Last week we sealed the transfer on the first church of 2022 to come into our care.
It’s St Andrew’s, South Runcton, Norfolk: an excellent rebuilding of a ruined Norman church on the side of the Downham Market to Kings Lynn Road, and one of Norfolk’s first Victorian churches.
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By 1812, St Andrew’s was a crumbling, overgrown ruin of Romanesque arch and apse. Norwich artist, John Sell Cotman’s sketch of the church at that date shows what survived when Norwich architect, John Brown came on the scene in 1839.
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Brown rebuilt St Andrew’s in a Neo-Norman style, but the jury is out on how much Norman ruin he incorporated into his redesign. Some think he renewed the lot; others think he recut the chevron and billet decoration; some think he retained the bottom section of the arch.
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Arch and apse aside, the west front has giant corner pilasters, a bit of zig-zagging, a dog-tooth super-arch and some blind arcading. Textbook Norman.
The south elevation has more arcading, billet-moulding and a corbel table of grotesques.
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The northside is remarkable for its relative plainness. No arcading here. Just a stray grotesque or two. And an apsidal vestry with a conical roof that was tacked on in 1858. The vestry carries a date plaque with the cross of St Andrew and is riddled with asbestos.
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St Andrew’s is a church that rewards patient, careful looking. Look that the bell-cote crowning the gable: it’s a mini triple arch structure that replicates the triple arch detail found along the south elevation.
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Some people think the grotesques are reminiscent of Easter Island figures, others see Lego blocks but to me they are ultra-modern, stylised Norman beakheads. I love looking at them, and can’t wait to get up and learn if they were individually carved or mass-moulded.
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We have a LOT of repairs to do here. The church has been languishing on this busy roadside for over a decade. But we’re delighted that we could take it into our ownership, and will keep you updated on repairs and discoveries as we progress.
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As ever, no one pays us to take on these churches. We do it with membership subscriptions and donations. Our members and donors saved this church. So, thank you.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
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A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
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A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.
Why is the English name for the festival of Christ’s resurrection so different from its name in almost every other language?
1/9 📷 East window of St Cadoc's, Llangattock-Vibon-Avel by Lavers & Barraud (1875).
In English, this most important Christian festival is known as Easter, whereas in most other languages, its name is markedly different: Pâques in French, Pasg in Welsh, and Páscoa in Portuguese.
2/9 📷 East window of St Beuno's, Penmorfa, Gwynedd by an unknown maker (c.1851)
This divergence between English and most other European languages is a hotly debated historical topic, relating to the transition from paganism to Christianity in England during the 6th and 7th centuries.
3/9 📷 East window of All Saints', Ballidon by C.E. Kempe
Caring for over 60 places of worship in England and Wales means that from a few of our churchyards you can see some varied sights.
From 20th century infrastructure to cultural landmarks, the fabric and fate of our churches has been shaped by their localities.
1/6 📷 Sutterby
On the Welsh border, in the remote fields of Herefordshire stands St Peter's, Llancillo. Adjacent to the church is an 8 meter high earthen Motte, which is all the remains of Llancillo Castle. This fortification was originally constructed in the 1090s by Richard Esketot.
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Releasing plumes of steam into the sky, the cooling towers of the Drax Power Station are visible, across the flat Yorkshire’s Ouse Valley, from St Helen's, Barmby on the Marsh. While St Helen’s tower was built in the 1770s, the cooling towers were constructed in the 1970s.
Red and yellow and pink and green ... most children can tell you that rainbows contain seven colours, and many of us use 'ROYGBIV' to remember them. But people haven't always seen rainbows this way.
Rubens' 'The Rainbow Landscape' of 1636 was painted just three decades before major new scientific theories about colour and light emerged. The rainbow lights up surrounding clouds with highlights of lemony yellow and blue.
In 1664, Robert Boyle conducted experiments with prisms, and in the 'artificial rain-bow' he produced, he observed five colours: Red, Yellow, Green, Blew and Purple. ...
The church at Skeffling was built from glacial clutter and recycled masonry in the 1400s. It sits in Holderness. A landscape of mudflats and salt-marshes washed into existence by the North Sea.
Here ‘leaves unnoticed thicken, hidden weeds flower, neglected waters quicken’.
Those are the words of poet, Philip Larkin. Larkin explored this area after he moved to Hull in 1955 to take up the position of librarian at the Brynmor Jones Library at the University of Hull. He lived there and held that job for thirty years, until his death in 1985.
Of Hull, he wrote "I never thought about Hull until I was here. Having got here, it suits me in many ways. It is a little on the edge of things, I think even its natives would say that. I rather like being on the edge of things.”
If there were more than 20 sheep in the flock, he could note the first 20 when he reached Figgit by putting a pebble in his pocket, and then starting the sequence from Yan again.
(info from 'Alex's Adventures in Numberland' by Alex Bellos)