Last week we sealed the transfer on the first church of 2022 to come into our care.
It’s St Andrew’s, South Runcton, Norfolk: an excellent rebuilding of a ruined Norman church on the side of the Downham Market to Kings Lynn Road, and one of Norfolk’s first Victorian churches.
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By 1812, St Andrew’s was a crumbling, overgrown ruin of Romanesque arch and apse. Norwich artist, John Sell Cotman’s sketch of the church at that date shows what survived when Norwich architect, John Brown came on the scene in 1839.
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Brown rebuilt St Andrew’s in a Neo-Norman style, but the jury is out on how much Norman ruin he incorporated into his redesign. Some think he renewed the lot; others think he recut the chevron and billet decoration; some think he retained the bottom section of the arch.
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Arch and apse aside, the west front has giant corner pilasters, a bit of zig-zagging, a dog-tooth super-arch and some blind arcading. Textbook Norman.
The south elevation has more arcading, billet-moulding and a corbel table of grotesques.
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The northside is remarkable for its relative plainness. No arcading here. Just a stray grotesque or two. And an apsidal vestry with a conical roof that was tacked on in 1858. The vestry carries a date plaque with the cross of St Andrew and is riddled with asbestos.
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St Andrew’s is a church that rewards patient, careful looking. Look that the bell-cote crowning the gable: it’s a mini triple arch structure that replicates the triple arch detail found along the south elevation.
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Some people think the grotesques are reminiscent of Easter Island figures, others see Lego blocks but to me they are ultra-modern, stylised Norman beakheads. I love looking at them, and can’t wait to get up and learn if they were individually carved or mass-moulded.
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We have a LOT of repairs to do here. The church has been languishing on this busy roadside for over a decade. But we’re delighted that we could take it into our ownership, and will keep you updated on repairs and discoveries as we progress.
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As ever, no one pays us to take on these churches. We do it with membership subscriptions and donations. Our members and donors saved this church. So, thank you.
St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
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The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
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The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.