A social justice advocate, he commentates about current affairs & colonialism in his work.
Geometric patterns are one of the most distinguishing features of Islamic art, thought to reflect the language of the universe & the greatness of creation
Today, artists are reinterpreting this traditional artform in new ways
A thread on 24 artists redefining Islamic geometry…
1/ After completing a bachelor’s in accounting & finance, Indian artist Antara Biswas took the plunge, switched careers and pursued what she loved doing most, creating art inspired by Islamic geometry…
2/ Artist @SKbydesign work tells stories which are about celebrating something long forgotten, and a reclamation narratives. She is interested in colonial legacies, social justice & using art as a tool for change…
To mark #InternationalWomensDay2022 we are celebrating 24 trailblazing women artists, who are creating work inspired by Islamic tradition
Here are some of the amazing women artists on baytalfann.com imagining a new future for Islamic art & culture #IWD2022
A thread…
1/ Iranian artist, Anahita Alavi specialises in Persian Miniature & Islamic Illumination. She trained in the art of traditional painting under the supervision of a number of great masters in Iran… #IWD2022
2/ For visual artist Margi Lake, the beauty, mystery & genius of Islamic geometric patterns is timeless & universal. They express the principles & realities that govern the cosmos, the natural world & human nature… #IWD2022
In Mamluk Egypt, enameled glass oil lamps were used to light the interiors of mosques. These fragile vessels were suspended from the ceiling by chains attached to the glass loops on their sides
A thread on mosque lamps from Mamluk Egypt, found in museums across the world...
1/ Mosque Lamp
1320-1330, Egypt, Mamluk
This mosque lamp was made for Qijlis, a high official who had been the sultan’s armourer. His emblem was a sword, which can be seen in the large roundels with a quotation from the Qur’an that mentions ‘the mosques of God’
In Ottoman Damascus, ornate tile panels were common decorations, set into the walls of mosques, shrines and other buildings. Many were taken & are now in museums.
A thread on beautiful 17th century fritware tile panels from Damascus, Syria, found in museums across the world...
1/ Tile panel Circa 1550 CE - Circa 1699 1699 CE, Ottoman, Damascus, Syria
Mina’i ceramics were made in Iran during the 12th & 13th centuries. Mina’i ware scenes depict courtly pursuits such as feasting, fighting, or poetry & music performances.
Many Mina’i ceramics were taken & put in museums across the world.
A thread on Mina’i ceramics in museums…
Mina’i bowl, late 12th-early 13th century Iran, Kashan
It can be imagined that the performer here, is delivering the verses inscribed along the rim of the bowl: "If the beloved leaves me, what am I to do? If s/he does not see the wisdom of our union, what am I to do?"
Mina’i bowl, late 12th-early 13th century (Seljuq), Iran.
The ruler and courtiers depicted in this scene all wear costumes with embroidered tiraz armbands of the type traditionally given by Muslim rulers as honorific gifts to their subjects.
İznik is a town in northwestern Turkey, renowned for its Ottoman-era hand painted ceramics & tiles.
İznik tiles decorated walls of shrines, mosques & palaces. Many were taken & put in museums & private collections across the globe.
A thread on exquisite İznik tiles in museums…
Two Iznik Tiles with Continuous Floral Pattern
Ottoman dynasty (1299–1923), c.1560
Pattern is typical of the ‘saz style’ a term that derives from the words saz kalem, or “reed pen.” The style developed in album drawings in black ink during second half of 16thc.