In every Bengali kitchen, “Potol-er Dorma” is a delicacy. A thread on the remarkable journey of the dish that tells an exciting story of cosmopolitan Calcutta and landmark immigration (1/9)
Readers who have experienced Mediterranean or Balkan cuisine would already be aware of the Turkish delicacy Dolma, a family of stuffed dishes mostly served as an appetizer (2/9)
Dolma is Turkey's national dish, where traditionally grape leaves are stuffed with rice and ground meat. The word dolma comes from dolmark in Turkish, which means 'to be stuffed’ (3/9)
However, there is an age-old debate between the Turks, Greeks and Armenians on the origin of Dolma. Armenians believe this is their heritage, and word
‘Tolma’ came from Toli, the ancient Urartian word for grape leaves (4/9)
When the Armenians arrived in India and Calcutta in the 16th century to escape Turkish persecution, they also brought a new blend of culture. The recipe of Dolma was one of those culinary customs that made its way to Calcutta (5/9)
What is less known is that Armenia is the land of ancient winemaking - the land of the vineyards. There are 100 different indigenous Armenian grape varieties. In Calcutta as well, the Armenian merchants grew grapevines in their house gardens (6/9)
With the advent of cultural exchange between the migrant Armenians and the native Bengalis, a new form of Bengali dish was formed taking inspiration from the Armenian dolmas - the quintessential ‘Potol-er Dorma’ (7/9)
“Potol-er Dorma” or stuffed pointed gourd became a delicacy in Bengali households soon. Fish and prawn are popular non-vegetarian choices for fillings, while, paneer, lentil or coconut stuffing became vegetarian alternatives (8/9)
Migration often recounts tales of wonder and terror. Humble Potol-er Dorma is one of the joyful ones to remember (9/9)
This is the story of a forgotten newspaper that was in a league of its own, a banned daily that fueled India’s first war of independence, the indomitable Payam-e-Azadi (1/n)
On the afternoon of 29 March 1857, Mangal Pandey, a sepoy of the 34th Bengal Native Infantry in Barrackpore, rebelled against his commanders, marking the inception of the Great Indian Sepoy Rebellion (2/n)
A month earlier, Dewan Azimullah Khan, the secretary of Nana Saheb, returned from England and Constantinople with a French printing press and a great vision of publishing a patriotic firebrand newspaper (3/n)
A short thread on how nationalistic sentiments came to engulf Madras’ theater world in the early 20th century creating a long-lasting legacy of using the stage as a medium of protest. #WorldTheatreDay 1/n
India at the beginning of the 20th century was beaming with nationalist fervor and anti-colonial sentiments and it was showing itself in all forms, especially in forms of performing arts and theatre. 2/n
Though Bengal was considered a pioneer in protests through the stage, it was not long before other regions of the country started using it as a medium. 3/n
As the cricket crazy nation heads into another cricket season, we look back at one of the first ladies of Indian cricket. The daughter of a legend and a star in her own right. A thread on the indomitable and multitalented Chandra Nayudu. 1/n
Chandra was the youngest of the three daughters of the legendary Col C.K. Nayudu from his first wife. Her love and adulation for the game must have started at an early age seeing her father, the country's test first captain play and preach the game. 2/n
Nayudu hailed from Indore, one of the largest cities in Central India and home to the princely Holkar dynasty. The city also has strong affiliations towards the game of cricket. 3/n
It was no less than a spy thriller when a fearless 22-year-old Usha Mehta from Surat ran an underground radio station to fight the British colonial forces. On her birthday, a thread on India’s bravest radio jockey, fondly known as Radio-Ben, and her secret Congress Radio. 1/n
Circa 1942 when all the prominent media were under constant British surveillance, a certain Usha Mehta emerged. She grew up highly influenced by Gandhi and was only eight when she joined the protest against the Simon commission. 2/n
1942 was a terrible time for the Indian press, as the prominent editors were forced to suppress all news on Congress activities to isolate the mass from the momentum of the freedom movement. 3/n
India has a bittersweet relationship with the All England Open, on one hand, it has given the country moments of ecstasy on the other moments of loss and agony. This thread is about one such moment of agony where events in court succumbed to the events in real life. 1/n
India held its breath on March 21st as the country’s new Badminton sensation Lakshya Sen lined up against the world No 1 Viktor Axelsen in the All England Open final. The 20-year-old from Almora, Uttarakhand fought hard but ultimately had to settle for second place. 2/n
It wasn't the first time an Indian had lost in the finals of the All England Open, the country's history with the tournament dates back long before Padukone's and Gopichand's time. 3/n
On 22nd March 1895, Auguste and Louis Lumière, two brothers invited 10 people to the National Industry Encouragement Society in Paris and showcased “La Sortie des ouvriers de l'usine Lumière”, the first motion-picture for mass, that forever changed the course of visual art. 🧵1/n
At 17, Louis came up with an ingenious idea of developing a highly sensitive photographic plate which immediately earned such commercial success that they had to build a factory for manufacturing. The quest for further innovation had just started. 2/n
In 1894, the Lumière Brothers deduced the first prototype of the Cinématographe, an advancement to the Kinetoscope. The machine was a combination of a camera, a printer and a projector which would be able to take and project moving pictures. 3/n