On #WorldPoetryDay, we bring you the tale of how a close personal loss on the battlefield of World War I inspired one of the most iconic war poems of all time - a thread (1/n)
On August 4, 1914, when Britain declared war on Imperial Germany, John McCrae, a 41-year old Canadian physician and amateur poet was on a ship to the British Isles, looking forward to a welcome vacation (2/n)
Destiny had other plans though. A veteran of the Boer War, McCrae volunteered to join the Royal Canada Expeditionary Force as a medical officer and gunner. He was part of the 1st Brigade, Canadian Field Artillery and was part of the 2nd Battle of Ypres (3/n)
Working out of a loosely dug 8 feet x 8 feet bunker, McCrae treated scores of wounded soldiers. The experience scarred him mentally - in a letter to his mother, McCrae called it a “nightmare” (4/n)
On May 2, 1915, Lt. Alexis Helmer, McCrae’s closest mate in the unit, died in the battle. A crestfallen McCrae performed Helmer’s memorial service himself. Lt. Helmer, like many others, was buried in a makeshift grave (5/n)
After the service, McCrae sat near the burial ground for some time. He had noticed that red poppy plants had sprung up all over the ground next to the graves. The sight left an indelible mark on him (6/n)
Next day, seated at the back of an ambulance, John McCrae penned a poem in memory of Lt. Helmer and his other fallen comrades. The poem that McCrae had written was published in the December , 1915 issue of London’s Punch magazine (7/n)
McCrae’s creation became immensely popular and today is regarded as one of the most iconic war poems of all time. It is known as “In Flanders Fields”: (8/n)
In Flanders Fields, the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below (9/n)
We are the dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie,
In Flanders fields (10/n)
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields (11/n)
Pictures: From Wikimedia Commons
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Today we reopen the 'murder by germs' file to recount how the Bubonic Plague found its way to Calcutta and murdered a Bengali Zamindar. Yes, you heard it right – murdered! A thread about the sensational case that shocked the world (1/n)
On a winter’s evening in 1933, Amarendra Chandra Pandey, the wealthy scion of a Bengali Zamindar family from Pakur (in present day Jharkhand), along with his compatriots, was walking down an usually busy Howrah station platform in Calcutta (2/n)
Amarendra was supposed to get on a train to Pakur, but before he could do so, a mysterious-looking person bumped into him. Suddenly, Amarendra felt a sharp pin prick (3/n)
What if we tell you there was a rural community of oral storytellers who was banned by both the British Raj and the Nizam of Hyderabad because they posed a significant threat to imperialism and feudalism? A thread (1/n)
Burrakatha was an oral storytelling technique in the Jangam Katha tradition, performed in villages of Andhra Pradesh and Telangana. The troupe mostly consisted of the main performer(kathakadu) and two others - hasyaka(joker) and rajakiya(politician) (2/n)
They would perform stories on either Hindu mythology (Jangam Katha) or contemporary social issues through dance, songs, poems, jokes, dramas or monologues. It used to be an all-night session of storytelling to entertain a village (3/n)
As Holi celebrations continue, we retrace the bewildering journey of a color from a Bihar village to one of the world’s most celebrated paintings. A thread (1/n)
The Starry Night, arguably the world’s most recognized piece of art, was painted by Vincent van Gogh in 1889 - an imaginary view from a lonely window of his asylum in Southern France (2/n)
The Moon, on the top-right corner, remained a silent witness of a brilliant story (3/n)
Holi, the festival of colors. The celebration of spring across the country, breaking down social barriers, even if for a day. It was in Mughal Delhi and Lucknow where the kings and emperors would soak in the colors of holi (1/n)
This famous Mughal painting shows emperor Jahangir celebrating holi in the zenana (female chambers), possibly applying colors on his wife, empress Noor Jehan. The emperor’s autobiography also mentions the hosting of Mehfil - e - Holi (2/n)
The tradition of Holi has also been beautifully captured in compositions of Sufi saints. Hazrat Amir Khusrau had written:
Kheluungi holi, khaaja ghar aaye
Dhan dhan bhaag hamare sajni
Khaaja aaye angaan mere
(3/n)
A thread on one of the earliest motion pictures to be banned in India (1/n)
The year - 1934. Dhanpat Srivastava, a printing press owner in Benares was an unhappy man, despite being an acclaimed writer. He was struggling with ill health and financial difficulties. Right then, a new opportunity came up (2/n)
In the early 1930s, the film industry in Bombay was expanding rapidly. Writers from all over India were congregating there in search of better fortunes. Srivastava also decided to join their ranks (3/n)
Every partition story is a weeping witness of dreadful human acts, but a few of them also enrich the cultural cascade of India. The strange origin of Fish Koliwada is one such interesting anecdote. A short thread. 1/n
During partition, many displaced Sikh refugees from Hazara district and Peshawar, who didn’t have relatives in Punjab, Delhi or Kashmir, boarded the iconic Frontier Mail and headed to Bombay with a hope of new life. 2/n
They settled down in the Sion-Koliwada military camp, near today’s Guru Tegh Bahadur (GTB) Nagar railway station. Shanties around the streets and dockyard became the shelter of many Sikh refugees who had fled Pakistan after Partition. 3/n