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Apr 4, 2022 10 tweets 4 min read Read on X
Where suggestive imagery is often considered a lazy and salacious aspect of comics storytelling, UXM 137 contains a sequence of vignettes that use sexuality to create a complex balance that advances important themes and symbols of the Dark Phoenix Saga. #xmen 1/10
Claremont & Byrne give the X-Men an evening’s respite before the final battle, and the narrative takes the time to portray each of them in brief scenes that highlight intimacy (and with it vulnerability), undress, and, in some cases, sexual drive. 2/10
Jean is seen in her robe in her private quarters; Logan emerges naked from the shower; Colossus rises out of bed in his underwear; Storm luxuriates in her own bed in the nude; Beast exchanges sexual innuendo with a Shi’ar attendant; and Scott and Jean kiss. 3/10
The exceptions are Angel and Kurt, who receive a distinctively out-of-pattern treatment, though we could even argue that exercise and flight have important symbolic connections to sexual activity (as Freud notes in “Interpretation of Dreams.” Probably just an outlier, though 4/10
The choice to sexualize the X-Men now is counterintuitive: they are facing a seemingly unwinnable battle for the life of a beloved teammate. Simply put, it’s really not sexy time, yet the sequence of vignettes bombards the reader with erotic gazes. 5/10
So what does this do? We could argue that it centres the reader’s attention on the body – using the erotic gaze to create bodily awareness in the minds of the reader, an awareness that might enhance the sense of vulnerability of said bodies later on. 6/10
It also, however, reflects sexual maturity, a major theme of the Dark Phoenix Saga in general, with particular emphasis on cultural restrictions on women’s sexual pleasure. Thus, a series of sexualizing scenes help to keep that theme forefront in the finale. 7/10
Perhaps relatedly, the erotic gaze also conveys a sense of vitality/virility – an important element to establish when seeking to add a sense of tragedy to Jean’s potential death; these are individuals in their physical (and sexual) primes. Death should be off the table. 8/10
Finally, the scene helps to build a fundamental sense of duality: sex/passion/life vs violence/responsibility/death. This duality is deeply woven into the Phoenix mythology and will continue to be cultivated by Claremont long after Jean’s demise. 9/10
In all of these things, the overarching effect is to add weight and balance to the battle that follows and ultimately to Jean’s death (though not originally planned), all in a way that might encourage us to move beyond one-note generalizations on the role of sex in comics. 10/10

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More from @ClaremontRun

Nov 22, 2024
In the Classic X-Men #2 backup story "First Friends" Claremont finally fills in one of the most notorious gaps in his own X-Men continuity: the initial cultivation of Ororo’s friendship with Jean. #xmen 1/8 Image
In the story that unfolds, Jean has invited Ororo alone to a social gathering at her Manhattan loft. Her logic is “There are so many guys in the X-Men, we gals have to stick together” thus establishing an intentional construction of a sororal community. 2/8 Image
From there Claremont falls into some of his familiar interpretations of feminine bonding: being naked in front of each other, wearing each other’s clothes, and going shopping together. This isn’t to say these things can’t work, of course, just that he does this a lot. 3/8 Image
Read 8 tweets
Oct 10, 2024
Arguably the most poignant costume transformation in UXM is that of Storm’s embrace of a costume that signifies the punk subculture (or counterculture) and digging a bit deeper into what it represents can illuminate the full significance of that shift on her character. 1/8 #xmen Image
The punk movement is often badly misunderstood in the popular zeitgeist. It isn’t about wrecking, it’s about resisting. Even the concept of anarchism contains a number of beautiful ideals at its core, including an enhanced commitment to community and love. 2/8 Image
Claremont shows complete awareness of the significance of Ororo’s transformation in the form of Kitty’s reaction, which surfaces the same misconceptions about what punk fashion represents. Kitty comes around, though, and so too does the reader. 3/8 Image
Read 8 tweets
Oct 3, 2024
The Cross-Time Caper is easily the most famous story arc from Claremont’s Excalibur, but it’s also a misnomer. Rather than ‘time’ (or even dimensions) the caper is actually built around a tour of famous fictional settings. 1/7 #xmen #excalibur @GoshGollyWow Image
The story begins with a dive into a world of Arthurian Romance in the spirit of Thomas Mallory’s “Le Morte D’Arthur” or T.H. White’s “The Once and Future King.” This initial foray sets the tone for juxtaposing Excalibur with a different fictional universe. 2/7 Image
From there, the team lands into a metatextual alternate version of the Marvel Comics Universe itself; After that they find themselves in Edgar Rice Burroughs’ John Carter of Mars; after that: a Manga universe with direct connections to Dirty Pair and Speed Racer. 3/7 Image
Read 7 tweets
Sep 26, 2024
Though Jim Lee gets most of the credit for the 1990s X-Men aesthetic, Scott Williams’ inks played an immeasurable role in taking Lee’s line art from house style to the forefront of comics illustration thanks to harmonious collaboration. #xmen 1/10 Image
In a recent interview with Syfywire, legendary inker Scott Williams talks about some of the misconceptions surrounding what inkers actually do and about how his 30 year partnership with Jim Lee in particular has thrived on mutual influence. 2/10 Image
Williams immediately dispels the tragic misconception that inkers are tracers, describing a much stronger artistic contribution: "There are a lot of times where deadline strikes and the penciler is not able to give all the information within a given page that is required.” 3/10 Image
Read 10 tweets
Sep 5, 2024
UXM 261 feels more or less like a backdoor pilot for “Hardcase and the Harriers” but it also features some strong initial character development of Jubilee, defining the complex dualities and opposing extremes that readers identify with in Jubilation. #xmen #Jubilee 1/10 Image
The issue opens with Jubilee expressing her frustration at the Southeast-Asian cuisine she’s exposed to in contrast to her abiding love for American junk food (something Wolverine provides, thus showcasing his bond with her). 2/10 Image
Though a small and simple bit, the scene dramatizes Jubilee’s representational complexity as an Asian-American. This is actually important for a series that, since GSXM #1, was built around characters embodying essentialist national types. 3/10 Image
Read 10 tweets
Aug 29, 2024
At the time of Colossus’s 1975 debut, America was embroiled in “The Cold War” with the USSR, a war that was often fought through media propaganda. Though Piotr was built around familiar US symbols of Soviet people, Claremont developed him away from type. #xmen 1/8 Image
Steel and agriculture were dominant symbols of the USSR at the time (seen on their flag), so a farm-boy who turns to living steel is right in-line with type from the get-go. His costume also features the colours of the Soviet flag and he espouses communist philosophy. 2/8 Image
In “Asymmetric Warfare: The Vision of the Enemy in American and Soviet Cold War Cinemas,” Andrey Shcherbenok establishes US mass culture’s tendency to portray Soviet persons in media as homogenized, generic enemies, overdetermined by their hate of America. 3/8 Image
Read 8 tweets

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