Day 14 since applying for a visa under the #HomesforUkraine scheme. Still nothing from the Home Office. 1/3
This is despite the Home Office briefing it’s now taking ‘a week’, as here in The Times. (I suspect they’re averaging out time for visas from the family scheme, which is quicker, because you can do the checks after arrival in the UK). 2/3
Finally, the government website says the Ukraine visa helpline is open 24/7. I’ve just tried it. It isn’t.
(@michaelgove)

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More from @arthistorynews

Mar 5
There have been three major examples of a confrontation between Russia and ‘the West’ which began on or near Russia’s south western borders, like the Ukraine crisis today. Two ended in war, one didn’t. I did my PhD on the one that didn’t, so THREAD. 1
First, the three examples: the Crimean War (1853-56); the Great Eastern Crisis (1876-8); and World War One (1914-18). (Wasn’t WWI mainly to do with Germany, you say? Yes, but look where it started, Serbia, and Austria and Russia mobilising). 2
In each case, trouble began along the fault lines where ‘The Powers’ (variously, Russia, Germany, Austria, Britain, France) met in and around the Balkans, competing to replace failing Ottoman Empire. 3
Read 16 tweets
Oct 30, 2021
It’s the National Trust AGM today. The main debate will be about attempts by some to present the Trust as too ‘woke’, which is a shame, because really it should be about the panicked and needless restructuring last year, which saw 1700 staff lose their jobs. >
In July last year the Trust said it had to restructure because it expected to ‘lose £200m’ due to Covid. That is, an actual loss, not just a decline in income. The Trust also assumed there would be no further government support. Many thought that was too pessimistic. >
But the Trust management insisted they had to act, and produced a plan to restructure the curatorial department and - who can forget - ‘flex their mansion offer’. But the latest accounts reveal the Trust to be richer than ever before. >
Read 7 tweets
May 15, 2021
Goodness, the Uffizi is jumping on the NFT bandwagon; €140,000 for what is basically a high-res photo of a Michelangelo. Madness. news.artnet.com/art-world/uffi…
This is the company that sells them. I'm not sure which is sadder; the fact that people are falling for this, or directors like James Bradbourne trying to claim these are 'original artworks'. (The museums get 50% of each sale.) cinello.com/en/museums-and…
This is the 'certificate of authenticity' you get. My 5 yards swimming certificate looked classier. Image
Read 4 tweets
Nov 20, 2020
I never thought I would see this. The @NationalGallery charging £8 for a 30 minute online tour of the Artemisia Gentileschi exhibition.

1/3

nationalgallery.org.uk/whats-on/artem…
Charging for this short film goes against everything the NG is supposed to stand for. It is our gallery, our art. We own it, we already pay for it. And especially now, in lockdown, when the NG should redoubling its efforts to share art online.

2/3
Why is it doing this? It won't make money, or build new audiences (in fact, it'll do the reverse). But @OliverDowden has demanded UK museums 'monetise online offerings'. And so art at the NG is now only for the rich and able. 3/3

theartnewspaper.com/comment/dcms-l…
Read 4 tweets
Aug 21, 2020
I've written more on the National Trust's new strategy for @TheArtNewspaper. The cuts at curator level are worse than I feared.

ALL specialist curators are to go - books, furniture, paintings, sculpture, etc. (Thread, 1/)

theartnewspaper.com/comment/nation…
In the central ‘Curation and Experience’ team, about 79 posts have been summarily ‘closed’. These staff must now compete amongst each other for 53 new posts. 2/
Earlier this week @thetimes published details of the Trust's ‘Ten Year Vision Document’, which set out an ambition to ‘dial down’ the Trust's role as a ‘major national cultural institution’. 3/
thetimes.co.uk/article/nation…
Read 7 tweets
Aug 19, 2020
The new @nationaltrust '10 Year Vision' is truly alarming for built heritage. Less focus on art history, objects put into in storage, fewer curators, and the end of what it calls the 'outdated mansion experience'. (Thread)
thetimes.co.uk/article/nation…
I've seen the internal document referred to in The Times. It's written by the Trust's Visitor Experience Director, and is full of W1A-type talk. But the last two pages refer to country houses, and it's not good news. > Image
The document talks enthusiastically about 'revolutionary' change to its country house offering. A small number of 'treasure houses' (like Petworth) will continue more or less as now. But for others, it's; reduced opening times, fewer volunteers, and more stuff in storage. > Image
Read 10 tweets

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